Brian Flemming

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Brian Flemming
Born 1966/1967 (age 47–48)[1]
Nationality American
Occupation film director, playwright, activist
Known for Bat Boy: The Musical, Nothing So Strange, Blasphemy Challenge

Brian Flemming is an American film director, playwright, and activist. His films include Hang Your Dog in the Wind, Nothing So Strange, and The God Who Wasn't There. His musicals include Bat Boy: The Musical, which won the LA Weekly Theater Award, Lucille Lortel Award, and Outer Critics Circle Award. He advocates for the Free culture movement and is an outspoken atheist.

Early career[edit]

Flemming's first feature film was the low-budget Hang Your Dog in the Wind. Partly to promote his film, Flemming co-founded a punk film festival in Park City, Utah, called the Slumdance Film Festival, a pun on the name of the Slamdance Film Festival (which in turn referred to the Sundance Film Festival).[2]

Slumdance brought Flemming to the attention of John Pierson, who later hired Flemming to work as a director and segment producer for Pierson's Independent Film Channel magazine-style show called Split Screen.[3]

Bat Boy[edit]

After Slumdance, Flemming turned his attention from indie film to theater with Bat Boy: The Musical. The unconventional stage musical is based on a story about a half-bat half-boy from the tabloid Weekly World News. Flemming co-wrote Bat Boy with Keythe Farley and Laurence O'Keefe.[4] The musical grew from a Los Angeles theater to winning the LA Weekly Theater Award for Musical of the Year Award for 1999,[5] plus four Ovation Award nominations and six Drama-Logue Awards.[6]

Bat Boy: The Musical made its way to a New York production in March 2001, for which the play won the Lucille Lortel Award for Best Musical,[7] the Outer Critics Circle Award for Best Musical Off-Broadway,[8] and six Drama Desk nominations.[8] The New Yorker described Bat Boy as a "giggling cult hit".[this quote needs a citation] The New York Times wrote, "It is astonishing what intelligent wit can accomplish".[9] The musical ran in New York through December 2001 and has since been staged thousands of times throughout the world, including a major production in London's West End in 2004, and is published in several languages.

Nothing So Strange[edit]

Flemming caused considerable media controversy with his second feature film,[citation needed] a faux documentary about the assassination of Bill Gates called Nothing So Strange. Even before its debut, media outlets such as Fox News and the Drudge Report condemned the film as outrageous for its premise.[citation needed] Bill Gates said through a spokesman that it was "very disappointing that a movie maker would do something like this".[10] Nothing So Strange debuted at the 2002 Sundance Film Festival. Variety called it, "a crackling good movie... [that] may be the ideal prototype film for the digital age".[11] The film won the Claiborne Pell New York Times Award for Original Vision at the 2002 Newport Film Festival.[12]

On 24 October 2003 the film had a simultaneous debut in theaters and as an Internet download.[13] It was released on DVD in December 2004.[14]

The God Who Wasn't There[edit]

In 2005, Flemming released his third feature-length film, the documentary The God Who Wasn't There. Through interviews with biblical and folklore scholars, Flemming investigates the evidence for the existence of Jesus, concluding that it is highly improbable that the Christian savior ever actually lived. He then discusses the beliefs of conservative Christian fundamentalists, Christian moderates (who, he states, simply enable the fundamentalists), and returns to confront the principal of the fundamentalist Christian school he attended as a child. Flemming launched three media campaigns to support his documentary: War on Christmas, War on Easter, and Blasphemy Challenge. The Blasphemy Challenge was the most successful of the three publicity stunts, gaining coverage by Newsweek, NBC News, Fox News and many other media outlets,[citation needed] and participation by Penn Jillette,[15] Richard Dawkins and Raël. In 2006, Newsweek magazine included Flemming on its list of America's Ten Most Influential Atheists.[citation needed]

Activism[edit]

In addition to working in film and theater, Flemming is an activist on copyright issues. He has released Nothing So Strange as an open source project, which means all of the raw footage that makes up the film is released without copyright restrictions for anyone to use. The final cut of the film, however, remains protected by copyright.[16]

Flemming founded the organization Free Cinema, which encourages feature filmmakers to create films under two rules:[10]

  1. No money may be spent on the production, and
  2. The film must be released under a copyleft license.

Flemming claims that filmmaking can now be "as inexpensive as writing novels"[this quote needs a citation] and that the copylefting practice is a way for new artists to gain notice and distribution in a marketplace dominated by large corporations. Free Cinema was inspired by the Free Software Movement, which is guided by similar principles of freedom. Flemming is also the owner and operator of Fair Use Press, which distributes e-books critical of public figures such as Bill O'Reilly and Arnold Schwarzenegger for their stance on intellectual property law.[17]

During the 2007 Slamdance Film Festival, Flemming, who had been invited to sit on the festival's documentary jury, saw a demo of the video game Super Columbine Massacre RPG! and hearing about it having its nomination pulled by the festival's founder, convinced fellow jurors to award it a "Special Jury Prize" for Best Documentary (an unofficial award not endorsed by the festival). The festival's founder, Peter Baxter, later told Flemming that legal considerations prevented SCMRPG from receiving the award.[18]

Additional work[edit]

Between his major projects, Flemming has worked as a screenwriter-for-hire, composer/musician, journalist and photographer.

