J. Mark Scearce
J. Mark Scearce | |
|---|---|
 | |
| Born | October 9, 1960 Missouri, U.S. |
| Occupation | Composer |
| Website | jmarkscearce.com at the Wayback Machine (archived 17 January 2020) |
J. Mark Scearce (born October 9, 1960) is an American composer known for his musical settings of more than 200 texts by forty poets—from art songs to operas to works for chorus and orchestra.
Early life[edit]
J. Mark Scearce was born in Edina, Missouri and grew up in neighboring Kirksville. There he graduated high school in 1979, and attended Northeast Missouri State University (now Truman State),[1] graduating in 1983. At NMSU he triple-majored in music theory, horn performance, and philosophy & religion.
During high school and college, Scearce established himself as a jazz trumpeter, winning outstanding soloist awards at regional jazz festivals (St. Charles, Wichita, Springfield).
Despite acceptance at North Texas to pursue this trajectory, Scearce chose to become a contemporary classical composer after his undergraduate studies, attending Indiana University on the strength of his first composition, a brass quintet written for and recorded by the Chicago Brass Quintet.[2]
Scearce received his Masters and Doctorate in Music Composition from Indiana in 1986 and 1993 respectively.
Career and influences[edit]
Scearce’s catalogue of music compositions totals over a thousand performances of sixty works, including seven commercial recordings on the Delos, Warner Bros, Capstone, Centaur, Albany, and Equilibrium labels.[3]
Having formally studied with composers John Eaton, Harvey Sollberger, and Donald Erb—all of whom had deep and lasting influences on his music—Scearce only developed his characteristic tonal style with the work Gaea’s Lament, written in 1989 for cellist and ethnomusicologist Jonathan Kramer, whom Scearce met fresh out of graduate school in North Carolina and whose eclectic holistic teaching highly influenced him.[4]
His associations with other performers and performing organizations shaped many of the forty commissions he received for his music since.
Conductor Al Sturgis has conducted three ballets, two operas, two choral/orchestral works, and six choral works.[5] Conductor John Gordon Ross has conducted thirty-three performances of eight orchestral works.[6]
Endymion’s Sleep, Anima Mundi, and This Thread were borne from Scearce’s association with the Nashville Chamber Orchestra and its Music Director Paul Gambill.[7]
Six works were performed by the North Carolina Symphony (including XL, Urban Primitive, and Antaeus) and twice that by the Carolina Ballet (including The Kreutzer Sonata, Guernica, and Dracula) for a total of 200 performances between these two organizations alone.[8][9]
In his many vocal settings, Scearce has worked with some of the greatest poets of his time—Mark Strand, Raymond Carver, A. R. Ammons, and Toni Morrison. His song cycles on Walt Whitman, E. E. Cummings, W. H. Auden, and John Keats are sung the world over.
Second to vocal music, his music for ballet has made the greatest impact with audiences, brought about through a close working relationship with choreographer Robert Weiss with whom he has created eight ballets including full-evening productions of Macbeth and Orpheus & Eurydice.
He has written four operas including the full-evening Falling Angel which The Wall Street Journal termed "a noirish thriller skillfully distilled from the original [with] an engaging score borrowing imaginatively from numerous genres".[10]
His String Quartet 1° was premiered by the Ciompi Quartet of Duke and recorded by the Fry Street Quartet.[11] His Str Qt Nr 2 was premiered by the Borromeo Quartet at Bargemusic in Brooklyn for the 125th anniversary of the Brooklyn Bridge.[12] His Third Quartet was premiered by the Penderecki String Quartet on the Open Ear Festival in Toronto.[13]
In writing about Scearce in CVNC, critic John Lambert observed that “his uncanny ability to create melody, to marry melody to words, and to forge combinations of the two to convey emotions or drama or suspense or awe has long set him apart from many of his peers.” [14]
On November 19, 2019, Scearce ceased a forty-year career as a composer with three works unproduced:[15]
- His Missa Memoria oratorio
- His fourth opera FABER
- And his fourth String Quartet
Teaching positions[edit]
Scearce served as an arts administrator with the Bowling Green (OH) New Music and Art Festival, the Raleigh (NC) Symphony Development Association, and the Indiana University New Music Ensemble.
He was Composer-in-Residence at North Carolina State University for two years in the early 90s before serving three years on the faculty of the University of Hawaii, where he was founder and director of a contemporary music ensemble and new music festival.
