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Asad Raza (artist)

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Asad Raza
Born
Buffalo, New York, US
Alma materJohns Hopkins University
Asad Raza (2015)

Asad Raza is an American artist who lives and works in New York, NY.

Life and education

Asad Raza was born in 1974 in Buffalo, New York to Pakistani immigrant parents, and studied literature at Johns Hopkins University from 1992-1996 and filmmaking at the Tisch School of Arts in 1993. He also studied literature at NYU, where he helped organize the 2005 graduate student strike.[1] From 2005-2010, Raza wrote frequently about tennis for various magazines and newspapers.[2][3]

Work

Asad Raza's practices encompasses artistic projects, collaborations, curatorial work and his work, and he is described as "one of the most interesting crossroads figures in our sometimes rigid panorama."[4]

Raza’s works often respond to a particular environment in a site-specific manner. For example, in Root sequence. Mother tongue, created for the 2017 Whitney Biennial, trees in boxes were brought into the museum.[5] Another example of this is his piece Untitled (plot for dialogue). Here, Raza installed a tennis court inside the 16th century church of San Paolo Converso in Milan.[6]

Selected projects

Absorption

In 2019 Raza created the 34th Kaldor Public Art Project in Sydney, Australia. His work, entitled Absorption, entailed the creation of 300 tonnes of "neo-soil" made from waste products and other materials found in Sydney. This filled an entire building at the Carriageworks art institution, and was given away to visitors. According to the Sydney Morning Herald, the work "dramatises the differences between art and science, but it also shows us what they have in common...Artists, like scientists, are constantly pushing back the frontiers of the thinkable. By creating a work from soil, Raza is making a clear statement of ecological intent.[7]"

Untitled (plot for dialogue)

Asked to create a show for CONVERSO, Raza "installed a clay tennis court in a desacralised 16th-century church in Milan"[8] complete with flooring, lines, netting, racquets, iced jasmine tea, scent and coaches for a tennis-like game.[9] The piece was described as "plac[ing] the experience of play above the purely visual appreciation, as the back-and-forth of tennis exchanges produces meditative beauty through actions never to be repeated."[10]

Root sequence. Mother tongue

Created for the 2017 Whitney Biennial, Root sequence. Mother tongue was an composed of "26 young, often flowering trees facing the flickering light of the city",[11] human caretakers, and objects belonging to the caretakers, as well as a scent created by Raza’s sister, the perfumer and artist Alia Raza. The piece ran for 4 months, and included a curatorial element, the Weekend Guests series, in which Raza invited choreographers, musicians, poets and scholars to conduct events inside the installation, including Manthia Diawara,[12] Moriah Evans,[13] Dan Graham,[14] Gayatri Chakravorty Spivak,[15] Andros Zins-Browne,[16] and others. The piece was shown for a second time at the Rockbund Museum, Shanghai, in September–October 2017.[17]

home show

The Home Show was a hybrid artistic and curatorial exhibition held in Raza’s own apartment.[18] For the show, he asked thirty artists he knew to contribute objects, instructions, rituals: Carsten Höller contributed "a dream-activating toothpaste" and Rachel Rose edited all of his possessions.[19] Raza also included items from family members and his life. Raza gave a tour to each visitor for the show’s five weeks, executing the instructions and rituals each day.[20]

Schema for a school

Schema for a school takes the form of "an experimental school"[21] that considered new models for teaching and learning, through a series of relevant thoughts and actions drawn from sociology, philosophy, cooking, choreography, literature, and other forms of awareness. Raza was influenced by Dan Graham’s Schema (1966), a work that describes its own attributes according to strict rules every time it is reproduced.[22] Schema is an adaptive protocol, a responsive script, and its form is a model for the pedagogical schemata the school will use. The school first took place in Ljubljana, Slovenia in 2015, with further iterations at the Villa Empain in Brussels and Palais de Tokyo in Paris in 2016, and it is next scheduled for New York’s The Shed in 2018.[23] 

There is no east or west

Raza’s project animated the streetlights running up a hillside promenade in Ljublana’s, playing a visual song visible from many parts of the city. Coming on with the streetlights at dusk and running until dawn, the piece lasted the duration of the 2015 Graphic Art Biennial, turning the cityscape into an animated graphic artwork. Raza says he was influences by blinking lights visible across the Bosphorus in Istanbul.[24]

Minor History

Minor History is a portrait in film of Wahid Mohammed, Asad Raza’s 90 year-old uncle who lives in Buffalo, New York. The film premiered on January 27, 2019 at International Film Festival Rotterdam.[25]

Collaborations

Home Cooking

In March 2020, Raza began a collaborative project known as Home Cooking, a digital artist-run space with collaborators Marianna Simnett, Dora Budor, Prem Krishnamurthy, Precious Okoyomon. Presenting works, conversations and interviews, Home Cooking was a way of presenting new work within a coronavirus reality.

