I Am Sitting in a Room
I am sitting in a room (1969) is one of composer Alvin Lucier's best known works, featuring Lucier recording himself narrating a text, and then playing the recording back into the room, re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Since all rooms have characteristic resonance or formant frequencies (e.g. different between a large hall and a small room), the effect is that certain frequencies are emphasized as they resonate in the room, until eventually the words become unintelligible, replaced by the pure resonant harmonies and tones of the room itself. The recited text describes this process in action—it begins "I am sitting in a room, different from the one you are in now. I am recording the sound of my speaking voice," and the rationale, concluding, "I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have," referring to his own stuttering.
Lucier had also specified that a performance need not use his text and the performance may be recorded in any room. The composer himself has recorded the piece in at least one room he found not aesthetically acceptable.
In its repetition and limited means, I am sitting in a room ranks with the finest achievements of Minimal tape music. Furthermore, in its ambient conversion of speech modules into drone frequencies, it unites the two principal structural components of Minimal music in general.—Strickland (2000), 
I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have.
- Strickland, Edward (2000). Minimalism--Origins, p.281. ISBN 978-0-253-21388-4. "After speaking/stammering his statement, Lucier himself performs no more."
- Strickland (2000), p.199.
- Lucier, Alvin. I am sitting in a room. Lovely Music, Ltd., 1990. CD.
- "DRAM: Notes for "Alvin Lucier: I am sitting in a room"". Dramonline.org. Retrieved 2010-03-02.
- I am sitting in a room by atabarut Labaratuar [LAB] performance, research and project company develops a modern dance performance on the basis of the text by Lucier.
- I am sitting in a video room by canzona A video is ripped from YouTube and re-encoded 1000 times with the intention of removing human qualities from the voice and body.
- I am sitting in a room by Residuum Collage artist Residuum takes the text by Lucier and let the computer speak it. And as a computer can only speak virtually, the technique is applied to virtual space.
- Untitled piece by David Tinapple and Joel Kraut digital/new media artists Joel Kraut and David Tinapple created a live, interactive digital version of Lucier's piece.
- Alvin Lucier at UBUWEB Has a copy of the original 1969 performance for download, as well as a 2001 interview / documentary.
- I am sitting in a room A performance using the acoustics of the Inchindown oil tanks that hold the world record for the 'longest echo'.