Max Fabiani

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Max Fabiani
Max Fabiani 1902.jpg
Fabiani in 1902
Born (1865-04-29)29 April 1865
Štanjel, Austria
Died (1962-08-18)18 August 1962
Gorizia
Nationality Italian
Alma mater Technische Hochschule
Buildings Palazzo Urania
Magazzini Portois & Fix
Chiesa Metropolitana del Sacro Cuore

Max Fabiani, Slovene Maks, Italian Maximilian (29 April 1865 – 18 August 1962) was a cosmopolitan trilingual Italian-Austrian-Slovenian architect with Italian and Tyrolean[disambiguation needed] ancestry, born in the village of Kobdilj near Štanjel on the Karst Plateau, province of Gorizia and Gradisca, present-day Slovenia. Together with Ciril Metod Koch, he introduced the Vienna Secession style of architecture (a type of Art Nouveau) in Slovenia.[1]

Life[edit]

Fabiani was born to father Antonio Fabiani, a Friulian latifondist from Paularo of Bergamasque ancestry, and mother Charlotte von Kofler, a Triestine aristocrat of Tyrolean origin. He grew up in a cosmopolitan trilingual environment: besides Italian, the language of his family, and Slovene, the language of his social environment, he learned German at a very young age.[2]

His was a wealthy family which could afford to provide a good education for the children. He attended elementary school in Kobdilj in his father's house, and the German language Realschule in Ljubljana, then moved to Vienna, where he attended architecture courses at the Vienna University of Technology. After earning his diploma in 1889, a scholarship enabled him to travel for three years (1892–1894) to Asia Minor and through most of Europe.

Work[edit]

The Portois-Fix Palace in Vienna

Upon returning to Vienna, he joined the studio of the architect Otto Wagner on Wagner's personal invitation, and stayed there until the end of the century. During this period he did not only concentrate his interests on design, but also cultivated his vocation as town planner and passionately devoted himself to teaching.

Fabiani's first large-scale architectural project was the urban plan for the Carniolan capital Ljubljana, which was badly damaged by an earthquake in 1895. Fabiani won a competition against the historicist architect Camillo Sitte, and was chosen by the Ljubljana Town Council as the main urban planner. One of the reasons for this choice was Fabiani was considered by the Slovene Liberal Nationalists as a Slovene.[3]

With the personal sponsorship of the Liberal nationalist mayor of Ljubljana Ivan Hribar, Fabiani designed several important buildings in the Carniolan capital, including the Mladika palace, which is now the seat of the Slovenian Foreign Ministry.

His work in Ljubljana helped him to become well known in the Slovenia, convincing Slovene nationalists in the Austrian Littoral to entrust him with the design for the National Halls in Gorizia (1903) and in Trieste (1904).[4]

Fabiani also created the urban plan for Bielsko in Poland. In 1902, these two urban plans won him the first honorary masters degree in the field of urban planning by the University of Vienna in Austria-Hungary.[5]

In 1917, he was named professor at the University of Vienna,[6] and in 1919 one of his pupils, Ivan Vurnik, offered him a teaching position at the newly established University of Ljubljana,[7] Fabiani however refused the offer, quit the teaching position in Vienna, and decided to settle in Gorizia, which had been annexed to the Kingdom of Italy, thus becoming an Italian citizen. During the 1920s, he coordinated a large scale reconstruction of historical monuments in the areas in the Julian March that had been devastated by the Battles of the Isonzo during World War I.

In late 1935, he accepted the nomination for mayor (podestà) of his native Štanjel by the Fascist regime, for the National Fascist Party.[2] He remained mayor during World War II, using his knowledge of German language and his cultural acquaintances to convince the German troops to spare the village from destruction.[8][9] He also maintained communication with local Slovene partisans. Nevertheless, the monumental fortifications part of the village, which he himself had renovated during the 1930s, were eventually destroyed in the fight between the Wehrmacht and the Slovene partisans.[10]

In 1944, Fabiani relocated back to Gorizia, where he lived until his death.

Notable works[edit]

The most notable works designed by Fabiani include:

  • Mladika Palace (Ljubljana, 1907),
  • Trieste National Hall (Trieste, 1904),
  • Palace Portois & Fix (Vienna, 1898),
  • Palace Artaria (Vienna, 1900),
  • Palace Urania (Vienna) (1902),
  • the Revenue Office building (Gorizia, 1903),
  • the National Hall in Trieste (1904),
  • Prešeren Square and the Prešeren Monument (Ljubljana; unveiled in 1905),
  • Stabile Palace (Trieste, 1906)
  • the urban development plan for Ljubljana (1895),
  • Villa Wechsler Vienna (1911)
  • San Germano church (Brijuni, 1912)
  • the plan for the reconstruction of Gorizia (1921)
  • the general urban development plan for Venice (1952).
  • Restoration of Gorizia duom, Gorizia (1919)
  • The general urban development plan of Monfalcone, Italia (1919)
  • Villa Bigot (Gorizia, 1921)
  • Pellegrini's home in Gorizia (1922)
  • Felberbaum's home in Gorizia (1925)
  • San Giorgio church (Lucinico, 1927)
  • Ferrari's garden (Štanjel, 1930–40)
  • Sacro Cuore metropolitan church (Gorizia, 1934)
  • "Tower of memory", memorial to the Italian soldiers who died in World War I (Gorizia, 1937)
  • Casa del Fascio (House of Fascism) (Štanjel, 1938)

Awards[edit]

Legacy[edit]

  • In 1984, in Vienna Simmering (11th District), the Fabiani Street (In German: Fabianistraße) was named after him.
  • Since 2008, the Slovenian highest award for best achievements in urban planning is named after him.[11]

Notes[edit]

  1. ^ Andrej Hrausky, Janez Koželj: Maks Fabiani: Dunaj, Ljubljana, Trst., Mladina, 12 August 2010
  2. ^ a b Marco Pozzetto, Max Fabiani, MGS PRESS S.a.s., Trieste (1998) p. 15.
  3. ^ Breda Mihelič, Urbanistični razvoj Ljubljane (Ljubljana: Partizanska knjiga, 1983), 10.
  4. ^ Marko Kravos et al., Narodni dom v Trstu, 1904-1920 (Trieste-Duino, 1995).
  5. ^ Katarina Brešan. "Regulacijski načrti Maksa Fabianija na območju današnje občine Miren – Kostanjevica" [Regulatory Plans of Max Fabiani in the Area of the Current Municipality of Miren – Kostanjevica] (in Slovenian). Municipality of Miren – Kostanjevica. 
  6. ^ http://www.rtvslo.si/kultura/razstave/fabiani-kot-mislec-in-clovek/140983
  7. ^ Janez Koželj et al., Ivan Vurnik, slovenski arhitekt - Slovenian Architect (Ljubljana: Organizacijski odbor projekta Vurnik, 1994).
  8. ^ Marco Pozzetto, Max Fabiani, MGS PRESS S.a.s., Trieste (1998) p. 72.
  9. ^ Neera Gatti, Lettere ad un amica, Ergon S.r.l, Gorizia (1951) p. 26,27.
  10. ^ http://www.slosi.info/01gradovi/02podrobnejse/primorska/ss-7/stanjel3.php
  11. ^ The Fabiani Award has been awarded for the third time (In Slovene: "Tretja Fabianijeva nagrada je podeljena", Delo, 2010)