Jump to content

Hans Schleger

Edit links
From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Edwardx (talk | contribs) at 23:22, 24 September 2022 (Unlinking common words and/or phrases (and repeated linking of uncommon ones) - see WP:OVERLINK). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Hans Schleger
Born
Hans Schlesinger

(1898-12-29)December 29, 1898
Kempen, Prussia (now Poland)
DiedSeptember 18, 1976(1976-09-18) (aged 77)
England
NationalityGerman, later English
Other namesZéró
Alma materBerlin Kunstgewerbeschule (1918–1921)
OccupationGraphic designer

Hans Schleger (born Hans Schlesinger; 29 December 1898 - died 18 September 1976) was a German-Polish-Jewish and later British graphic designer.

Early life

He was born in Kempen in Posen, Prussia (in modern-day Poland) on 9 December 1898 to Jewish parents. His family relocated to Berlin when he was six. At the age of 20, he changed his surname to Schleger, and attended the Kunstgewerbeschule (from 1918-1921), studying under painter Emil Orlik. He began his career in Berlin, working for John Hagenbeck as a film set designer, and also designed the firm's logo. In 1924 he moved to New York City to work in the publishing and advertising industry, initially as a freelance designer, illustrator, and magazine layout artist, and later as an art director;[1] he began using the pseudonym 'Zéró' in 1926, when he founded his own firm on Madison Avenue,[2][3] and would continue to use the name for the rest of his career. After three years in New York he moved back to Germany to work for the Berlin branch of W.S. Crawford, an English advertising firm.[4]

Career in England

A bus stop in London in the late 1990s, with the "flag" sign design a direct descendent of Schleger's original design from 1935.
A poster designed by Schleger for the British War Office as part of the Dig for Victory campaign. (1941)

In 1932, he moved to England, continuing to work for Crawford's. He became an integral part of London's early 1930s avant-garde design community, and helped spread the aesthetics and philosophy of modernism in Britain.[5][6] Among his most well known work is the London Transport bus-stop sign, which was commissioned in 1935 by Frank Pick, and is still in use today, largely unchanged from the original.[7] In 1939 he became a naturalized British citizen, and during World War II designed posters for the British government's War Office and Ministry for Food, and for the London Passenger Transport Board, including posters for the Dig for Victory campaign.[8] His work was included in the Britain Can Make It exhibition held at the Victoria and Albert Museum in London in 1946.[9][10]

In the post-war period he worked with the agency Mather & Crowther, before founding his own firm, Hans Schleger & Associates, in 1953. He created corporate identities, posters, and campaigns for companies such as Penguin Press,[11] John Lewis Partnership,[12] ICI, British Coal, Shell,[13] Finmar Furniture,[14] the British Sugar Corporation, and the Edinburgh Festival,[15] and designed the triangular bottle for Glenfiddich and Grant's Scotch Whisky. In the 1950s and 60s he became specifically associated with British companies and organizations, and for developing a particularly British aesthetic.[16][17][18]

He married Patricia Maycock (later known as Pat Schleger), also a graphic designer, in 1956, forming a husband and wife creative partnership.[19]

He taught and guest lectured at Chelsea Polytechnic, Saint Martins School of Art, the Royal College of Art, and the Regional College of Art in Manchester; he also spent a year in Chicago as a Visiting Professor at the Institute of Design, which had been founded by László Moholy-Nagy as the "New Bauhaus" together with artists and designers from the Bauhaus who had left Germany at a similar time to Schleger.

In 1959, Schleger was named a Royal Designer for Industry.[20] He died in London in September 1976.

References

  1. ^ "Hans Schleger, corporate exhibition and graphic designer : papers - Archives Hub". archiveshub.jisc.ac.uk. Retrieved 12 December 2021.
  2. ^ "Hans Schleger (Zéró) - Biography". Ben Uri Gallery and Museum. Retrieved 12 December 2021.
  3. ^ "Hans Schleger Mid century Poster Artist". 24 August 2015. Retrieved 12 December 2021.
  4. ^ "Hans Schleger Zero – The Poster Boy | Roseberys London". www.roseberys.co.uk. Retrieved 11 December 2021.
  5. ^ Zero : Hans Schleger, a life of design. Pat Schleger, Hans Schleger. New York, NY: Princeton Architectural Press. 2001. ISBN 1-56898-273-9. OCLC 46948102.{{cite book}}: CS1 maint: others (link)
  6. ^ STUDIO, CCAMERA (20 May 2013), Derek Birdsall - Interview extract (from Hans 'Zero' Schleger documentary), retrieved 12 December 2021
  7. ^ "Bus stop flag; Hans Schleger style bus stop flag with bronze frame for a combined bus & coach request stop, circa 1950". London Transport Museum. Retrieved 11 December 2021.{{cite web}}: CS1 maint: url-status (link)
  8. ^ "Hans Schleger | Royal Designers for Industry & Britain Can Make It, 1946". blogs.brighton.ac.uk. Retrieved 11 December 2021.
  9. ^ "V&A · 'Britain Can Make It'". Victoria and Albert Museum. Retrieved 12 December 2021.
  10. ^ Britain Can Make It - Exhibition Catalogue 1946. London, UK: Published for Council of Industrial Design by Her Majesty's Stationery Office. 1946. p. 12. GB-1837-DES-DCA-14A-17.
  11. ^ "Eye Magazine | Review | The lost world of clean modernism". www.eyemagazine.com. Retrieved 12 December 2021.
  12. ^ "Eye Magazine | Feature | Trust in Modernism". www.eyemagazine.com. Retrieved 12 December 2021.
  13. ^ Museum, Victoria and Albert. "These Men Use Shell | Schleger, Hans | V&A Explore The Collections". Victoria and Albert Museum: Explore the Collections. Retrieved 12 December 2021.
  14. ^ Museum, Victoria and Albert. "Visit Finmar | Hans Schleger | V&A Explore The Collections". Victoria and Albert Museum: Explore the Collections. Retrieved 12 December 2021.
  15. ^ "Hans Schleger Mid century Poster Artist". 24 August 2015. Retrieved 11 December 2021.
  16. ^ Black, Jonathan (1 July 2012). "For the People's Good: Hans Schleger (1898–1976), Poster Design and British National Identity, 1935–60". Visual Culture in Britain. 13 (2): 169–190. doi:10.1080/14714787.2012.678769. ISSN 1471-4787.
  17. ^ "Eye Magazine | Review | The lost world of clean modernism". www.eyemagazine.com. Retrieved 11 December 2021.
  18. ^ Luxford, Charlotte (12 February 2018). "The Lasting Legacy of the Jewish Émigré Designers Who Shaped Modern London". Culture Trip. Retrieved 11 December 2021.
  19. ^ Argent, Patrick (23 November 2015). "Pat Schleger: the matriarch of British graphic design". Design Week. Retrieved 11 December 2021.
  20. ^ "Past Royal Designers for Industry". The RSA. Retrieved 11 December 2021.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Hans_Schleger&oldid=1112154506"