Villa Empain

From 2016-2017, Raza served as the artistic director for the Villa Empain, Brussels. There he co-curated the shows Mondialité[permanent dead link‍] with Hans Ulrich Obrist,[26] Décor with Dorothea von Hantelmann and Tino Sehgal,[27] Répétition with Nicola Lees, and Seeing Zen with Felix Hess and John Stevens.

Solaris Chronicles

For this show, curated by Liam Gillick, Hans Ulrich Obrist, and Philippe Parreno, Raza collaborated with Parreno and Sehgal[28] to create a dramaturgical presentation of the architectural models of Frank Gehry, which were placed on wheeled tables and moved in a choreographic ballet.[29]

A stroll through a fun palace

For this show curated by Hans Ulrich Obrist, Raza and Sehgal created a dramaturgical presentation of the archives of Lucius Burkhardt and Cedric Price.[30][31]

Collaborations as producer/dramaturge

From 2010-2015, Raza collaborated frequently with Tino Sehgal, serving as the producer[32] for Sehgal’s major exhibition at the Guggenheim Museum in New York.[33] His closest collaborations with Sehgal came in 2011-12, with the works Ann Lee first shown at the Manchester International and These associations, which Raza and Sehgal developed in London and Manchester over two years.[34] According to the Guardian, "[s]everal hundred participants" were involved in the project at the Tate, "recruited through networks of friends and acquaintances, and rehearsed by Sehgal and his producer, Asad Raza."[35] In 2014, Raza produced and directed These associations at CCBB, Rio de Janeiro in Brazil.[36] In 2014 Raza also realized a long-term project of bring Sehgal’s works to the ancient center of Athens, Greece, with the NEON foundation, stating "When I visited the ancient sites of Athens, where commercial, cultural, social and philosophical exchange took place, where knowledge passed through and was transferred between bodies, I had the distinct feeling that the embodied and dialogical elements in Sehgal’s work would have a special resonance here.”[37]

Raza served as a dramaturge for several exhibitions with Philippe Parreno, including Park Avenue Armory, Rockbund Museum,[38] and Jumex Museum.

Mayfield Depot

For the 2013 Manchester International Festival, Alex Poots, Hans Ulrich Obrist, Raza, and Sehgal programmed this exhibition in the disused Manchester train depot, which was a museum of dance and live art projects.[39]

Books

Raza has made several books, including Home Show, Mondialité, Décor, Seeing Zen, and Répétition.

He has also written about tennis for magazines and newspapers including the New Yorker, n+1, the New York Times, and Tennis magazine.

