Big John Bates
Big John Bates | |
---|---|
Background information | |
Also known as | John Bates |
Origin | Vancouver, Canada, Missoula, Montana |
Genres | Americana, post-rock, garage_music, Psychedelic_music, early psychobilly, thrash metal |
Labels | Frontman Records, Rookie Records, Alternative Tentacles, Glitterhouse Records, Roadrunner Records |
Members | Big John Bates Brandy Bones Ty-Ty the Saviour Requiemily |
Past members | Timothy Hagberg JT Massacre |
Website | bigjohnbates |
Big John Bates (Gretsch guitars, mandolin, banjo, vocals) currently performs in the Big John Bates: Noirchestra project; creating dark, post-rock'n'roll with elements of psychedelia. The band uniquely incorporates strings with Höfner upright bassist Brandy Bones, Requiemily on violin and Ty-Ty the Saviour (Rich Sticks) on timpani, percussion and trap kit. Their live shows and sonic qualities have been compared to Nick Cave and Siouxsie Sioux with Jello Biafra stating of the first EP "Headless Fowl is extremely cool"[1] (and including the band in his Alternative Tentacles catalog).
Early life
Born in Toronto, the Bates' moved to Ottawa when John was five. He taught himself to play guitar at age 14, learning songs with American friends over summers in the 1000 Islands and techniques from Exciter guitarist John Ricci. John's early guitar bodies were made by his brother Bruce in high-school workshop and wired by John from old Sears guitars. After high school John had his guitar and amp stolen, leading him to focus on lyrics and vocals. He formed his first professional band Annihilator with Jeff Waters, rehearsing and writing in the basement of Fashion 604 in Ottawa for over two years. After quitting the group John returned to business school then moved to Vancouver. He continued devoting himself to underground music, creating the musical identity Big John Bates after his previous post-punk band Bates Motel.
After reuniting with his Nova Scotian birth family John discovered his father was a contributing member of Montreal's The Beau Marks (the first #1 hit recorded in Canada).[2]
Musical career
Annihilator
John's musical career began as the founding singer of Annihilator, the "highest-selling thrash metal band from Canada". After meeting Jeff Waters through mutual friends with the intention to cover AC/DC songs, John and Jeff instead decided to write together and formed Annihilator. The band rehearsed 5 days a week over a two-year period to hone their craft as songwriters and began the band's touring legacy with a residency in Val D‘Or Quebec. During this time Waters and Bates co-wrote most of the tracks from "Alison Hell" and "Never, Neverland" before leaving the band. John later co-wrote songs on "King of the Kill", engineered the demos for the record deal, and subsequentially wrote songs for the three following albums. Bates also contributed a guitar track to "Remains".[3]
Big John Bates & the Voodoo Dollz
Citing influences such as Shadowy Men on a Shadowy Planet, the Cramps, Reverend Horton Heat, early Alice Cooper, the pioneers of swing music and the new burlesque revolution, the group Big John Bates & the Voodoo Dollz was formed in 2000. They were the first touring band to incorporate burlesque performers and performed over 1000 shows and festivals throughout Europe and North America.
Shortly after forming the band John bought his trademark handmade Gretsch White Falcon 6136 (after a conversation with Rick from SCOTS and Elvez) from the bassist in Badfinger and it remained his main guitar for the duration of the band. BJB & the Dollz supported such notable artists as the Fuzztones, the Blasters, Black Rebel Motorcycle Club, Solomon Burke, Koko Taylor, Big Bad Voodoo Daddy, The Boss Hoss and Andre Williams[4] (Dynamite Magazine).
Each of their four albums (and live DVDs) had different drummers and upright bassist sCare-oline. She also incorporated traditional and gothic bellydance early in the group's career, performing while the songs "Whiplash" and "Salome's Last Dance" were played with guitar and percussion. Documentaries in North America on the A&E Network and Discovery Network interviewed John about the influences of both film-maker Russ Meyer and authors Dashiell Hammett and Mickey Spillane on the lyrical content and neo-burlesque styles. Bates' version of "Tainted Love" from their Mystiki album (2003) was the director's choice for the French film "Un singe sur le clos".
