Gloria Fuertes
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Gloria Fuertes García | |
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| File:GloriaFuertes.jpg | |
| Born | 28 July 1917 Madrid, Spain |
| Died | 27 November 1998 (aged 81) Madrid, Spain |
| Occupation | Poet, short story writer, playwright, children book writer |
| Nationality | Spanish |
| Period | 1934–1998 |
| Literary movement | Postism |
| Notable works | Un globo, dos globos, tres globos Las tres reinas magas El hada acaramelada |
Gloria Fuertes García (28 July, 1917 – 27 November, 1998) was a Spanish poet and author of children's literature. She was part of the Spanish literary movement known as postismo (post-ism) that began after the Spanish Civil War.[1] Active in the Spanish artistic movement known as Generation of '50, Fuertes is considered a singular voice in Spanish post-war poetry.[2] She was also well-known in Spain for her children's television shows. In her work, Fuertes promoted gender equality, pacifism, and care for the environment.[3]
Early life
Fuertes was born on 28 July, 1917 in Madrid, Spain.[4] Her mother was a seamstress and maid, and her father was a beadle. She attended the Institute of Vocational Education of Women, where she studied shorthand, typing, and childcare. Her interest in writing started at the age of five, when she started crafting and illustrating stories. Fuertes said that her family did not support her interest and that her mother would reprimand her if she saw Fuertes with a book.[5] Nevertheless, Fuertes published her first poem at the age of 14, Niñez, Juventud, Vejez (Childhood, Youth, Old Age). At 17, she composed her first book of poems, Isla Ignorada, which was published in 1950. In 1934, she started working as an accountant and secretary, and she continued writing children's stories, as well as plays and poetry.
Career
Between 1940 and 1953, Fuertes' work began appearing in the children's magazines, Pelayos, Chicos, Chicas, Chiquitito, and in children's books, including Flechas y Pelayos (Maravillas) as well as the newspaper Arriba, which published the comic strip "Coletas and Pelines". They achieved great popularity among young readers.
Alongside her dedication to children's literature in magazines, plays, and poems, she, along with Maria Dolores and Adelaida Lasantas, founded the group "Verses in Skirts" in 1951 that organized concerts and poetry readings by bars and locals cafes, collaborated in adult magazines such as Directions, Spanish Poetry and Straw Bird, and created and directed the poetry magazine Archer between 1950 and 1954 along with Antonio Gala, Julio Mariscal and Rafael Mir.[6]
From 1955 to 1960, she studied library science and English at the International Institute. In 1961, she won a Fulbright scholarship in the United States to teach Spanish literature at Bucknell University. Later, she taught at Mary Baldwin University, Bryn Mawr College, and the International Institute until 1963. In 1972, she received a scholarship from the Juan March Foundation for Children's Literature.[4]
In the mid-1970s, she became actively involved in various children's programs such as TVE, Siendo Un Globo, Dos Globos, and Tres Globos y La Cometa Blanca. She became very popular after the parody Martes y Trece made it into Especial Nochevieja (New Year's Eve Special).
Themes and Postismo influence
Fuertes' poetry is distinguished by a "colloquial tone" and often features mention of everyday items or events.[1]
Although she defined herself as "self-taught," Fuertes has been linked to two literary movements, The Generation of 50 and Postismo, a literary group of postwar Spain which was created in the late '40s, whose members included Carlos Edmundo de Ory, Eduardo Chicharro and Silvano Sernesi, and which also collaborated with Angel Crespo and Francisco Nieva.
The postismo influence is shown in Fuertes' use of humor. The Civil War left a deep impression on her. Her poetry displays her anti-war stance and her protest against the absurdity of civilization. As she said, "Without the tragedy of war I might never have written poetry."[citation needed]
As a child who grew up in Francoist Spain, Fuertes' work has been characterized with irony and dealing with universal issues such as love, pain, death, and loneliness. Her works are known for containing metaphors and linguistic games, which give her poems a great musicality and cadence close to spoken language. There has been speculation about her sexuality, which subtly appears declared in poems like "What Irritates Me", "I am open to all," "Jenny," etc.[citation needed]
Gender and identity
Fuertes never concealed the fact that she was a lesbian, despite the attitudes of the Franco dictatorship.[2] She came from a working-class background, which some experts[who?] state set her apart from other poets at the time. Sharon Keefe Ugalde of the University of Texas said that her "folksy and deliberately fresh orality" set her apart from the popular poets of postwar Spain. Meanwhile, Reyes Vila-Belda of Indiana University claims that although she was not part of the literary establishment in Spain, she "opened the poetic space" to the concerns of women and the working class.[7]
In her work, Fuertes reclaimed many women's rights, such as the right to read, the right to write, the right to work, and the right to be a poet during a period of time when women were confined to the domestic sphere. She also called traditional gender roles into question during the Spanish dictatorship under Francisco Franco, and presented a new model of woman instead. One of Fuertes's best-known works with regard to gender equality is Three Wise Queens: Melchora, Gaspara, y Baltasara. The book, which was published in 1978, has become a classic of children's literature in Spain.[7] In the story, the Three Wise Men are unable to go to Bethlehem, so their wives undertake the journey instead. Instead of adhering to the strict gender roles women were expected to fulfill in Francoist Spain, the female protagonists choose to leave the home, follow the star, and bring gifts to the newborn Jesus.[8]
In addition to fighting for gender equality, Fuertes was also a pacifist who publicly opposed the Spanish Civil War, as well as, later, the wars in Vietnam and Cambodia[citation needed]. She also participated in activism for environmental causes.[citation needed]
Personal Life
Fuertes died of lung cancer on November 27, 1998, and was buried in the South Cemetery Madrid.[4] In 2001, her remains were transferred to the Cemetery of La Paz of Alcobendas in Madrid. She left her fortune to a Catholic orphanage.[citation needed]
Tribute
On 28 July 2016, Google celebrated her 99th birthday with a Google Doodle.[9]
Work
Children's books
Poetry
- Canciones para niños (1956)
- Villancicos (1956)
- Cangura para todo (1968). Honorable Mention in the Hans Christian Andersen prize of Children's Literature.
