Jonas Lie (painter)
|Born||April 29, 1880
|Died||January 18, 1940|
- This page is about Jonas Lie the painter. For the NS minister see Jonas Lie (government minister); for the writer, see Jonas Lie
Jonas Lie was born in Moss, in Østfold county, Norway. His father Sverre Lie, was a civil Norwegian engineer and his mother Helen Augusta Steele, was an American from Hartford, Connecticut. His father was a brother of Thomasine Lie who had married their cousin Jonas Lie, the famous Norwegian author, whom the painter was named after. Their home was a meeting place for famous people such as Henrik Ibsen, Bjørnstjerne Bjørnson, Edvard Grieg, and Georg Brandes. In 1892 his father died and 12-year-old Jonas was sent to stay with his aunt and uncle, Thomasine and Jonas Lie, in Paris. Having already received drawing instruction from Christian Skredsvig in Norway, he now attended a small private art school. The following year, he joined his mother and sisters in New York City.
Between 1901 and the memorial exhibition in 1940 his work was shown all over America. In 1905 Lie exhibited 34 pictures in the Pratt Institute, Brooklyn Museum of Art. Between 1905 and 1938 Lie had 57 one-man shows, each including from 12 to 45 paintings. He participated in important annual and biennial exhibitions at the National Academy of Design, the Pennsylvania Academy of the Fine Arts, the Art Institute of Chicago, and the Corcoran Gallery of Art in Washington as well as most of the world fairs. While living in Panama in 1913, he painted scenes of the construction of Panama Canal which were later donated to U.S. Military Academy at West Point in memory of the West Pointer who, as chief engineer, was most potent in channeling the isthmus, General George W. Goethals. In 1932, Jonas Lie was awarded the Knight of Order of St. Olav by the King of Norway.
Jonas Lie often depicted the sea, channels, and ships with dramatic perspective and powerful use of color. He became known for colorful impressionistic scenes of harbors & coves, painted during the many summers he spent on the coasts of New England & Canada. Throughout his prolific career he painted brilliantly colored images of the rocky coves and harbors that identify the region’s dramatic shoreline. Lie painted a landscape mural in honor of his wife, Sonia, in the sanctuary of the First Unitarian Society of Plainfield, New Jersey in 1929. It is inscribed, “I will lift up mine eyes unto the hills.” Lie was a member of various art organizations including the Salmagundi Club and was active in the National Academy of Design. Paintings of Jonas Lie are on exhibit at art museums throughout the United States including at Utah Museum of Fine Arts; Cornell Fine Arts Museum; Phoenix Art Museum; San Diego Museum of Art; Corcoran Gallery of Art; Museum of Fine Arts, Boston; Brooklyn Museum of Art; Metropolitan Museum of Art; High Museum of Art; and Memorial Art Gallery.
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There are a number of Jonas Lie's incredibly beautiful and powerful paintings of bridges of New York City and the surrounding bodies of water at the Norton Museum, Palm Beach Florida as part of the, "Industrial Sublime: Modernism and the Transformation of New York’s Rivers, 1900-1940."
- St. Louis Purchase Exposition, 1904
- National Academy of Design, Julius Hallgarten prize, 1914
- Panama-Pacific International Exposition, San Francisco, 1915
- Newport Art Association, Richard Greenough Memorial Prize, Newport, RI, 1916
- Art Week, Philadelphia, gold medal, 1925
- Chicago Norske Klub, Bendickson Prize, 1920
- Chicago Norske Klub, Oscar H. Haugan Prize, 1927
- National Academy of Design, Carnegie prize, 1927
- National Arts Club, Maida Gregg Memorial Prize, 1929
- Biography of Jonas Lie by Dina Tolfsby, Curator of the Norwegian-American Collection, National Library of Norway
- Painting and Sculpture in the Collection of National Academy of Design (page 358. by David Bernard Dearinger, John Davis, National Academy of Design (U.S.), Mary Lublin, William H. Gerdts. Hudson Hills Press; 2004)
- “Norway.org – Jonas Lie Exhibitation”
- “West Point’s Lies”. Time Magazine. April 15, 1929
- “Oxford Gallery Profile – Lie”