José Iturbi

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José Iturbi
Joseiturbi.jpg
Photo by Carl Van Vechten, 1933
Background information
Birth name José Iturbi Báguena
Born (1895-11-28)28 November 1895
Valencia, Spain
Died 28 June 1980(1980-06-28) (aged 84)
Los Angeles, California, U.S.
Genres Classical
Occupations Conductor, pianist
Instruments Piano
Associated acts Rochester Philharmonic

José Iturbi Báguena (28 November 1895 – 28 June 1980) was a Basque conductor, harpsichordist and pianist. He appeared in several Hollywood films of the 1940s, notably playing himself in the 1943 musical, Thousands Cheer, and the 1945 film, Anchors Aweigh.

Biography[edit]

Born in Valencia, Spain, of Basque descent, Iturbi studied in Barcelona[1] and at the Valencia and Paris conservatories on scholarship; at this time, he also undertook extensive private studies in keyboard technique and interpretation with the harpsichordist Wanda Landowska. His worldwide concert tours, beginning around 1912, were very successful. He made his American debut in New York City in 1929.

Between 1911 and 1937, he was also the frequent accompanist to the Spanish violinist Manuel Quiroga on his international tours. On 8 June 1937, he had just farewelled Quiroga after a concert in New York when the violinist was hit by a truck in Times Square, which led to the premature end of his career.

Iturbi made his first appearance as a conductor in Mexico City in 1933 when presented by impresario Ernesto de Quesada from Conciertos Daniel. In April 1936, Iturbi was injured in the crash and sinking of Pan American Airways' Puerto Rican Clipper in Port-of-Spain, Trinidad. After the incident, he said he would not be able to play "for some time", and "I may not be able to conduct again."[2] Later that year, he was named conductor of the Rochester Philharmonic Orchestra in Rochester, New York, serving until 1944. He also led the Valencia Symphony Orchestra for many years. He often appeared in concert with his sister, Ámparo, also a renowned pianist. The liner notes to the two-record box set of Gershwin: Rhapsody in Blue (two-piano arrangements by José and Ámparo Iturbi) read: "Arranged by José and Ámparo Iturbi with the former conducting [the RCA Victor Symphony Orchestra] as well as playing one of the two solo parts ... The arrangers use the two pianos to thicken resonances and to invigorate what was purely orchestral tissue with the bony brittleness of the piano. ... The Iturbis perform this spirited work in a brilliant virtuoso fashion ..." (RCA Victor WDM 1366 (2))

Iturbi was also a noted harpsichordist and made several short length instructional films using the re-emergent early 20th Century French Pleyel et Cie pedaled metal-framed harpsichord made famous by Wanda Landowska.

He appeared as an actor-performer in several filmed musicals of the 1940s, beginning with 1943's Thousands Cheer for MGM and again in Three Daring Daughters in 1948, again playing himself, and starring along with Jeanette MacDonald. He usually appeared as himself in these films. He was later featured in MGM's Anchors Aweigh, which starred Gene Kelly and Frank Sinatra, as well as in several other MGM movies. In the biopic about Frédéric Chopin, A Song to Remember, Iturbi's playing was used in the soundtrack in scenes where Cornel Wilde, as Chopin, was playing the piano.

Personal life[edit]

Iturbi married María Giner de los Santos in 1916; she died in 1928. They had one child, María. Iturbi's daughter married Stephan Hero, an American concert violinist who had been one of her father's protégés in 1936. They had two daughters, Maria Antonia and Maria Theresa, before separating in 1939. At age 28, in 1946, Iturbi's daughter committed suicide.[3]

María Hero had obtained legal custody of the children in her 1941 divorce; her former husband had them for three months of each year. In 1943, Iturbi took his daughter to court for custody of the girls, calling her unfit, according to The New York Times. Their father, Stephan Hero, absconded with them while Iturbi was on a European concert tour in 1947. After a court battle, Iturbi and his former son-in-law ultimately resolved their differences, and the girls remained with their father.[citation needed]

His companion for many years was Marion Seabury, his secretary, who survived him and founded the José Iturbi Foundation after his death.

Death[edit]

José Iturbi continued his public performances into his eighties. Finally he was ordered by his doctors to take a sabbatical in March 1980. He died on 28 June 1980, five days after being admitted to Cedars-Sinai Hospital for heart problems. He was 84 years old.

Legacy[edit]

Two music competitions have been established in Iturbi's name:

Popular culture[edit]

Iturbi is referenced in Philip Roth's bestselling Portnoy's Complaint, where the women in Portnoy's neighborhood call a talented young pianist "José Iturbi the Second". The pianist kills himself because of his overpowering mother and thus becomes a memento to the protagonist, who also has to deal with a dominant mother. The reference to Iturbi is probably a side-thrust at the Jewish community Portnoy grows up in, especially at its mercantile, Hollywood-dominated notion of culture.

Cormac McCarthy honored Iturbi with a moment of colloquial humor in Suttree, his semi-autobiographical novel published in 1979. Conversing with his Aunt Martha on the topic of dogs once owned between himself and his ancestors, he proclaimed, "We had one named Jose Iturbi. Because it was the peeinest dog."[4]

One episode of the 1940s radio sitcom Amos 'n' Andy featured Iturbi unexpectedly getting a piano lesson from Andy Brown (who received a certificate from a correspondence school) and George "Kingfish" Stevens.[5]

References[edit]

  1. ^ Profile of José Iturbi
  2. ^ "3 die in airliner in Trinidad crash; Jose Iturbi hurt", The New York Times. 12 April 1936. pg. 1
  3. ^ "Milestones". Time. XLVII (17). 29 April 1946. Retrieved 2007-07-17. 
  4. ^ McCarthy, Cormac (1992). Suttree. New York: Vintage Books. p. 128. ISBN 0-679-73632-8. 
  5. ^ "Amos 'n' Andy" anecdote

External links[edit]