Campbell House (Toronto)
Campbell House is a historic house in downtown Toronto, Canada. It is the oldest remaining house from the original site of the Town of York and was built by Upper Canada Chief Justice Sir William Campbell and his wife Hannah in 1822. The home was designed for entertaining and comfort, and constructed at a time when the Campbells were socially and economically established and their children had grown to adulthood.
The house is one of the few remaining examples of Georgian architecture left in Toronto and is constructed in a style in vogue during the late Georgian era known as Palladian architecture.
The house was originally located on a plot of land 1.5 km (0.93 mi) southeast of its current location, at the intersection of what is now Adelaide Street and Frederick Street. More specifically, it stood at the head of Frederick Street as a view terminus. Upon Sir William Campbell's death in 1834, his estate conveyed the house to his wife, Lady Campbell, for her use. After Lady Campbell's death in 1844, her estate auctioned the property and the contents of the house with the proceeds distributed amongst their heirs. For most of the 19th century the structure remained a private residence. It continued to be home to various prominent citizens until 1890, by which point the neighbourhood had changed into a commercial and industrial zone. The building eventually came to be used by several businesses after the turn of the 20th century as office space and a factory, including a horseshoe nails company and an elevator company.
The 1972 Move
In 1972 the last owners of the property, the Coutts-Hallmark Greeting Cards Company, wanted to demolish the house to expand its parking lot. Prior to demolition the company offered the house to anyone who could remove it from the property. A professional association of trial lawyers known as the Advocates Society, launched a campaign to save the building. They eventually secured the site at the northwest corner of University Avenue and Queen Street West, south of the Canada Life Building. With assistance from maintenance trucks of the Toronto Transit Commission, the 270 tf (300 short tons-force) home was moved 1,617 m (5,305 ft) northwest from Adelaide Street to its current location in 1972. The move was a major spectacle, and attracted a large crowd as it closed several downtown streets. Her Majesty Queen Elizabeth, the Queen Mother opened the fully restored structure on 1 April 1972.
The preservation of the house was an important turning point in architectural preservation in Toronto. During the 1950s and 1960s, 19th-century homes were demolished at a rapid rate; architect Eric Arthur even predicted that by the year 2000, there may be no 19th-century buildings left in the city. The spectacle of the physical move to save Campbell House was a preservation achievement which sparked greater interest among Torontonians to save other local landmarks when they became threatened.
Today, the home serves as both a historic house museum and a club for the members of the Advocates Society. The museum also includes an art gallery. The home has also displayed outdoor exhibitions, including the 2013 show by Canadian contemporary artist Harley Valentine, titled Barbarians at the Gate.
- Arthur, Eric (2003). Stephen A. Otto, ed. Toronto: No Mean City (3 ed.). University of Toronto Press. p. 224. ISBN 0-8020-6587-2. Retrieved 2012-08-22.
In the march of progress every vestige of our nineteenth-century heritage will have disappeared, and only University College, Osgoode Hall, the old City Hall, St Lawrence Hall, and a few churches will remain. Even for them, fire is the ever-present menace, and it is not inconceivable that by 2000 AD all the nineteenth-century buildings dealt with in this book will be one with Nineveh and Tyre.
- Cruickshack, Tom; de Visser, John (15 August 2008). Old Toronto Houses (2nd Edition). Firefly Books. p. 22. ISBN 978-1554073825. Retrieved 2014-05-21.
The event marked a turning point in Toronto's preservation history...the drama left an impression. Thereafter, it seems the public was no longer indifferent whenever a local landmark was threatened.