|Company||Cirque du Soleil|
|Show type||Touring production|
|Date of premiere||April 21, 2005 (Montreal)|
|Final show||November 22, 2015 (Mexico city)|
|Director||Daniele Finzi Pasca|
|Director of creation||Line Tremblay|
|Set designer||Jean Rabasse|
|Additional composers||Jean-François Côté
|Costume designer||Dominique Lemieux|
|Makeup designer||Nathalie Gagné|
|Sound designer||Jonathan Deans|
|Lighting designer||Martin Labrecque|
|Dramaturgical analyst||Dolores Heredia|
|Acting coaches||Hugo Gargiulo
|Acrobatic equipment||Danny Zen|
|Preceded by||Kà (2004)|
|Succeeded by||Delirium (2006)|
Corteo // is a Cirque du Soleil touring production that premiered in Montreal, Canada on April 21, 2005. As of May 24, 2005, Cirque du Soleil had broken its record of spectators for the première location in Montreal; more than 200,000 people had viewed the production, far outpacing the prior record of 180,000 tickets sold for Varekai during its première.
Cortéo—an Italian word meaning "cortège," or procession—is a contemporary circus show about a clown who watches his own funeral taking place in a carnival-like atmosphere. It is partly inspired by The Grand Parade: Portrait of the Artist as Clown on display at the National Gallery of Canada.
Directed by Daniele Finzi Pasca, founder of the Swiss clown troupe Teatro Sunil and director of several shows by Cirque Éloize, Cortéo is presented in the round under a large tent. The action takes place on a large circular stage consisting of concentric rotating rings. This allows one area of the stage to rotate while another remains stationary. At times during the performance, the stage is divided by a large curtain illustrated with a painting called the Cortéo Procession. There are entrances/exits at either side of the circular stage.
- 1 Set and technical information
- 2 Cast
- 3 Acts
- 4 Costumes
- 5 Music
- 6 Filmography
- 7 Tour
- 8 Reception
- 9 References
- 10 External links
Set and technical information
Cirque du Soleil divided the Grand Chapiteau in two by creating a stage that spans the diameter of the tent, thus allowing the audience to face one another as well as giving a performer's perspective to them. Built into the 104 feet (32 m) long stage are two turntables which have a diameter of 41 feet (12 m). Corteo's set has a special overhead transport mechanism, dubbed the "Patience", which has two rails which are fitted with four platform-like carts each. Each cart has a lifting capacity of 1,000 pounds (450 kg) and a top speed of 4 feet per second (1.2 m/s). At its highest point, it is 41 feet (12 m) above the stage.
The curtains utilized in Corteo have been painted in watercolors and were inspired by a painting from 1885 by Adolphe Willette. The Roll Drop curtains are about 58 feet (18 m) in width and 40 feet (12 m) in height. The inner curtains were constructed in Canada and sent to France to be painted. Each of the four inner curtains took nearly two weeks to be individually painted.
- Mauro: The central character of Corteo, and the one being honored in this funeral procession. He is also referred to as the dead clown or the dreamer clown.
- Clowness: The Clowness is an actress, a veritable grande dame of the stage, who somehow found herself a part of this nutty troupe. Her professionalism and her strength of character allow her to bear the foolishness of her partners, whom she never fails to charm.
- Giant clown: Although only an amateur opera singer, the Giant Clown imagines himself to be a great artist of worldwide renown. Without doubt, it is with him that the Dead Clown is closest, almost like brothers.
- Little clown: A diminutive clown who’s in love with the Clowness, the Little Clown is always ready to play tricks on his associates. Impish and lively, he is both an endearing companion and a force to be reckoned with.
- Loyal whistler: His origins come from the classic role of "Mr. Loyal", the ringmaster of a traditional circus.
- White clown: For the White Clown, a Pierrot, appearances are what matters most. Like the Loyal Whistler, he is an authority figure … at least, he’d like to be. Of all the colourful characters, he admires only the stars and scorns the others. It is the White Clown who opens the door to the magic of the circus for the Dead Clown.
- Little angel: Watches over Mauro and guides him.
- Chandeliers: An aerial act unlike any other, involving three large chandeliers and four aerialists.
- Bouncing beds: A group of artists mimic children in this comical trampoline act. The beds have a trampoline as a mattress for this act to work.
- Cyr wheel: A group of performers spin and rotate while in a large metal ring.
- Tightrope: A solo artist walks a tight wire barefoot or in ballet pointe shoes, the act also involves props such as hula hoops and a unicycle.
- Acro Duo: A couple perform stunning acrobatic feats. The man throws the woman in the air as she somersaults, she lands and they are united again for the next trick.
