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Isaac Sailmaker

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Isaac Sailmaker
Isaac Zeilmaker
painting of a ship by Sailmaker
(c. 1685) Two views of an East Indiaman of the time of King William III (c. 1694), Royal Museums Greenwich
Born1633
Died28 June 1721
EducationA pupil of George Geldorp
Known forMarine painting

Isaac Sailmaker (born Isaac Zeilmaker in Scheveningen, Dutch Republic, 1633; died in London on 28 June 1721)[note 1] was an etcher and marine painter of the Baroque period, who had a long career in England. He is sometimes referred to as "the father of British sea painting". He was eclipsed by his contemporaries, the Dutch marine painters Willem van de Velde the Elder and his son Willem van de Velde the Younger, who for a period dominated the London market, but was apparently still producing paintings in his old age.

Life

What is known about Isaac Sailmaker's life comes from notes published by the 18th century engraver, artist, and antiquary George Vertue.[2][note 2]

Isaac Zeilmaker was born in Scheveningen, in the Dutch Republic, in 1633. He came to London at a young age and became a pupil of George Geldorp, a Flemish portraitist and art dealer,[3] and so did not receive a typical marine artist's apprenticeship.[4]

An exact contemporary of the Dutch marine painter Willem van de Velde the Younger,[5] Sailmaker was eclipsed by van de Velde and his father Willem van de Velde the Elder when they moved to London in the 1670s, but he outlived them and was still painting into his eighties.[6] He was one of Britain's earliest marine painters, earning the soubriquet "the father of British sea painting".[7] Although he is supposed to have worked for England's Lord Protector, Oliver Cromwell, most of his known works date from the 1680s.[5] Vertue wrote that Sailmaker "employed himself always in painting views, small and great, many sea-ports and ships about England" and calls him "a constant labourer", which suggests that he produced a large body of work during his lifetime.[8]

An advertisement for an engraving by Sailmaker in the Term Catalogue of November 1692 stated:[9]

GLORIA Britanniae or An exact draught of the large Ship, called the Royal Prince in several postures, drawn by Mr. Isaac Saylmaker. Curiously Engraven upon a Large Copper Plate, above two foot long and a foot and nine inches deep. Price 1s. In large Dutch paper, pasted on paper and coloured, 2s. 6d.

At the end of his life, Sailmaker was living in a house aong King's Bench Walk in the Temple Bar area of the city of London. He died at home on 28 June 1721.[10]

Artistic style

Sailmaker's style is distinctive for its reliance on a relatively narrow palette, principally black, greys and greens. [11] Vertue was somewhat dismissive of Sailmaker's skill as a painter, calling him "not very excellent".[2]

Attributions

Sailmaker was once the best known of the English painters to emerged at the end of the 17th century.[5] The attribution of his paintings has been problematic for many years, as all his works were unsigned. Paintings originally said to have been created by him were later reattributed to the Dutch painter Jacob Knyff.[1][6] His identity became uncertain until the 1970s.[5]

A contemporary painting of the second Eddystone Lighthouse, built in 1709, was firmly attributed to Sailmaker in the 1970s on the basis of documentary evidence.[6][12] Other paintings have been attributed to him on the basis of engravings after his work.[10] Paintings attributed to Sailmaker include ship portraits and depictions of various naval actions, such as the Battle of Málaga (1704). He is known to have received commissions from Cromwell and the politician John Lovett, though the works produced for them have since been lost.[13] Sailmaker was commissioned by Cromwell to paint the English fleet at Fort-Mardyck, depicting its capture by an Anglo-French force in September 1657.[2]

Notes

  1. ^ Also spelt Sailmacker, Saylmaker, and Sylmaker.[1]
  2. ^ Vertue wrote:[2]

    This man was imploy'd to paint for Oliver Cromwell a prospect of the Fleet before Mardyke when it was taken in 1657. Sept. . . . This little man imploy'd himself always in painting views small & great of many sea Ports & Shipps about England, he was a constant labourer in that way tho' not very excellent. his contemporaries the Vander Veldes where too mighty for him to cope with. but he outlivd them & painted to his last. he was born at Scheveling came very young into England. and always liv'd here. & died here at his home near the River side without the Temple Gate. call'd the Kings bench Walks. a profil off his picture painted by young Philips. who since paints conversations.

    — George Vertue, Notebooks, Annual Report of the Walpole Society, volume 18, p.74

References

  1. ^ a b "Isaac Sailmaker". Netherlands Institute for Art History. Retrieved 21 November 2022.
  2. ^ a b c d Cordingly 1972, p. 74.
  3. ^ Waterhouse & Kitson 1994, p. 92.
  4. ^ "A Ship Flying the Royal Standard with other Vessels off Dover". Royal Museums Greenwich. Retrieved 21 November 2022.
  5. ^ a b c d Archibald 1982, pp. 355–356.
  6. ^ a b c Archibald 1989, p. 190.
  7. ^ Cockett 1995, p. 17.
  8. ^ Cockett 1995, p. 22.
  9. ^ Arber 1965, p. 425.
  10. ^ a b Cordingly 1979, p. 41.
  11. ^ "Isaac Sailmaker (1633–1721, English)". Daniel Hunt Fine Art. 31 July 2018. Retrieved 16 December 2021.
  12. ^ Cordingly 1997, p. 81.
  13. ^ "A Royal Yacht off Greenwich, about 1697". Gov/Art/Col. Department of Digital, Culture, Media & Sport. 10 October 2021. Retrieved 16 December 2021.

Sources

Further reading