Abdessadeq Cheqara

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Abdessadeq Cheqara (1931-October 31, 1998) (in Arabic: عبد الصادق شقارة) was a Moroccan singer of traditional Andalusian classical music and Moroccan folk music. Known as the grand master of al-Ala (Andalusian music), he was also a violin and oud virtuoso.

Life[edit]

Abdessadeq Cheqara was born in Tetuan, Morocco, a city noted for its Andalusian influences. His father, Abdessalam Cheqara, was a famed singer and musician in Tetuan, while his mother, Assoudia Alharrak, was descended of a family of poets, musicians and philosophers.

From a young age, Cheqara was drawn to music and poetry, being influenced by his father, who gave him his first oud. Cheqara was also influenced by the Zawia Al-Harraqiya sufi movement, which practises devotion to Allah through the performance of Andalusian music. Many of the songs are also about beautiful Andalusia, beautiful women and good wine, remindful of the Al-Andalus period. By the age of fourteen, Cheqara already performed in a band, meeting Abdessalam Allouch, who taught him malhoun (the Arabic art of sung poetry).

Cheqara sang Andalusian and traditional Moroccan folksongs in mawawil (improvised solo), inshad (solo) styles.

Cheqara did much to popularize Andalusian music. Prior to the advent of Abdessadeq, Andalusian music was largely an elite music for Andalusians alone. Abdessadeq had a popular modern image and recorded with flamenco ensembles. In this way, he helped to create the image that Andalusian music was "hip."

Much of the Andalusian popular songs or Cha'abi (Sha'abi) are believed to have been appropriated from female Andalusian musicians of Tetuan such as Hajja Shili and Hajja Shahaba. Because of sexism, they were not permitted to record or perform if any males were present and are henceforth not well known. Reportedly Abdessadeq Chekara used to sit with Hajja Cha'haba and Hajja Shili and learn the women's songs, only to go on to record them. Many of the popular Andalusian songs (such as Ben't Bladi) are written from a women's perspective [1]

Abdessadeq died on October 31, 1998, after a prolonged illness.

Legacy[edit]

His work in preserving and developing the Andalusian legacy continues with fellow Tetuani, Tarik Banzi of Al andalus ensemble, or Radio Tarifa.

Records and events[edit]

Other notable achievements include:

  • In 1961, Cheqara recorded eight nawbas of Andalusian Music in association with UNESCO's Andalusian Music Fans Association – an initiative to preserve the Andalusian heritage of Morocco.
  • In 1978, Cheqara was appointed Supervisor General of the National Conservatory.
  • In 1982, Cheqara met Professor Jose Heredia in Grenada, Spain, and collaborated to produce one of his most famous songs, Bent Bladi, a combination of Tétouani music and flamenco.
  • Abdesadaq Cheqara Melodías de una vida • Melodies of a life time (historical recordings) PN-620[2]

Spelling[edit]

His first name is also written Abd el Saddeq, Abdessadek, Abdesaddek, and many other variations. His surname is variously spelt Chekara, Cheqara, Chqara, Sheqara, Shekara, Shkara, and variations thereof.

Footnotes[edit]

  1. ^ See Alison Bakers book of interviews of Tetuani women's contributions (Baker 1998) in addition to the thesis on Andalusian women'musicians entitled "Women's Andalusian Ensembles of Tetuan, Morocco" (University of California, Santa Barbara: Ethnomusicology) (Banzi 2002) and http://www.Andalus.com
  2. ^ (Spanish) Biography by Eduardo Paniagua. Essay on recordings by Omar Metioui

External links[edit]