BLK Art Group
The BLK Art Group was the name chosen in 1982 by a group of five influential conceptual artists, painters, sculptors and installation artists based in England. Keith Piper, Marlene Smith,[1] Eddie Chambers[2] and Donald Rodney were initially based in the Midlands.
The group were all from the British African-Caribbean community and exhibited in a number of group exhibitions in both small and prestigious galleries throughout the country. Their work was noted for its boldly political stance, producing dynamic conceptual art that offered a series of inventive critiques on the state of inter-communal, class and gender relations in the UK.[3] They were themselves influenced by a variety of artistic currents including ideas associated with the USA's Black Arts Movement. Donald Rodney, who suffered from sickle cell anaemia (anemia), died aged 36 in 1998.
Precursors[edit]
In 1979, Eddie Chambers founded a group known as the Wolverhampton Young Black Artists.[4]
In 1981, Chambers curated an exhibition, Black Art & Done, at the Wolverhampton Art Gallery, which gave a focus to issues concerning the black community, including racial prejudice.[5] Participating artists included Dominic Dawes, Ian Palmer, Andrew Hazel and Keith Piper.[4]
Institutional impact and legacy[edit]
The group exhibited from 1982–83 in The Pan-Afrikan Connection, touring to Ikon Gallery,Birmingham, Trent Polytechnic in Nottingham; King Street Gallery in Bristol; and the Africa Centre in London and The `Herbert Gallery in Coventry. In 1983–84 the touring exhibition The BLK Art Group was held at the Herbert Art Gallery in Coventry, Battersea Arts Centre and again the Africa Centre.[6] In 1988 Eddie Chambers curated the exhibition Black Art: Plotting the Course.[7]
The group's critique of the institutional racism of Britain's art world was part of the impetus that led to The Other Story, a seminal survey of African and Asian artists curated by Rasheed Araeen at London's Hayward Gallery in 1989,[8] as well as the founding of the Association of Black Photographers and the establishment of Iniva, the Institute of International Visual Art.[9] Piper and Chambers themselves have both gone on to achieve veteran status as educators, writers and curators.[10]
In 2011, the Blk Art Group Research Project was set up by Keith Piper, Claudette Johnson and Marlene Smith.[11]
Critical appraisal[edit]
Eddie Chambers has argued that despite their undoubted creativity and social relevance, the group suffered from the general lack of serious critical attention given to black artists by the British arts media.[12] Nevertheless, their enthusiasm and commitment to making art relevant to everyday life ensured that they were a strong influence on the later generation of black British artists that included Young British Artists (YBA) such as Chris Ofili and Steve McQueen, both of whom went on to win Turner Prizes, while maintaining a clear political element to their work.[3]
Other artists associated with the BLK Art Group[edit]
- Faisal Abdu'allah[13] - consequent[clarification needed]
- David A. Bailey - contemporary
- Sonia Boyce - contemporary
- Denzil Forrester - contemporary
- Godfried Donkor - consequent[clarification needed]
- Lubaina Himid - contemporary
- Claudette Johnson - contemporary
- Tam Joseph[14] - forerunner/contemporary
- Virginia Nimarkoh - contemporary
- Pitika Ntuli - forerunner/contemporary
- Eugene Palmer - contemporary
- Mark Sealy - contemporary
- Maud Sulter (1960–2008) - contemporary
- Fowokan - contemporary
See also[edit]
Further reading[edit]
- Julia Ann Paige Abraham, "Transformation and Defiance in the Art Establishment: Mapping the Exhibitions of The BLK Art Group (1981–1983)". Thesis, University of Birmingham.
References[edit]
- ^ and Claudette Johnson. Marlene Smith recounts founding of BLK Art Group on Tate Britain website. Updated 30 July 2014.
- ^ Eddie Chambers Biography by Richard Hylton. "As a facilitator and mentor to many in the visual arts, the importance of his contribution cannot be overstated". Retrieved 22 December 2006.
- ^ a b Shades of Black: Assembling Black Arts in 1980s Britain. Duke University Press. 2005. ISBN 978-0822334200. Retrieved 29 August 2009.
- ^ a b Pauline de Souza (2002). "Black Art Group". In Alison Donnell (ed.). Companion to Contemporary Black British Culture. Routledge. pp. 36–7. ISBN 978-1-134-70025-7.
- ^ "The Blk Art Group". Tate. Retrieved 16 May 2022.
- ^ Pauline de Souza, "Rodney, Donald Gladstone (1961–1998)", Oxford Dictionary of National Biography, Oxford University Press, 2004.
- ^ Adelaide Damoah, "Lime Exhibitions Feature: 50 Years of Black Art in the African Diaspora" Archived 14 March 2018 at the Wayback Machine, Lime.
- ^ "The BLK Art Group: Reflecting On Britain's Instrumental Black Arts Movement Of The 80s". Something Curated. 6 July 2020. Retrieved 16 May 2022.
- ^ "BLK Art Group In-Conversation". Association for Art History. April 2021. Retrieved 14 February 2022.
- ^ "Coming up in the Black Moment". Keith Piper | A Personal Reflection on the Blk Art Group. Retrieved 16 May 2022.
- ^ "The BLK Art Group: 'Whoever Heard of a Black Artist?'". The Modernist. 10 July 2020. Retrieved 16 May 2022.
- ^ Eddie Chambers, Review of Shades of Black Archived 2 February 2007 at the Wayback Machine, Art Monthly. Retrieved 23 February 2007.
- ^ Faisal Abdu'Allah Gallery Universes in Universe - Worlds of Art. Retrieved 8 October 2006.
- ^ Eddie Chambers, Profile of Tam Joseph Archived 27 July 2007 at the Wayback Machine. Retrieved 13 March 2007.
External links[edit]
- Blk Art Group Research Project 2012
- Leah Sinclair, "The BLK Art Group: how the West Midlands collective inspired the art world", Art UK, 12 August 2020.
- "BLK Art Group In-Conversation", Association for Art History, April 2021.
- Alex Mistlin, "'We were the AYBs – the angry young Blacks': the art movement that rocked Thatcher's Britain", The Guardian, 4 January 2022.
- "The BLK Art Group", The Reunion, BBC Radio 4, 10 September 2023.