References

  1. ^ "Yes, we are students, but we are also workers". Cinema Journal. 45 (4): 85. 2006-10-12. doi:10.1353/cj.2006.0049. ISSN 1527-2087.
  2. ^ "Asad Raza - Straight Sets Blog - The New York Times". straightsets.blogs.nytimes.com. Retrieved 2018-02-07.
  3. ^ Raza, Asad (2014-09-05). "Tennis Gets Anxious". The New Yorker. ISSN 0028-792X. Retrieved 2018-02-07.
  4. ^ "Adrián Villar Rojas "Rinascimento" at Fondazione Sandretto Re Rebaudengo, Turin •Mousse Magazine". moussemagazine.it (in Italian). Retrieved 2018-02-07.
  5. ^ Schjeldahl, Peter (2017-03-17). "The Whitney Biennial's Political Mood". The New Yorker. ISSN 0028-792X. Retrieved 2017-12-27.
  6. ^ "asad raza's orange tennis court fills a church interior". designboom | architecture & design magazine. 2017-11-10. Retrieved 2017-12-27.
  7. ^ "Kaldor Public Art Project: Asad Raza's fertile mix of art and science". www.smh.com.au. 10 May 2019. Retrieved 2020-07-19.
  8. ^ "Anyone for art? Asad Raza's tennis court installation in a former Milan church was ace". www.theartnewspaper.com. Retrieved 2018-02-07.
  9. ^ "Play a game of tennis inside this 16th-century Milan church". The Spaces. 2017-11-14. Retrieved 2018-01-03.
  10. ^ "Asad Raza Installs Tennis Court Inside 16th Century Milan Church — urdesignmag". urdesignmag. 2017-11-23. Retrieved 2018-02-07.
  11. ^ Smith, Roberta (2017-03-16). "Why the Whitney's Humanist, Pro-Diversity Biennial Is a Revelation". The New York Times. ISSN 0362-4331. Retrieved 2018-02-07.
  12. ^ "Asad Raza's Weekend Guests: Manthia Diawara | Whitney Museum of American Art". whitney.org. Retrieved 2018-01-03.
  13. ^ "Asad Raza's Weekend Guests: Moriah Evans | Whitney Museum of American Art". whitney.linkedbyair.net. Archived from the original on 2018-05-06. Retrieved 2018-01-03.
  14. ^ "Asad Raza's Weekend Guests: Dan Graham | Whitney Museum of American Art". whitney.org. Retrieved 2018-01-03.
  15. ^ ""Forest, Field, Furrow" Gayatri Chakravorty Spivak and Asad Raza". ICLS | Columbia University. 2017-06-07. Retrieved 2018-01-03.
  16. ^ "Asad Raza's Weekend Guests: Andros Zins-Browne".
  17. ^ "RAM HIGHLIGHT 2017: DISPLACE | Exhibition | Rockbund Art Museum". www.rockbundartmuseum.org. Retrieved 2018-01-03.
  18. ^ "Asad Raza's 'Home Show' Is in His Apartment—artnet News". artnet News. 2015-12-14. Retrieved 2018-01-03.
  19. ^ Magazine, Wallpaper* (2015-12-11). "Home grown: Asad Raza stages art show in his one-bedroom NYC apartment". Wallpaper*. Retrieved 2018-02-07.
  20. ^ "New York – Asad Raza's "Home Show," on View Through December 20th, 2015". Retrieved 2018-02-07.
  21. ^ "The Shed's Director on How Azealia Banks and Tino Sehgal Will Make Us All More Civilized | artnet News". artnet News. 2018-02-06. Retrieved 2018-02-07.
  22. ^ "The programme for the 31st Biennial of Graphic Arts, Ljubljana will feature over 40 projects by international and local artists. - Biennial Foundation". Biennial Foundation. 2015-05-10. Retrieved 2018-01-03.
  23. ^ "The Shed, NYC's Newest $500M Performing Arts Center, Announces Pre-Opening Concert Series". Billboard. Retrieved 2018-02-07.
  24. ^ "The 31st Biennial of Graphic Arts, Ljubljana explores the sociopolitical characteristics associated with the graphic arts, particularly in connection with reproduction, publicity and community, and reflects on the Biennial's history as a radical site for producing and distributing images. - Biennial Foundation". Biennial Foundation. 2015-08-18. Retrieved 2018-01-03.
  25. ^ "Minor History". IFFR. 2019-01-15. Retrieved 2019-02-26.
  26. ^ "Mondialité - Announcements - e-flux". www.e-flux.com. Retrieved 2018-01-03.
  27. ^ "Décor". frieze.com. Retrieved 2018-01-03.
  28. ^ ""Solaris Chronicles" at LUMA Arles •Mousse Magazine". moussemagazine.it (in Italian). Retrieved 2018-01-03.
  29. ^ Magazine, Wallpaper* (2014-07-11). "Solaris Chronicles: an exhibition celebrating the ground breaking of a new building by Frank Gehry is a moveable feast | Art | Wallpaper* Magazine". Wallpaper*. Retrieved 2018-01-03.
  30. ^ "Cedric & Lucius". www.domusweb.it. Retrieved 2018-02-07.
  31. ^ Switzerland, deimos.ch - Zurich. "biennials.ch – Pro Helvetia's platform to present the Swiss contributions to the Venice Biennials". biennials.ch. Retrieved 2018-01-03.
  32. ^ DeSantis, Alicia (2010-03-12). "A Work by Tino Sehgal at the Guggenheim Walked With You". The New York Times. ISSN 0362-4331. Retrieved 2018-02-07.
  33. ^ Henderson, Eric J. (2012-01-31). "Solving the Scenario: Asad Raza, Art Producer". Huffington Post. Retrieved 2018-01-03.
  34. ^ Collins, Lauren (2012-07-30). "The Question Artist". The New Yorker. ISSN 0028-792X. Retrieved 2018-01-03.
  35. ^ Higgins, Charlotte (2012-07-23). "Tino Sehgal fills Tate Modern's Turbine Hall with storytellers". the Guardian. Retrieved 2018-02-07.
  36. ^ "Tino Sehgal traz ao Rio sua arte de encontros e desencontros". O Globo (in Brazilian Portuguese). 2014-02-27. Retrieved 2018-02-07.
  37. ^ "Tino Sehgal in Athens". ART IS ALIVE. 2014-09-17. Retrieved 2018-02-07.
  38. ^ "Philippe Parreno: Synchronicity | Exhibition | Rockbund Art Museum". www.rockbundartmuseum.org. Retrieved 2018-01-03.
  39. ^ Walters, Sarah (2013-07-12). "Manchester International Festival: Asad Raza is breathing life back into Mayfield depot". men. Retrieved 2018-02-07.
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