- Diablolos:Um artista faz peripercias usando seu Diabolo
- Helium Dance: The clowness floats above the ground with aid at a large set of gigantic balloons and the dead clown.
- Teeterboard: Three feuding artists send each other flying high in the air in this energetic act.
- Paradise: A unique aerial act involving a trampoline safety net, and four aerial cradles. The performers throw one another from these cradles to a group on the next cradle.
- Tibetan bowls: A large group play the soothing Tibetan bowls, they accompany the loyal whistlers whistling.
- Duo adagio: On a rotating platform, two artists use strength and balance as they contort themselves to many beautiful figures.
- Juggling: A quartet of performers toss clubs and rings to each other with a bullseye accuracy.
- Ladder: An acrobat climbs up and down, even performs a handstand on top of a high free standing ladder.
- Aerial straps: using sheer strength a duo perform with long cords attached to the ceiling as they swing around the stage.
- Tournik: An original act that takes the traditional high bar apparatus, but creates a twist by fusing four high bars to make a cube.
- Rhythmic gymnastics: A fiery act that involved two female and a male rhythmic gymnast, they used hoops, ribbons and balls in this act.
- Solo Straps: A lone artist swung across the stage with a pair of long cords that she clung onto
- Vocal Aerial Silk: A unique rotational act that was performed by Marie-Michelle Faber, she would perform an extravagant tissu act, while singing.
Corteo's costume designer, Dominique Lemieux, utilized "matériaux bruts et des matières nobles" (French for "raw and luxury fabrics") to create the wardrobe for this Cirque du Soleil production in order to accentuate the artist's natural beauty. The finer details of the outfits were inspired by European styles between 1890 and 1930. The color palette chosen was soft in nature, including blue, pink, and fuchsia along with copper and gold hues. In order to create a worn-in, hand-me-down style of clothing, the costumes were airbrushed and dyed. Common fabrics throughout the wardrobe include silk, linen, and cotton, which are adorned with beaded lace, sequins, and gemstones. In total, more than 900 fabrics were utilized to create the 184 costumes. If back-up and rotational costumes are to be taken into account, the total costume count grows to around 450 costumes with 284 rotations. During each show day, 12 to 16 hours of ironing is necessitated in order to prepare the costumes.
- The performers in the Paradise act are clothed in silk georgette, crêpe de Chine, and satin.
- The musicians have pleated ruffs along the neckline in addition to engageantes.
- The White clown is dressed to represent classic commedia dell'arte characters. The fabric is gathered at both the hips and shoulders by cartridge pleats, and the bibs are covered in honeycomb stocking.
Corteo’s score was originally composed by Philippe Leduc and Maria Bonzanigo. Additional composers including Jean-François Côté and Michel A. Smith subsequently reworked several pieces. Show director Daniele Finzi Pasca contributed lyrics. Cirque du Soleil Musique released an album of music from Corteo on 23 September 2006 in Canada, and 7 October 2006 in the US. Corteo was one of the first Cirque du Soleil CDs to feature multiple composers.
The album features the contribution of 61 musicians and singers, a 16-piece choir and a 13-piece string section. Corteo’s lyrics are sung in Italian, French, and Spanish.
The tracks from the CD are listed below and alongside are the acts during which they are played.
- Funerale (Opening pt. 1)
- Ritornare (Opening pt. 2)
- Rêve d'un pantin (Marionette)
- Les chevaux à bottes (Little horses)
- Nos dejó (Cortege)
- Klezmer Moment (Helium dance)
- Prendersi per mano (Aerial straps)
- Anneaux (Cyr wheels)
- El cielo sabrá (Tightwire)
- Fugue (Chandeliers)
- Volo volando (Chandeliers)
- Un tierno y dulce (Planche)
- Balade au bout d'une échelle (Freestanding ladder)
- Garda lassù (Planche)
- Triangle tango (Rhythmic gymnastics)
- Che finalone (Tournik)
Cirque released their film adaptation of Corteo on April 11, 2006. It was filmed in Canada in 2005. During the Creative Arts ceremony on September 8, 2007, it won the Emmy award for Outstanding Picture Editing for a Special. The following day, it also won a Gémeaux (Gemini Award) for Meilleur montage - humour, variétés, arts de la scène (best editing - humor, entertainment, performing arts).
Since Corteo's première in Montreal in 2005, it has been seen by more than 5 million spectators. Corteo celebrated its 1000th show in January 2008 in San Diego; its 1500th show in June 2009 in Nagoya, Japan; and its 2000th show in September 2010 in Kazan, Russia.
