Benny Harris
Benny Harris (April 23, 1919, New York City – May 11, 1975, San Francisco) was an American bebop trumpeter and composer.
A self-taught musician, in the mid-1930s Benny Harris was already playing with Thelonious Monk. In later years, he participated to some of the jam sessions that gave birth to the bebop jazz style. Reportedly,[1] it was Harris that persuaded Dizzy Gillespie of Charlie Parker's ability by playing one of Parkers's improvisations to Gillespie.
Harris's first major gig was in 1939 with Tiny Bradshaw.[2] He played with Earl Hines in 1941 and 1943, and worked the 52nd Street bebop circuit in New York City in the 1940s, where he collaborated with Benny Carter, John Kirby, Coleman Hawkins, Don Byas, and Thelonious Monk. He was with Boyd Raeburn from 1944–45 and Clyde Hart in 1944; he and Byas worked together again in 1945. He played less in the late 1940s, though he appeared with Dizzy Gillespie in 1949 and Charlie Parker in 1952. Tina Brooks' biographer, Michael Cuscuna[3] reports that Harris was still performing around New York in 1957 (at the Blue Morocco jazz club in the Bronx), entertaining relationships with fellow musicians and discographic agents. However, he appears to have never recorded again.
Harris was never a well-known soloist, and is better known for his compositions, which include "Ornithology" (a signature Charlie Parker tune), "Crazeology", "Reets and I" (a Bud Powell favorite), and "Wahoo".
[edit] References
- ^ Steven Strunk in "The New Grove Dictionary of Jazz", Macmillan Reference Ltd 1988
- ^ Scott Yanow, Benny Harris at Allmusic
- ^ Michael Cuscuna on Tina Brooks at the Hard Bop homepage
