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Giulio Ricordi (born 19 December 1840 in Milan—died 6 June 1912 in Milan) was an Italian editor and musician who joined the family firm, the Casa Ricordi music publishing house, in 1863, then run by his father, Tito, the son of the company's founder Giovanni Ricordi. Upon his father's death in 1888, Giulio became the head of the company until his death.
With the nickname Jules Burgmein, Ricordi contributed a very great deal to the prestige of the Casa Ricordi as it also produced several magazines (La gazzetta musicale, Musica e musicisti and Ars et labor), and various other once famous publications (La biblioteca del pianista, l'Opera Omnia di Frédéric Chopin, L'arte musicale in Italia, Le Sonate di Domenico Scarlatti).
Ricordi was also publisher of the later operas by Giuseppe Verdi, having established a relationship with that composer as a young man. This resulted in the successful strategy of luring the aging composer out of his retirement with the composition of his two final works, Otello in 1887 and Falstaff in 1893.
But he also had the good sense to promote younger composers of merit. These included Amilcare Ponchielli, Alfredo Catalani, Carlos Gomes, Umberto Giordano, and, above all, Giacomo Puccini. To Puccini in particular, he became something of a father-figure, feared (and often needing to be censorious over Puccini's dilatory work habits) but deeply trusted.
Depictions in media
- The play After Aida — a 1985 play-with-music by Julian Mitchell — depicts Ricordi's struggle to get the retired Verdi to collaborate with a young librettist, Arrigo Boito, on a project, which resulted in Otello.
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