Corteo's 2008 American tour began on December 18, 2007, in Atlanta, with stops in Dallas, Houston, Columbus, Denver, Los Angeles, Orange County, San Diego, Portland, Seattle, Vancouver, Calgary, and Ottawa. The show finished its North American tour in Miami and began an Asian tour in 2009, premiering in Tokyo on February 4, 2009, then moving on Nagoya, Osaka, Fukuoka, and Sendai.
Corteo's last show is said to be scheduled for November 2015. Due to the complexity of the aerial system and stage set-up, an arena tour is said to not be possible. The show will close after Mexico City, Mexico.
The following colorboxes indicate the region of each performance:
Europe North America South America Asia/Pacific Oceania Africa Central America
Grand Chapiteau tour
Montreal, QC - From 21 April 2005 to 19 June 2005 (show première)
Quebec, QC - From 30 June 2005 to 24 July 2005
Toronto, ON - From 4 August 2005 to 11 September 2005
Minneapolis, MN - From 23 September 2005 to 23 October 2005
San Francisco, CA - From 11 November 2005 to 8 January 2006
San Jose, CA - From 19 January 2006 to 5 March 2006
Phoenix, AZ - From 16 March 2006 to 9 April 2006
New York, NY - From 25 April 2006 to 2 July 2006
Chicago, IL - From 14 July 2006 to 27 August 2006
Boston, MA - From 8 September 2006 to 15 October 2006
Washington, DC - From 26 October 2006 to 26 November 2006
Atlanta, GA - From 15 December 2006 to 28 January 2007
Dallas, TX - From 9 February 2007 to 11 March 2007
Houston, TX - From 22 March 2007 to 29 April 2007
Columbus, OH - From 11 May 2007 to 10 June 2007
Denver, CO - From 22 June 2007 to 5 August 2007
Los Angeles, CA - From 23 August 2007 to 28 October 2007
Costa Mesa, CA - From 8 November 2007 to 23 December 2007
San Diego, CA - From 11 January 2008 to 17 February 2008
Portland, OR - From 4 March 2008 to 13 April 2008
Seattle, WA - From 24 April 2008 to 1 June 2008
Vancouver, BC - From 12 June 2008 to 20 July 2008
Calgary, AB - From 31 July 2008 to 7 September 2008
Ottawa, ON - From 24 September 2008 to 26 October 2008
Miami, FL - From 13 November 2008 to 28 December 2008
Tokyo, JP - From 4 February 2009 to 5 May 2009
Nagoya, JP - From 21 May 2009 to 12 July 2009
Osaka, JP - From 29 July 2009 to 18 October 2009
Tokyo, JP - From 4 November 2009 to 24 January 2010
Fukuoka, JP - From 11 February 2010 to 4 April 2010
Sendai, JP - From 21 April 2010 to 6 June 2010
St Petersburg, RU - From 26 June 2010 to 8 August 2010
Kazan, RU - From 21 August 2010 to 26 September 2010
Moscow, RU - From 9 October 2010 to 12 December 2010
Brussels, BE - From 4 January 2011 to 30 January 2011
Vienna, AT - From 10 February 2011 to 20 March 2011
Madrid, ES - From 2 April 2011 to 5 June 2011
Valencia, ES - From 16 June 2011 to 17 July 2011
Alicante, ES - From 28 July 2011 to 28 August 2011
Sevilla, ES - From 8 September 2011 to 16 October 2011
Paris, FR - From 4 November 2011 to 8 Jan 2012
- Barcelona, ES - From 20 Jan 2012 to 11 Mar 2012
- Amsterdam, NL - From 22 Mar 2012 to 3 Jun 2012
- Antwerp, BE - From 13 Jun 2012 to 5 Aug 2012
- Zurich, CH - From 1 Sep 2012 to 7 Oct 2012
- Düsseldorf, DE - From 18 Oct 2012 to 18 Nov 2012
- Berlin, DE - From 29 Nov 2012 to 30 Dec 2012
- Hamburg, DE - From 9 Jan 2013 to 10 Feb 2013
- São Paulo, BR - From 30 Mar 2013 to 21 Jul 2013
- Brasilia, BR - From 2 Aug 2013 to 8 Sep 2013
- Belo Horizonte, BR - From 19 Sep 2013 to 27 Oct 2013
- Curitiba, BR - From 8 Nov 2013 to 15 Dec 2013
- Rio de Janeiro, BR - From 27 Dec 2013 to 23 Fev 2014
- Porto Alegre, BR - From 6 Mar 2014 to 13 Apr 2014
- Córdoba, AR - From 2 May 2014 to 25 May 2014
- Buenos Aires, AR - From 7 Jun 2014 to 3 Aug 2014