Big John Bates: Noirchestra
In 2010 Big John Bates and Brandy Bones made the first Noirchestra recordings with drummer JT Massacre and engineer/producer Todd Simko (Pure) at Faceplant Studios in Vancouver. The Scarecrow Close 7" single was released on Rookie Records and was also available at Hot Topic across the USA. Further recording was done in Nashville in 2011 (with Orian Case on drums) at Mark Robertson's (th' Legendary Shack Shakers) though most of the drumming for Battered Bones/Headless Fowl was done in early 2012 by Timothy Hagberg. The tracks were mixed and mastered in Denver by Robert Ferbrache (Slim Cessna's Auto Club, Wovenhand, 16 Horsepower), creator of the "Denver Sound".[5]
These sessions were split with six songs (and two videos) released in North America as Headless Fowl in April 2012 by Frontman Records and the remainder released in Europe as "Battered Bones" on Rookie Records (Germany) in Sept 2012. The "Headless" release was accompanied by a March/April 2012 headlining tour of the US and Canada with Murder By Death (band). "Battered Bones" was supported by a Fall 2012 headlining tour through the EU and North America. These dates included the Halifax Pop Explosion (2012) where their performance earned the festival's highest rating among bands such as Black Lips, Elliott Brood, Wintersleep and Deer Tick.[6] They also had their song "Taste the Barrel" featured on the Canadian TV Series Arctic Air.
In 2013 Frontman Records compiled 13 tracks from the sessions and released them digitally as "The Headless Fowl LP". The release entered the Top 10 on LOUD college charts across Canada.[7] 2014 saw the band release the 7" single "Black Timber Bitter Root" mixer David Carswell (New Pornographers, Teagan and Sara) on Rookie Records and their song "Taste the Barrel" featured on the Canadian Broadcasting Corporation's TV show Arctic Air.
Bates completed a 22-date headlining tour of Europe in May 2014 and a Can-Am tour with White Cowbell Oklahoma and The Paceshifters in Nov/Dec 2014. On their time off the band wrote and recorded their sophomore LP "From the Bestiary to the Leathering Room" in their recording studio aboard the Caleuche (John's private boat moored in Vancouver's False Creek.) They followed the release with a two-month European tour May–June 2015 (Italy, Switzerland, Germany, Austria) with a CAN-AM tour following in Fall 2015. The Canadian release in Spring 2016 saw the band roll back up to top 7 on the Canadian !Earshot charts thanks to support from CFBX and CITR. This release is also distributed by Alternative Tentacles (USA) and Cargo Records (EU) and will be supported by a second European tour in Fall 2016. [8]
Discography
Big John Bates: Noirchestra
- 2015: From the Bestiary to the Leathering Room (Frontman/Rookie Records)
- 2014: Black Timber Bitter Root (Frontman/Rookie Records 7")
- 2013: The Headless Fowl LP (Frontman Records/iTunes Digital LP)
- 2012: Battered Bones (Frontman/Rookie Records LP)
- 2012: Headless Fowl EP (Frontman Records/Alternative Tentacles EP)
- 2010: Scarecrow Close (Rookie Records 7")
Big John Bates & the Voodoo Dollz
- 2010: Clockwork Blues (Frontman Records DVD)
- 2009: Bangtown (Rookie Records/Stag-o-Lee Records/Devil's Ruin Records)
- 2007: Live at the Voodoo Ball (Devil Sauce Recordings DVD)
- 2006: Take Your Medicine (Wolverine Records)
- 2003: Mystiki (Devil Sauce Recordings)
- 2001: Flamethrower (El Toro Records - re-release of Voodoo Bar-B-Q)[9]
- 1999: Vibro-Psychotic (Nearly Nude Music 7")[10]
Bates Motel
- 1996: Tales of Ordinary Madness (Tomcat Records/Nearly Nude Records)
- 1988-1992: Various Cassettes (Self-released)
Annihilator
- 1999: Criteria for a Black Widow (Roadrunner Records)
- 1997: Remains (CMC International)
- 1996: Refresh the Demon (Music For Nations)
- 1994: King of the Kill (Hypnotic)
- 1990: Never, Neverland (Roadrunner Records)
- 1989: Alison Hell (Roadrunner Records)
References
- ^ http://www.alternativetentacles.com"
- ^ Live105, Halifax; interviewer: Floyd
- ^ <http://www.annihilatormetal.com>
- ^ "Truemmer Booking Homepage". www.truemmerpromotion.de. Retrieved 2014-07-12.
- ^ <http://www.wild4washingtonwine.com/2013/03/day-two-big-john-bates-and-brandy-bones.html>
- ^ "Halifax Pop review Big John Bates". Thescenemagazine.ca. 2012-10-21. Retrieved 2014-07-12.
- ^ "the national campus and community radio report : charts, interviews, reviews : !earshot :". Earshot-online.com. 2014-07-08. Retrieved 2014-07-12.
- ^ <http://www.bigjohnbates.com
- ^ Lejtenyi, Patrick. "Big John Bates - Voodoo Bar-B-Q • Pop & Rock Reviews •". Exclaim.ca. Retrieved 2014-07-12.
- ^ "Big John Bates Discography at Discogs". Discogs.com. Retrieved 2014-07-12.
External links
- Big John Bates
- Big John Bates on YouTube
- Excalim.ca
- Discogs.com