Comfort and Joy (1984 film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Comfort and Joy
Comfort and joy.jpg
Theatrical release poster
Directed by Bill Forsyth
Screenplay by Bill Forsyth
Starring Bill Paterson
Eleanor David
Clare Grogan
Alex Norton
Music by Mark Knopfler
Cinematography Chris Menges
Edited by Michael Ellis
Production
  company
Thorn EMI
Lake Ltd.
Scottish TV
Distributed by Thorn EMI
Release date(s)
  • 10 October 1984 (1984-10-10) (United States)
Running time 106 minutes
Country United Kingdom
Language English

Comfort and Joy is a 1984 Scottish comedy film written and directed by Bill Forsyth and starring Bill Paterson as a radio disc jockey whose life undergoes a bizarre upheaval after his girlfriend leaves him. After he witnesses the attack on an icecream van by angry competitors, he is led into the struggle between two Italian families over the ice cream market of Glasgow.[1] The film received a BAFTA Award Nomination for Best Original Screenplay in 1985.[2]

Plot[edit]

A few days before Christmas, Glasgow radio disc jockey Allan "Dicky" Bird is stunned when Maddy (Eleanor David), his kleptomaniac girlfriend of four years, suddenly announces that she is moving out. His doctor friend Colin (Patrick Malahide) tries to console him, but Bird is heartbroken.

One day, he goes for a drive to take his mind off his troubles. Noticing an attractive girl, Charlotte (Clare Grogan), in the back of a "Mr. Bunny" ice cream van, he follows it under a railway bridge on a whim and when the van stops, purchases an ice cream cone. (As in Alice in Wonderland, the protagonist has followed a rabbit through a tunnel, with sometimes bizarre consequences.) To his amazement, three men drive up and proceed to smash up the van with baseball bats. The occupants retaliate with squirts of raspberry sauce. By sheer chance, Bird finds himself involved in a turf war between rival Italian ice cream vendors: the young interloper Trevor (Alex Norton) and the older, more established "Mr. McCool" (Roberto Bernardi).

As an admired local celebrity, Bird meets with McCool and his sons Bruno, Paolo, and Renato. He then goes back and forth between them and Trevor and Charlotte (later revealed to be McCool's rebellious daughter), trying to negotiate a peaceful settlement. Various misadventures follow, with his red BMW 323i Baur convertible suffering more and more damage each time. Bird becomes obsessed with resolving the war. To contact the combatants, he starts broadcasting coded messages on his early morning show, causing Hilary (Rikki Fulton), his boss, to ask his secretary if Mr. Bird's contract includes a "sanity clause." Hilary then orders Bird to see a psychiatrist about the Mr. Bunny he keeps trying to reach.

In the end, Bird proposes that the rival entrepreneurs, who turn out to be uncle and nephew, join forces to market a new treat: ice cream fritters. Both sides are impressed by the product's potential. It appeals both to Trevor's fish and chips frying background as well as Mr. McCool's ice cream expertise. Since Bird alone knows the secret ingredient of the ancient Chinese recipe, he cuts himself in for 30% of the gross and repairs to his abused car.

During the credits, he is heard trying to record a commercial for the new product: "Frosty Hots".

Cast[edit]

Reception[edit]

Critical response[edit]

In his review in the New York Times, Vincent Canby wrote, "Comfort and Joy is a charming film on its own, but something of a disappointment when compared to Gregory's Girl and Local Hero, in which the inventions were more consistently comic and crazy."[3] The staff at Film4 agreed, calling it "... somehow not as satisfying as his [Forsyth's] early films."[4] The reviewer went on to observe that, "Paterson is always worth seeing, while Grogan and David are equally watchable, but there aren't the belly laughs That Sinking Feeling provides so readily, or the casual charm of Gregory's Girl." The Variety magazine staff review was also lukewarm, concluding that after "... evincing much laughter over an unexpectedly funny couple living together, Forsyth abruptly switches into a more conventional plot" and that "David and Paterson are terrific together and almost every line between them is a joy. From the point she departs with no explanation the pic flashes a sparky moment or two, but it doesn't reach the high spots again."[5]

On the other hand, Roger Ebert called Comfort and Joy "... one of the happiest and most engaging movies you are likely to see this year, and it comes from a Glasgow director who has made a specialty out of characters who are as real as you and me, and nicer than me."[6]

Comfort and Joy has a 100 percent certified "fresh" rating on Rotten Tomatoes, based on ten reviews.[7]

Awards and nominations[edit]

  • 1985 BAFTA Film Award Nomination for Best Original Screenplay (Bill Forsyth)
  • 1985 National Society of Film Critics Award for Best Cinematography (Chris Menges)[2]

Soundtrack[edit]

As with Forsyth's previous film, Local Hero, Mark Knopfler provided the film's score. Some musical passages were taken from the 1982 Dire Straits album Love Over Gold.

See also[edit]

References[edit]

  1. ^ Comfort and Joy at the British Film Institute.
  2. ^ a b "Awards for Comfort and Joy". Internet Movie Database. Retrieved 29 July 2013. .
  3. ^ Vincent Canby (10 October 1984). "Comfort and Joy". The New York Times. Retrieved 29 July 2013. .
  4. ^ "Comfort and Joy". Film4 staff review. Retrieved 29 July 2013. .
  5. ^ "Comfort and Joy". Variety staff review. 1984. Retrieved 29 July 2013. .
  6. ^ Roger Ebert (1 January 1984). "Comfort and Joy". rogerebert.com. Retrieved 29 July 2013. .
  7. ^ Comfort and Joy at Rotten Tomatoes.

External links[edit]