Following three years as Composer-in-Residence as part of the national Meet The Composer New Residencies program, Dr. Scearce taught for a year on the visiting music composition faculty of the University of North Texas before accepting a three-year appointment as Resident Composer in the School of Music at the University of Southern Maine.
Scearce retired after twenty years at NC State in Spring 2024 after a decade running their Music Department and another in their famed College of Design.[16]
Honors and awards[edit]
In 2009 he received the International Raymond and Beverly Sackler Prize in Music Composition, the largest single annual award in the field.[17]
In 2010 he was awarded the Raleigh Medal of Arts for lifetime achievement.[18]
He has had residencies at Ucross, MacDowell, and Yaddo artist colonies, as well as Ernest Block, Atlantic Center, June in Buffalo, and Wellesley Composers Conferences early in his career.
He is a Phi Beta Kappa, Pi Kappa Lambda, Phi Alpha Theta, Mu Beta Psi.
Selected vocal works[edit]
1992 — Estlin (e.e. cummings)
1993 — Field & Stream (Raymond Carver)
1995 — Bird by Bird (A.R. Ammons)
1997 — American Triptych (Jane Kenyon)
2002 — This Thread (Toni Morrison)
2004 — Str Qt Nr 2 (Hart Crane)
2009 — Bright Star (Keats)
2012 — Missa Memoriae (Catullus)
2013 — Symmetries & Asymmetries (W.H. Auden)
2014 — Falling Angel (Hjorstberg, libretto Lucy Thurber)
2015 — Keeping Things Whole (Mark Strand)
2017 — FABER (Frisch, libretto Scearce)
2019 — Orpheus Alone (String Quartet No 4)* (Mark Strand)
*Last Work
References[edit]
- ^ "Renowned Musician and Truman Alumnus to Present on Campus - Truman Today Features". Retrieved 25 April 2017.
- ^ "Chicago Brass Quintet". Retrieved 25 April 2017.
- ^ "The Music of J. Mark Scearce". Archived from the original on 15 January 2020. Retrieved 25 April 2017.
- ^ "Music Department". Retrieved 25 April 2017.
- ^ "Composer J. Mark Scearce Commissioned for Two Ballets in Raleigh - Classical Voice North America". 21 October 2010. Retrieved 25 April 2017.
- ^ "CVNC - Scearce, DBR, & More from the Western Piedmont Symphony". Retrieved 25 April 2017.
- ^ "The Back Story of an Award-Winning Work". 2 December 2009. Retrieved 25 April 2017.
- ^ "Tar Heel of the Week: J. Mark Scearce's talents encompass music, teaching, composing". Retrieved 25 April 2017.
- ^ "The Kreutzer Sonata - Carolina Ballet". Retrieved 25 April 2017.
- ^ Waleson, Heidi (5 July 2016). "'Falling Angel' Review: Brevard Bravado". Wall Street Journal. Retrieved 25 April 2017 – via www.wsj.com.
- ^ "Fry Street Quartet Recordings". Retrieved 25 April 2017.
- ^ "CVNC - Borromeo, Henderson, Scearce: Names Locked in Musical Memory". Retrieved 25 April 2017.
- ^ "Four Quartets: Penderecki String Quartet w/Leslie Fagan". Archived from the original on 5 March 2016. Retrieved 25 April 2017.
- ^ Classical Voice North Carolina, October 2012
- ^ "J. Mark Scearce News". Archived from the original on 15 January 2020. Retrieved 14 January 2019.
- ^ "Dr. J. Mark Scearce". Archived from the original on 29 May 2014. Retrieved 25 April 2017.
- ^ "Sackler Music Composition Prize - Music Department". Retrieved 25 April 2017.
- ^ "Medal of Arts Awardees 1984-2012" (PDF). Archived from the original (PDF) on 28 December 2017. Retrieved 25 April 2017.
| International | |
|---|---|
| National | |
| Artists | |
- 1960 births
- Living people
- American male classical composers
- American classical composers
- People from Edina, Missouri
- People from Kirksville, Missouri
- Truman State University alumni
- Indiana University Bloomington alumni
- 20th-century classical composers
- 21st-century American composers
- 21st-century classical composers
- North Carolina State University faculty
- University of Hawaiʻi faculty
- University of North Texas faculty
- University of Southern Maine faculty
- 20th-century American composers
- Classical musicians from Missouri
- 20th-century American male musicians
- 21st-century American male musicians