As screenwriter only[edit]

With Bat Boy: The Musical collaborator Keythe Farley, Flemming wrote the screenplays for: a planned MGM remake of the classic camp film Beach Blanket Bingo, the Bat Boy feature film (for director John Landis), and a 2000 episode of the animated TV series Rugrats. Flemming also wrote the screenplay for the sequel to Josh Olson's horror movie Infested. Flemming is a member of the Writers Guild of America, a screenwriters' labor union, and participated in the 2007–2008 Writers Guild of America strike.

As composer/musician[edit]

Flemming composed and performed the music scores for Nothing So Strange under the name Mary Rosh and for The God Who Wasn't There under the name DJ Madson. Flemming plays guitar, trumpet and keyboards on his music scores. He played guitar and sang as part of a 2008 April Fool's Day stunt in which he pretended to have converted to Christianity.

As journalist and photographer[edit]

Flemming's still photography work has appeared in Newsweek, London Mail on Sunday, the Los Angeles Times and the L.A. Weekly. He has written articles for Filmmaker and Movieline magazines, and until 2008 maintained a daily personal weblog that often featured extended opinion essays on a variety of topics, including copyright law, freethought, and the exploitation of sex workers.

Other[edit]

In 1999 Flemming created an audio documentary, The Rabbi vs. Larry Flynt, about a debate on pornography between Rabbi Shmuley Boteach and Larry Flynt.

Flemming is interviewed on camera in the documentaries Independent's Day and Playing Columbine. To promote and discuss his films, he has appeared on CNN, NBC, ABC News' Nightline, and the Fox News Channel.

References[edit]

  1. ^ Mosteller, Rachel (17 February 2007). "Taking the Debate About God Online, and Battling It Out With Videos". The New York Times. Retrieved 24 March 2014. 
  2. ^ Caro, Mark (2 February 1997). "New Kids On The Block". Chicago Tribune. Retrieved 24 March 2014. 
  3. ^ Caro, Mark (7 November 1999). "Reel Drama". Chicago Tribune. Retrieved 24 March 2014. 
  4. ^ Miller, Scott (2011). Sex, Drugs, Rock & Roll, and Musicals. UPNE. pp. 175–203. ISBN 9781555537616. 
  5. ^ Morris, Steven Leigh (15 April 1998). "Monsters Galore". LA Weekly. Retrieved 24 March 2014. 
  6. ^ Pike, Laurie (21 April 2001). "Hit Musical 'Bat Boy,' a Strange Beast, Seemed Unlikely to Fly". Los Angeles Times. Retrieved 24 March 2014. 
  7. ^ Lefkowitz, David (23 April 2001). 7 "Bat Boy, Proof, Mnemonic Among Winners of 2001 OB Lortel Awards; Ceremony May 7". Playbill. Retrieved 24 March 2014. 
  8. ^ a b Inverne, James (2 July 2004). "Bat Boy to Fly Into London's West End". Playbill. Retrieved 24 March 2014. 
  9. ^ Weber, Bruce (22 March 2001). "THEATER REVIEW; Who's the Guy Who Ordered the Bloody Mary on the Rocks?". The New York Times. Retrieved 24 March 2014. 
  10. ^ a b Campos, Eric (5 August 2003). "BRIAN FLEMMING: THE CINEMATIC VAGRANT WHO WOULD BE GOVERNOR". Film Threat. Retrieved 24 March 2014. 
  11. ^ Foundas, Scott (24 February 2002). "Review: Nothing So Strange". Variety. Retrieved 24 March 2014. 
  12. ^ "NOTHING SO STRANGE IN SAN FRANCISCO". Film Threat. 13 January 2003. Retrieved 24 March 2014. 
  13. ^ Flemming, Brian (23 October 2003). "Nothing So Strange makes history again: First worldwide int". Slumdance.com. Retrieved 24 March 2014. 
  14. ^ Bovberg, Jason (11 April 2004). "Nothing So Strange". DVD Talk. Retrieved 24 March 2014. 
  15. ^ Berman, John (30 January 2007). "The Blasphemy Challenge". ABC News. Retrieved 24 March 2014. 
  16. ^ Hartlaub, Peter (10 February 2003). "Beyond the big coverup / Indie film takes on conspiracy theories". SF Gate. Retrieved 24 March 2014. 
  17. ^ "BRIAN FLEMMING’S MEDIA ATTACK". Film Threat. 28 August 2003. Retrieved 24 March 2014. 
  18. ^ Orland, Kyle (31 January 2007). "Columbine game blocked from receiving Slamdance special jury prize". Joystiq. Retrieved 10 December 2008. 

External links[edit]