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Egmont, Op. 84, by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture followed by a sequence of nine additional pieces for soprano, male narrator and full symphony orchestra. (The male narrator is optional; he is not used in the play, and he does not appear in all recordings of the complete incidental music.) Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810.
The subject of the music and dramatic narrative is the life and heroism of a 16th-century Dutch nobleman, the Count of Egmont. It was composed during the period of the Napoleonic Wars, at a time when the French Empire had extended its domination over most of Europe. Beethoven had famously expressed his great outrage over Napoleon Bonaparte's decision to crown himself Emperor in 1804, furiously scratching out his name in the dedication of the Eroica Symphony. In the music for Egmont, Beethoven expressed his own political concerns through the exaltation of the heroic sacrifice of a man condemned to death for having taken a valiant stand against oppression. The Overture later became an unofficial anthem of the 1956 Hungarian revolution.
Beethoven composed Klärchen’s songs, “Die Trommel gerühret” (“The drum is a-stirring”) and “Freudvoll und leidvoll” (“Joyful and woeful”), with the Austrian actress Antonie Adamberger specifically in mind. She would later repeatedly and enthusiastically recall her collaboration with him.
The music was greeted with eulogistic praise, in particular by E.T.A. Hoffmann for its poetry, and Goethe himself declared that Beethoven had expressed his intentions with "a remarkable genius".
The overture, powerful and expressive, is one of the last works of his middle period; it has become as famous a composition as the Coriolan Overture, and is in a similar style to the Fifth Symphony, which he had completed two years earlier.
Outline of sections
The incidental music includes the following sections, among which the overture, the lieder Die Trommel gerühret, Freudvoll und Leidvoll and the Mort de Klärchen are particularly well-known:
- Overture: Sostenuto, ma non troppo - Allegro
- Lied: "Die Trommel gerühret"
- Entracte: Andante
- Entracte: Larghetto
- Lied: "Freudvoll und Leidvoll"
- Entracte: Allegro - Marcia
- Entracte: Poco sostenuto e risoluto
- Mort de Klärchen
- Melodram: "Süßer Schlaf"
- Siegessymphonie (symphony of victory): Allegro con brio
- Wigmore, Richard. "A meeting of genius: Beethoven and Goethe, July 1812". Gramophone. Haymarket. Retrieved 6 July 2012.
- Beethoven aus der Sicht seiner Zeitgenossen, edited by Klaus Martin Kopitz and Rainer Cadenbach, Munich 2009, Vol. 1, pp. 3–5