Jockey-Club de Paris
The Jockey Club de Paris is best remembered as a gathering of the elite of nineteenth-century French society. The club still exists at 2 rue Rabelais, and hosts the International Federation of Racing Authorities. It is a traditional gentlemen's club regarded as one of the most prestigious clubs in Paris, maybe the most prestigious.
The Jockey Club was originally organized as the "Society for the Encouragement of the Improvement of Horse Breeding in France," to provide a single authority for horse racing in the nation, beginning at Chantilly in 1834. It swiftly became the center for the most sportifs gentlemen of tout-Paris. At the same time, when aristocrats and men of the haute bourgeoisie still formed the governing class, its Anglo-Gallic membership could not fail to give it some political colour: Napoleon III, who had passed some early exile in England, asserted that he had learned to govern an empire through "his intercourse with the calm, self-possessed men of the English turf".
Between 1833 and 1860 the Jockey Club transformed the Champ de Mars into a racecourse, which has since been transferred to Longchamp. One front of the Café de la Paix is in rue Scribe, which ends at the façade of the Opéra Garnier. On the wall a memorial plaque on the Hotel Scribe, at number 1, records the former premises of the Jockey Club, which occupied luxurious quarters on the first floor from 1863 to 1913.
During the Second Empire and the Third Republic, the gentlemen of the Jockey Club held numerous boxes at the Opera, "many little suspended salons" in Marcel Proust's phrase, where the required ballet expected in every opera was never in the first act, when the Jockey Club would habitually still be at dinner. One result was the famous fiasco of the "Paris Tannhäuser" of 1861, when Wagner insisted on inserting the requisite ballet into the first act. The second act, when the members of the Jockey Club arrived to view their favourites in the corps de ballet, was all but hissed off the stage. Wagner never permitted another production in Paris. Proust made his fictional character Charles Swann a member of the Jockey Club as a signal honor, given Swann's Jewish background.
On the ground floor beneath the Jockey Club was the fashionable Grand Café. There, on 28 December 1895, a stylish crowd in the Salon Indien attended the public début of the Lumière brothers' invention, the Cinematograph.
The Jockey-Club is directed by an annually-elected committee of a president, four vice-presidents and twenty-five members. New members are sponsored by two current members and must receive five-sixths of the members' votes.
- Lord Henry Seymour-Conway (1805–1859): 1834-1835
- M. Anne-Édouard de Normandie : 1835-1836
- Napoléon-Joseph Ney, prince de la Moskova (1803-1857): 1836-1849
- Comte Achille Delamarre : 1849-1853
- Armand de Gontaut-Biron, marquis de Saint Blancard (1839-1884): 1853-1884
- Sosthènes de La Rochefoucauld, duc de Doudeauville (1825-1908) : 1884-1908
- Aymeri, duc de Montesquiou-Fezensac (1843-1912) : 1908-1914
- Comte Elie d’Avaray : 1914-1919
- Armand de la Rochefoucauld, duc de Doudeauville, son of Sosthènes de La Rochefoucauld : 1919-1962
- Philippe, duc de Luynes : 1962-1977
- Charles de Cossé, duc de Brissac : 1977-1985
- Alexandre de La Rochefoucauld, duc d'Estissac : 1985-1997
- François de Cossé, duc de Brissac : 1997
Prix du Jockey Club
Under the patronage of the Jockey Club, the Prix du Jockey Club (1,500,000 euros) has been run at the racecourse of Chantilly at the foot of the Château de Chantilly, the first Sunday in June, since 1836. The race at the Hippodrome de Chantilly is the proving-ground of the best of the three-year-olds, the French equivalent of the Epsom Derby run at Epsom Downs or in the U.S. of the Kentucky Derby.
Until 2004 the course was 2400 meters; since then it has been run at 2100 meters. In France, only the Prix de l'Arc du Triomphe has a richer purse (1,600,000 euros); that race was inaugurated by the Jockey Club in 1863 as the Grand Prix de Paris, and run at the Hippodrome de Longchamp. The racecourse was painted by Édouard Manet, Edgar Degas, and Pablo Picasso, among others.
- Victor Fell Yellin, Jacques Offenbach and the Paris of His Time
- Steven Kale, French Salons: High Society and Political Sociability from the Old Regime to the Revolution of 1848
- Joseph-Antoine Roy, Histoire du Jockey Club de Paris, Paris, 1958