- Santiago de Chile, CL - From 19 Aug 2014 to 5 Oct 2014
- Lima, PE- From 25 Oct 2014 to 30 Nov 2014
- San José, CR - From 22 Jan 2015 to 8 Feb 2015
- Bogotá, CO- From 19 Mar 2015 to 3 May 2015
- Mérida, MX - Coming soon
- Guadalajara, MX - Coming soon
- Monterrey, MX - Coming soon
- México City, MX - Coming soon
Reviews of Corteo in the newsmedia have been mixed. In 2005, the Toronto Sun found the show "brilliant" but the Oakland Tribune concluded that it merely "settles for being very good." The New York Times gave a lukewarm review in May 2006, stating at best that it "will pass the time pleasantly for those who have seen and enjoyed previous Cirque extravaganzas." Although The Washington Post named it an "Editors' Pick" in November 2006, the headline of its article noted "Some of the Thrill Is Gone." LA Weekly in 2007 praised the acrobats but criticized the clowns. A March 2008 review in The Oregonian was similarly reserved, stating that there is a "disparity in the quality of the acts" and a "lack of a cohesive ending." Nevertheless, Sun Media was enthusiastic about an Ottawa performance of Corteo in September 2008.
- "An All-Time Attendance Record set for a New Show in Montreal more than 200,000 People have already seen Corteo". Cirque du Soleil (Press Release). 2005-05-24. Retrieved 2011-02-14.
- Richard Connema. "Cirque du Soleil's Corteo comes to San Francisco". Retrieved 19 August 2007.
- "Corteo Technical Information" (PDF). Cirque du Soleil (Press Kit). Retrieved 2011-02-14.
- "Corteo: Characters". Cirque du Soleil. Retrieved 2011-02-14.
- "Corteo: Press Kit". Cirque du Soleil (Press Kit). Retrieved 2011-02-14.
- Clément, Ronald (2009). Cirque du Soleil 25 Years of Costumes (in CN, EN, FR, JP). Canada: Dépôt légal, Bibliothèque et Archives Canada. pp. 90–95. ISBN 978-2-9803493-4-8.
- "Corteo: Acts". Cirque Tribune. Retrieved 2011-02-14.
- "Corteo: Music". Cirque du Soleil. Retrieved 2011-02-14.
- "Corteo (DVD)". Cirque Tribune. Retrieved 2011-02-14.
- "Cirque du Soleil: Corteo". Internet Movie Database. Retrieved 2011-02-14.
- "TV Programs Cirque du Soleil Presents Corteo and Kà Extremem Win an Emmy and two Gémeaux". Cirque du Soleil (Press Release). 2007-09-10. Retrieved 2011-02-14.
- "Corteo". Cirque du Soleil official website. Retrieved 2008-11-23.
- "Corteo Retiring After 10 Year Tour". The Chapiteau. Retrieved 2014-08-19.
- "Les chapiteaux font leur show", Jean-Pierre Thiollet, France-Soir, 12 November 2011.
- Coulbourn, John (2005-08-06). "Cirque du Soleil's 'Corteo' Brilliant". Toronto Sun. Retrieved 2013-06-14.
- Jones, Chad (2005-12-14). "Playful 'Corteo' is a Bouncy Blast in San Francisco". Oakland Tribune. Retrieved 2013-06-14.
- Rockwell, John (2006-05-05). "The Soleil Never Sets". The New York Times. Retrieved 2013-06-14.
- Pressley, Nelson (2006-11-04). "'Corteo': Circus Maximum. Cirque du Soleil Show Is Eye-Filling, But Some of the Thrill Is Gone". The Washington Post. Retrieved 2013-06-14.
- L.A. Weekly Theater Critics (2007-08-27). "Theater Reviews: Cirque du Soleil's Corteo, The Hasty Heart". LA Weekly. Retrieved 2013-06-14.
- Butler, Grant (2008-03-05). "'Corteo' Review: Old-World Charm Mixes with Big-Time Fun". The Oregonian. Retrieved 2013-06-14.
- Armstrong, Denis (2008-09-26). "'Corteo' Has Cirque at its Best". Sun Media. Retrieved 2013-06-14.
- Official website
- Mitch Head and Edi Barata's official site
- Bandleader Roger Hewett's official site
- Kit Chatham's official site
- The former "Loyal Whistler" Robert Stemmons' official site
- Jeff Raz's official site
- Official site of the Loyal Whistler Sean Lomax