La Esmeralda (ballet)

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Ballets and revivals of Marius Petipa
Marius Petipa -1898.JPG

*Paquita (1847, *1881)
*Le Corsaire (1858, 1863, 1868, 1885, 1899)
The Pharaoh's Daughter (1862, *1885, *1898)
Le Roi Candaule (1868, *1891, *1903)
Don Quixote (1869, *1871)
La Bayadère (1877, *1900)
*Giselle (1884, 1899, 1903)
*Coppélia (1884)
*La fille mal gardée (1885)
*La Esmeralda (1886, 1899)
The Talisman (1889)
The Sleeping Beauty (1890)
The Nutcracker (1892)
Cinderella (1893)
Le Réveil de Flore (1894)
*Swan Lake (1895)
*The Little Humpbacked Horse (1895)
Raymonda (1898)
The Seasons (1900)
Harlequinade (1900)

* revival

La Esmeralda is a ballet in 3 acts, 5 scenes, inspired by Notre Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot; with music by Cesare Pugni and design by William Grieve (scenery), D. Sloman (machinery), Mme. Copere (costumes).

It was first presented by the Ballet of her Majesty's Theatre, London on March 9, 1844 with the Ballerina Carlotta Grisi as Esmeralda, Jules Perrot as Gringoire, Arthur Saint-Leon as Phoebus, Adelaide Frassi as Fleur de Lys, and Antoine Louis Coulon as Quasimodo.

Today the ballet is presented in its full-length form only in certain parts of the world; Russia; parts of Eastern Europe; and New Jersey, United States. New Jersey Ballet introduced the full-length version for the first time in the United States in 2004.[1] Outside of Russia, Eastern Europe and New Jersey only excerpts are given - the La Esmeralda Pas de Deux and the Pas de Six, but mostly the Diane and Actéon Pas de Deux is given, which in all actuality is not originally from the ballet (it is often miscredited as having been added by Petipa to his 1886 revival of La Esmeralda).

A more recent restaging of the ballet saw Roland Petit at the helm Choreographing for the Paris Opera in 1965.

Important revivals[edit]

  • Marius Petipa for the Imperial Ballet in 4 acts and 5 scenes. Imperial Mariinsky Theatre, St. Petersburg, 21 November 1899. Revived especially for the Prima Ballerina Assoluta Mathilde Kschessinskaya.
  • Pyotr Gusev for the Kirov Ballet in 3 acts. Kirov Theatre of Opera and Ballet, Leningrad, 1949.
Fanny Elssler in the title role of the Pugni/Perrot La Esmeralda, Berlin, circa 1845.

Diane and Actéon Pas de Deux[edit]

References[edit]

  1. ^ DANCE REVIEW; A Teeming Action Ballet With a Classical Sheen, New York Times, April 24, 2004 - accessed January 12, 2011

See also[edit]

Video[edit]