Big band remote

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Sam Berman's caricature of bandleader-vocalist Eddy Howard for NBC's 1947 promotional book. Howard was heard in big band remotes from Chicago's Aragon Ballroom.

A big band remote (a.k.a. dance band remote) was a remote broadcast, popular on radio during the 1930s and 1940s, involving a coast-to-coast live transmission of a big band.

As early as 1923, listeners could tune in the Waldorf-Astoria Orchestra. The Oriole Orchestra (Dan Russo and Ted Fio Rito) was performing at Chicago's Edgewater Beach Hotel when they did their first radio remote broadcast on March 29, 1924, and two years later, they opened the famous Aragon Ballroom in July 1926, doing radio remotes nationally from both the Aragon and the Trianon Ballrooms. In 1929, after Rudy Vallée's Orchestra vacated Manhattan's Heigh-Ho Club to do a movie in Hollywood, Will Osborne's dance band found fame with a nationwide audience due to radio remotes from the Heigh-Ho. That same year, Phil Spitalny and his orchestra broadcast on NBC from the Hotel Pennsylvania in New York.

By 1930, Ben Bernie was heard in weekly remotes from Manhattan's Roosevelt Hotel. On November 24, 1937, Glenn Miller did a remote on NBC from Boston's Raymor Ballroom on Huntington Avenue (one block from Symphony Hall). In 1939, both NBC and Mutual broadcast Glenn Miller and his orchestra from the Glen Island casino in New Rochelle, New York, an unusual dual-network remote with some 1,800 people present in the Casino ballroom.

Broadcasts were usually transmitted by the major radio networks directly from hotels, ballrooms, restaurants and clubs. During World War II, the remote locations expanded to include military bases and defense plants. Band remotes mostly originated in major cities, including Boston, Los Angeles, New York, Philadelphia, San Francisco and Chicago. The Chicago broadcasts featured bands headed by Count Basie, Frankie Carle, Duke Ellington, Jan Garber, Jerry Gray, Woody Herman, Earl Hines, Eddy Howard (from the Aragon Ballroom), Dick Jurgens, Kay Kyser (from the Blackhawk Restaurant), Coon-Sanders Original Nighthawk Orchestra (from the Blackhawk), Ted Weems, Shep Fields (from the Palmer House) and Griff Williams.

The usual procedure involved the network sending a two-man team, announcer and engineer, with remote radio equipment to a designated location. The announcer would open with music behind an introduction:

Coming to you from Frank Dailey's Meadowbrook on Route 23, just off the Pompton Turnpike in Cedar Grove, New Jersey, we present the music of Charlie Barnet and His Orchestra.[1]
For your dancing pleasure, Columbia brings you the music of Count Basie and his orchestra, coming to you from the Famous Door on Fifty-Second Street in New York City.[2]

Artie Shaw's many remote broadcasts included the Rose Room of Boston's Ritz Carlton Hotel. The Blue Room of New York's Hotel Lincoln was the location of his only regular radio series as headliner. Sponsored by Old Gold cigarettes, Shaw broadcast on CBS from November 20, 1938 until November 14, 1939. Before he launched Sun Records, Sam Phillips ran regular big band remotes with the Chuck Foster orchestra and others from the Peabody Hotel Skyway Ballroom in Memphis, Tennessee.[3] The tradition continued into the 1950s with Ray Anthony doing band remotes on CBS in 1951-52. In the mid-1950s, NBC broadcast jazz club remotes on Monitor featuring Howard Rumsey, Al Hibbler and others.[4]

Bands heard on 1930s–40s radio remotes[edit]

See also[edit]

  • Martin Streek, Canadian broadcaster/DJ who did live-to-air broadcasts at Toronto nightclubs from the 1980s to the 2000s

Sources[edit]

References[edit]

  1. ^ Thompson, E.D. More Nashville Nostalgia. Westview Publishing, 2004.
  2. ^ Orgill, Roxane. Dream Lucky: When FDR Was in the White House, Count Basie Was on the Radio, and Everyone Wore a Hat. Smithsonian Books/Collins, 2008.
  3. ^ Harrison, Jennifer. Elvis As We Knew Him, iUniverse, 2003
  4. ^ Monitor
  5. ^ Music & Big Bands

Listen to[edit]

External links[edit]