Orsi appears to be "reading" Correggio with the lens of Mannerist, the nocturnal, limned ethereal simplicity of Corregio here is constrained into contorted poses, perspective distorted, and settings crowded. The effect at times is unsettling. While the angels above unsheating divine swords are meant to carry the day, in The Martyrdom of Saint Catherine it appears that the execution was stymied by the breakdown by the complex set of depicted gears.
Freedberg, Sydney J. (1993). Painting in Italy, 1500-1600. Penguin Books. pp. 577–679.
Smyth, Francis P.; John P. O'Neill (Editors in chief) (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington DC: National Gallery of Art. pp. 150–158.Cite uses deprecated parameters (help)