- Don Pato y Don Pito (1970)
- Aurora, Brígida y Carlos (1970)
- La pájara pinta (1972)
- "La Oca Loca" (1977)
- El camello cojito (1978)
- El hada acaramelada (1973)
- La gata chundarata y otros cuentos (1974)
- El dragón tragón (1978)
- La momia tiene catarro (1978)
- El libro loco. De todo un poco (1981)
- El perro que no sabía ladrar (1982)
- El abecedario de don Hilario (1983)
- El burro y la escuela (1987)
- Trabalenguas para que se trabe tu lengua (1988)
- El cocinero distraído (1994)
Theatre
- La princesa que quería ser pobre (1942)
- El chinito Chin-cha-té (1955)
- Petra, un señor pregunta por ti (1970)
- Las tres reinas magas (1978)
Television
- Un globo, dos globos, tres globos
- La mansión de los Plaff
- La cometa blanca
- Big Vand
- Los pequeños niños atacan de nuevo
Adult literature
- Isla ignorada (1950)
- Antología y poemas del suburbio (1954)
- Aconsejo beber hilo (1954)
- Todo asusta Caracas (1958). Primera mención del Concurso Internacional de Poesía Lírica Hispana
- Que estás en la tierra (1962)
- Ni tiro, ni veneno, ni navaja (1965). Premio Guipúzcoa
- Poeta de guardia (1968)
- Cómo atar los bigotes del tigre (1969). Accésit premio Vizcaya
- Antología poética (1950-1969)
- Sola en la sala (1973)
- Cuando amas aprendes geografía (1973)
- Obras incompletas (1980)
- Historia de Gloria: (amor, humor y desamor) (1983)
- Mujer de verso en pecho (1983)
- Pecábamos como ángeles (1997)
- Glorierías (1999)
- Es difícil ser feliz una tarde (2005)
- El Rastro (2006) Relatos
- Se beben la luz (2008)
- Los brazos desiertos (2009)
- El caserón de la loca (2010) (theatre)
- Poemas prácticos más que teóricos (2011)
References
- ^ a b Debicki, Andrew (1982). Poetry Of Discovery: The Spanish Generation of 1956-1971. University Press of Kentucky. ISBN 9780813187273.
- ^ a b Persin, Margaret H. (2011). In Her Words : Critical Studies on Gloria Fuertes. Jasmina Arsova, Mark Bajus, Catherine G. Bellver, Douglas K. Benson, Brenda Cappuccio, Elena Castro. Lanham: Bucknell University Press. ISBN 978-1-61148-015-3. OCLC 845249651.
- ^ EFE (28 November 1998). "La lectura de poemas pone un acento entrañable al entierro de Gloria Fuertes". El Mundo (in Spanish). Madrid. Retrieved 2 August 2018.
- ^ a b c Nash, Elizabeth (1 December 1998). "Obituary: Gloria Fuertes". Independent. Retrieved 2 August 2018.
- ^ Fuertes, Gloria (2017). De Cascante, Jorge (ed.). El libro de Gloria Fuertes. Antología de poemas y vida. Blackie Books. p. 17. ISBN 9788416290734.
- ^ "Biografía". Fundación Gloria Fuertes. Retrieved 21 February 2017.
- ^ a b Fuentes, Verónica (10 January 2017). "Gloria Fuertes la poeta de Lavapiés: mujer, lesbiana y pobre". Tribuna Feminista. Alianza Global de Medios y Género. UNESCO. Archived from the original on 26 February 2017. Retrieved 16 May 2017.
- ^ H. Riaño, Peio (5 January 2016). "Las reinas magas, un invento de hace 36 años". El Español (in Spanish). Nohacefaltapapel S.A. Archived from the original on 23 October 2017. Retrieved 16 May 2017.
- ^ "Gloria Fuertes' 99th birthday". Google. 28 July 2016.
External links
- Especial en Cervantes Virtual
- Fundación Gloria Fuertes
- www.escritoras.com
- Poéticas de Gloria Fuertes
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