Indira Gandhi National Centre for the Arts
Indira Gandhi National Centre for the Arts, New Delhi (IGNCA) ( Devanagari: इन्दिरा गांधी राष्ट्रीय कला केन्द्र) is the premier government funded arts organization in India, as an autonomous institution under the Union Ministry of Culture. Established in the memory of Indira Gandhi, late Indian Prime Minister, and with Kapila Vatsyayan as its founding director.
The IGNCA was launched on 19 November 1985 by the late Prime Minister Shri Rajiv Gandhi at a function where the symbolism of the components was clearly articulated at different levels. The elements - fire, water, earth, sky and vegetation - were brought together. Five rocks from five five major rivers - Sindhu, Ganga, Kaveri, Mahanadi and the Narmada (where the most ancient ammonite fossils are found) were composed into sculptural forms. These will remain at the site as reminders of the antiquity of Indian culture and the sacredness of her rivers and her rocks. In a simulated pool, the first of the principles of vegetation, the lotus bloomed. Shri Rajiv Gandhi floated lighted lamps on the water. The Indira Gandhi National Centre for the Arts Trust was constituted and registered at New Delhi on 24 March 1987.
The founder trustees of IGNCA were Shri Rajiv Gandhi, Shri R. Venkataraman, Shri P.V. Narasimha Rao, Smt. Pupul Jayakar, the Finance Minister of 1987, Shri H. Y. Sharada Prasad and Dr. Kapila Vatsyayan.
The Indira Gandhi National Centre for the Arts, established in memory of Smt. Indira Gandhi, is visualised as a centre encompassing the study and experience of all the arts—each form with its own integrity, yet within a dimension of mutual interdependence, interrelated with nature, social structure and cosmology.
This view of the arts, integrated with, and essential to the larger matrix of human culture, is predicated upon Smt. Gandhi's recognition of the role of the arts as essential to the integral quality of person, at home with himself and society. It partakes of the holistic worldview so powerfully articulated throughout Indian tradition, and emphasized by modern Indian leaders from Mahatma Gandhi to Rabindranath Tagore.
The arts are here understood to comprise the fields of creative and critical literature, written and oral; the visual arts, ranging from architecture, sculpture, painting and graphics to general material culture, photography and film; the performing arts of music, dance and theatre in their broadest connotation; and all else in fairs, festivals and lifestyle that has an artistic dimension. In its initial stages the Centre will focus attention on India; it will later expand its horizons to other civilizations and cultures. Through diverse programmes of research, publication, training, creative activities and performance, the IGNCA seeks to place the arts within the context of the natural and human environment. The fundamental approach of the Centre is all its work will be both multidisciplinary and interdisciplinary.
Recognizing the need to encompass and preserve the distributed fragments of Indian art and culture, a pioneering attempt has been made by Indira Gandhi National Centre for the Arts (IGNCA) to serve as a major resource centre for the arts, especially written, oral and visual materials. One of the programmes of this centre, in collaboration with UNDP, is to utilize multimedia computer technology to create a wide variety of software packages that communicate cultural information. Multimedia technology allows the user to interact and explore the subject in a non-linear mode by combining audio, text, graphics, animation and video on a computer.
Indira Gandhi National Centre for the Arts
1, C. V. Mess, Janpath,
New Delhi - 110 001 (India)
Its official goals are:
- to serve as a major resource centre for Indian arts, especially written, oral and visual source materials;
- to conduct research on the arts and humanities, and to publish reference works, glossaries, dictionaries and encyclopedias;
- to establish a tribal and folk arts division with a core collection for conducting systematic scientific studies and live presentations;
- to provide a forum for dialogue through performances, exhibitions, multi-media projections, conferences, seminars and workshops on traditional and contemporary Indian arts;
- to foster dialogue between the arts and current ideas in philosophy, science and technology, with a view toward bridging the gap in intellectual understanding between modern sciences and arts and culture;
- to evolve models of research programmes and arts administration pertinent to the Indian ethos;
- to elucidate the formative and dynamic factors in the complex web of interactions between diverse social strata, communities and regions;
- to interact with other national and international institutions; and
- to conduct related research in the arts, humanities and culture.
- Kālakośa (कलाकोश) is the research and publication division, investigating the intellectual traditions in their dimensions of multi-layers and multi-disciplines.
- Janapada Sampadā (जनपद संपदा), is the division engaged in lifestyle studies. It has a programmatic character classified as Lifestyle Studies, Multi-media Presentation and Events, and Children’s World, each with a number of subprogrammes.
- Kalādarśana (कलादर्शन) is the executive unit that transforms researches and studies emanating from the IGNCA into visible forms through exhibitions.
- Cultural Informatics Laboratory (संस्कृतिका संयन्त्रिका संचार), where there are applied technology tools for cultural preservation and propagation. Among its projects it is Kalāsampadā (कलासंपदा), a digital repository of content and information integrated with a user-friendly interface, for encompassing and preserving the rare archival collections of the IGNCA.
- Sutrādhāra (सूत्राधार) is the administrative section, supporting and coordinating all the activities. The Member Secretary is the Executive head of both academic and administrative divisions. It comprises Administration, Finance, Accounts, Services & Supplies and International Dialogue Unit.
- The Diaspora Cultural Resource Centre aims to build up a cross-cultural inter disciplinary dialogue among Indians in India and the world and to catalyst cultural inputs in the development by drawing on Indian Diaspora.
- Southern Regional Centre, established in 2001, in Bangalore, aimed at intensifying the centre's studies on the southern region's art and cultural heritage.
- Varanasi Regional Centre, established in 1998, mainly engaged in publication of Kalatattvakosa series, a lexicon of fundamental concepts of the Indian arts.
- "About us". IGNCA Official website.
- Janapada Sampadā
- Cultural Informatics Laboratory
- Diaspora Cultural Resource Centre
- IGNCA Southern Regional Centre
- IGNCA Varanasi Regional Centre