Jump to content

Khemchand Prakash

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 2405:204:38d:e168:a610:9b52:7a29:5a53 (talk) at 18:21, 10 February 2022. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Khemchand Prakash
Khemchand Prakash
Khemchand Prakash
Background information
Born(1907-12-12)12 December 1907
Sujangarh, Bikaner State, Rajputana Agency, British India
Died10 August 1949(1949-08-10) (aged 41)
due to Liver Cirrhosis
GenresHindustani classical music, Indian film music
Occupation(s)composer, music director
Years active1935–1949

Khemchand Prakash (12 December 1907 – 10 August 1949) was a music composer in the Hindi film industry. He had few peers in 1940s, the decade for Indian film music which started with Saigal very active on the scene and ended with Lata Mangeshkar firmly established in the industry. Lata had fruitful association with him (in films Asha, Ziddi, Mahal) when she started making a name for herself. Many years after Khemchand Prakash's death, the ace composer Kamal Dasgupta rated him the best composer.

Khemchand's brother, Basant Prakash, was also a film composer. Khemchand Prakash had only 1 daughter & her name was Savitri.

Career

Born in Sujangarh, then located in Bikaner State in Rajputana Agency of British India (now in the Churu district of Rajasthan), he got his first training in music and dance from his father, who was a dhrupad singer and a Kathak dancer in the royal court. In his teens, he joined the royal court of Bikaner as a singer and later moved to the royal court of Nepal. But the destiny landed him in Kolkata and he joined the legendary New Theaters. He was assistant to composer Timir Baran in Devdas (1935 film), and he sang a comedy song 'lo kha lo madam khaanaa' (लो खा लो मॅडम खाना) in Street Singer (1938). He then moved to Mumbai and made his debut as music director in 1939 with Supreme Pictures' films Meri Aankhein and Gazi Salauddin, and was soon signed up by Ranjit Movietone Film Studio.[citation needed]

His initial years with Ranjit Movietone produced significant films like Diwali, Holi, Pardesi, Fariyaad, etc. Khursheed was his leading singer and both of them gave many hits of early 40s. His biggest hit with Ranjit Studio was the film Tansen in 1943. Songs like "Diya jalaao jagmag jagmag", "Rumjhum rumjhum chal tihari", "More balpan ke saathi", "Sapt suran teen gram", "Hath sine pe jo rakh do to karara aa jaaye" were big hits.[citation needed] In a radio programme, famous composer Anil Biswas credited Khamchand Prakash for sticking to historical perspective and musical traditions by making K.L. Saigal sing the song 'Sapt Suran Teen Gram' in the Dhrupad style, instead of the Khayal genre, which was done in other films on Tansen, as he knew well that during the life and times of Tansen, the Khayal genre did not exist.[1]

1948 marked yet another significant film of his career, Bombay Talkies’s Ziddi. He gave first major break to Kishore Kumar as a singer for the song "Marne ki duaaen kyun maangu".[2] Ziddi featured a beautiful song of Lata Mangeshkar "Chanda re ja re ja re".

But what followed Ziddi was another hit film Mahal (1949 film). Mahal made Lata Mangeshkar a popular name. Prior to Mahal, the records used to feature only the character name on the record. Hence the first lot of records had "Aayega aane wala" credited to Kamini. The first time when the song was played on All India Radio many calls were received by AIR to know the singers name. AIR had to in turn ask the record company and announce Lata Mangeshkar's name on air.[2]

Death

Khemchand Prakash died at an early age of 41 on 10 August 1949 due to Cirrhosis.[citation needed]

Kamal Amrohi wrote the opening lines of 'Khaamosh hai zamaana..' while Naqshab completed the rest.[3] The first tune that composer Khemchand Prakash played on the harmonium was approved by Kamal Amrohi.[citation needed] Sadly Khemchand died at the Harikisondas Hospital two months before Mahal released and his creation 'Aayega Aanewala' became a sensation. Javed Akhtar quoted Khemchand Prakash's name in his maiden speech in Rajya Sabha on 17 May 2012 by mentioning that Khemchand Prakash's wife had to beg to be able to survive in her last days.[4]

His grandsons Riju Bajaj (married to Meghna Malik and Aseem Bajaj (married to Leena Yadav), through his daughter Chandrakala Khemchand Prakash and her husband Ram Gopal Bajaj, have both worked as cinematographers in the Indian film industry.

Partial filmography as Composer

  • 1939 Gazi Salauddin
  • 1939 Meri Aankhen
  • 1940 Aaj Ka Hindustan
  • 1940 Diwali
  • 1940 Holi
  • 1940 Pagal
  • 1941 Bambai Ki Sair
  • 1941 Pardesi
  • 1941 Pyaas
  • 1941 Shaadi
  • 1942 Fariyaad
  • 1942 Khilona
  • 1942 Maheman
  • 1942 Chandni
  • 1942 Dukh Sukh
  • 1943 Chirag
  • 1943 Gauri
  • 1943 Kurbani
  • 1943 Tansen
  • 1944 Bhartrahari
  • 1944 Mumtaz Mahal
  • 1944 Shahenshah Babar
  • 1945 Dhanna Bhagat
  • 1945 Prabhu Ka Ghar
  • 1947 Samaj Ko Badal Dalo
  • 1947 Sindoor
  • 1947 Chalte Chalte
  • 1947 Gaon
  • 1947 Mera Suhaag
  • 1948 Asha
  • 1948 Ziddi
  • 1949 Mahal
  • 1949 Rimjhim
  • 1949 Sawan Aya Re
  • 1950 Jan Pahchan
  • 1950 Sati Narmada
  • 1951 Jai Shankar
  • 1951 Shri Ganesh Janma
  • 1952 Tamasha

References

  1. ^ Archived at Ghostarchive and the Wayback Machine: Anil Biswas remembers Khemchand Prakash. YouTube.
  2. ^ a b "Birth Centenaries" (PDF). pib.nic.in. Press Information Bureau. p. 3. Archived from the original (PDF) on 2 February 2014. Retrieved 25 December 2011.
  3. ^ Dutt, Sharad (9 December 2017). "Khemchand Prakash: Khemchand Prakash: Creator of Haunting Melodies". www.millenniumpost.in. Retrieved 19 August 2019.
  4. ^ "The Song Lives On". The Indian Express. 8 June 2012. Retrieved 19 August 2019.