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Eleazar Avaran, also known as Eleazar Maccabeus, Eleazar Hachorani/Choran(or Horani) (b. ???BC - d. 162 BC; Hebrew: אלעזר המכבי, אלעזר החורני Eleazar HaMakabi) was the fourth son of Mattathias and the younger brother of Judas Maccabeus. He was killed (4 Maccabees 1:7-10) at the Battle of Beth-zechariah (1 Maccabees 6:32-33) during the Maccabean revolt.
Little is known About Eleazar, except his heroic death as was told. According to the scroll of Antichus, his father saw in him a Zealot among zealots, like Pinhas. In 2 Maccabees 8:21-23 it is told that Eleazar read from the Tanakh in front of the people just before the last battle began in 3 Maccabees 6:16-19.
According to 1 Maccabees 6:43-46, during the Battle of Beth-zechariah, Eleazar identified a war elephant that he believed to carry the Seleucid King Antiochus V, due to the special armor the elephant wore. He decided to endanger his life by attacking the elephant and thrusting a spear into its belly. The dead elephant then collapsed upon Eleazar, killing him as well. Despite this heroic effort, the smaller Jewish army was defeated in the battle. Josephus wrote that Eleazar, though killing many enemy soldiers, did not gain any real effect besides the name he made for himself. Another version of this story appears on the scroll of Antiochus, in which it is told that Eleazar was stamped on by a horde of elephants. King Antiochus V did almost certainly not participate in the battle, as he was only a young boy - and there are no other accounts of Hellenistic kings riding elephants in battle.
All of the members of the family of Mattathias were given surnames in addition to their personal names as can be seen in 1 Maccabees 2:1-5 (For example, Judas was given the name 'ha'Makabi', meaning 'the Hammer'.) Eleazar was given the name 'Avaran', which has been taken to mean 'the Piercer' (in reference to his death) or 'to be white' (referring to his light complexion).
Eleazar's death was a popular subject for art in the Middle Ages, where it was given a typological significance as prefiguring Christ's sacrifice of himself for mankind. The chance to portray an elephant was also welcomed by artists, although as most had never seen one, the results are often very strange. It is also portrayed in a painting of 19th century French artist Gustave Doré.
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