|Education||Royal Melbourne Institute of Technology, University of Queensland, and Griffith University, Queensland|
Natalie Jeremijenko (born 1966) is an artist and engineer whose background includes studies in biochemistry, physics, neuroscience and precision engineering. She is an active member of the net.art movement, and her work primarily explores the interface between society, the environment and technology. She has alternatively described her work as 'X Design' (short for experimental design) and herself as a 'thingker'[clarification needed]. She is currently an Associate Professor at New York University in the Visual Art Department, and has affiliated faculty appointments in the school's Computer Science and Environmental Studies.
- 1 Early life
- 2 Education
- 3 Transition to art installations
- 4 Notable works
- 5 Chronology of selected works
- 6 Awards
- 7 Personal life
- 8 See also
- 9 Further Reading
- 10 References
- 11 External links
She grew up in Mackay, Queensland, the second of ten children to a physician and a schoolteacher. Her parents were champions of domestic technology, and Jermenjenko claims that her mother was the first woman in Australia to own a microwave.
She holds a Ph.D in Computer Science and Engineering from University of Queensland, and holds other qualifications across the sciences and the arts. She also carried out coursework for two other Ph.D's: one in Australia on Neuroscience and another at Stanford University[clarification needed].
|1992||B.F.A. (with Honors)||Royal Melbourne Institute of Technology||Digital Information: "Explorations in Scientific Representation Exploiting Surround Sensory Input (Virtual Reality)"|
|1993||B.S. (Conferred)||Griffith University, Queensland, Australia||Neuroscience and Biochemistry|
|2008||Ph.D||University of Queensland||Information Environments, School of Computer Science and Electrical Engineering|
Transition to art installations
In 1988, Jeremijenko co-founded the Livid rock festival in Brisbane. She credits her involvement in helping her move towards public art as she created installations that would appeal to the young crowd.
D4PA: Designed 4 Political Action
Live Wire (Dangling String), 1995
In 1995, as an artist-in-residence at Xerox PARC in Palo Alto, California under the guidance of Mark Weiser, she created an art installation made up of LED cables that lit up relative to the amount of internet traffic. The work is now seen as one of the first examples of ambient or "calm" technology.
Various technological interfaces to facilitate interaction with natural systems as opposed to virtual systems. These interfaces encourage interactive relationships with non-humans and are intended to accumulate the actions of participants into productive local environmental knowledge and the remediation of urban territories.[clarification needed]
How Stuff is Made (HSIM) is a visual encyclopedia documenting the manufacturing processes, environmental costs and labor conditions involved in the production of contemporary products. This is a wiki-based collectively produced academic project to change the information available on and about the production.
An open source robotics project providing resources and support for upgrading the raison d’etre of commercially available robotic dog toys; and facilitating mediagenic Feral Robotic Dog Pack Release events. Because the dogs follow concentration gradients of the contaminants they are equipped to sniff, their release renders information legible to diverse participants, provides the opportunity for evidence-driven discussion, and facilitates public participation in environmental monitoring and remediation.
BIT Plane, 1997
The BIT plane is a radio-controlled model airplane, designed as the Bureau of Inverse Technology and equipped with a micro-video camera and transmitter. Its name could be a possible reference to bit plane, meaning a set of digital discrete signals. In 1997 it was launched on a series of sorties over the Silicon Valley to capture an aerial rendering.
Guided by the live control-view video feed from the plane, the pilot on the ground could steer the unit deep into the heartlands of the Information Age. Most of the corporate research parks in Silicon Valley are no-camera zones and require US citizen status or special clearance for entry. The bit plane (with an undisclosed citizenship) ﬂew covertly through this rariﬁed information-space, buzzing over the largest concentration of venture capital in the world, to return with several hours of aerial footage.
Biotech Hobbyist magazine
(1st issue) An online magazine with kits and resources to bring biotech to the garage, bedroom, and everyman, to raise the standards of evidence and capacity for public involvement in the political decisions on the biotechnological future.
Bat Billboard, 2008
Created in 2008, this project's goal was to dispel misinformation, as well as educate people on bats, their habitat, and activities. The billboard was an interactive home for bats that would display written messages based on the sonar messages the bats were sending. This work was showcased at MoMA's 2011 exhibit "Talk to Me".
Chronology of selected works
|2004||Clear Skies: FaceMasks||http://xdesign.ucsd.edu/facemasks/|
|CIRCA: The Ratio Virus|
|1⁄2 Life Ratio|
|1996||The Corporate Imagination||Film|
|1993||The Bureau of Inverse Technology||Film|
- 2011 Fast Company's Most Influential Women in Technology
- 2005 I.D. magazine annual Forty (#37)
- 1999 Rockefeller Fellow
- 1999 Technology Review's Top 100 Young Innovators
She is divorced. She was previously married to the sociologist Dalton Conley with whom she had two children: E and Yo. Jeremijenko also has a daughter, Jamba, from a previous relationship.
- Perini, Julie (2010). "Art as Intervention: A Guide to Today's Radical Art Practices". In Team Colors Collective. Uses of a Whirlwind: Movement, Movements, and Contemporary Radical Currents in the United States. AK Press. ISBN 9781849350167.
- More Intelligent Life, M.G (20 September 2010). "The Q&A: Natalie Jeremijenko, thingker". The Economist. Retrieved 19 October 2012.
- Kevin, Berger (January 2006). "The artist as mad scientist". salon.com. Retrieved 19 October 2012.
- "Natalie Jeremijenko". Core77. Retrieved 19 October 2012.
- "Natalie Jeremijenko". School of Visual Arts. Retrieved 19 October 2012.
- "Natalie Jeremijenko". Media Artists. Retrieved 19 October 2012.
- "Calm Technology". Berkeley. Retrieved 19 October 2012.
- "Ubicomp". IPV6. Retrieved 19 October 2012.
- "How Stuff Is Made". Retrieved 19 October 2012.
- "Shocking the Big City with a Little Green Grass," Yes! magazine, Winter 2013, p. 40.
- "Most Influential Women in Tech: Natalie Jeremijenko". Fast Company. Retrieved 19 October 2012.
- Poynor, Rick (9 January 2005). "The I.D. Forty: What Are Lists For?". Design Observer. Retrieved 19 October 2012.
- "Technology Review's annual list of 35 INNOVATORS UNDER 35: Natalie Jeremijenko, 32". Technology Review. Retrieved 19 October 2012.
- "Dalton Conley: Biography". New York University. Retrieved 26 October 2012.
- Bahrampour, Tara (25 September 2003). "A Boy Named Yo, Etc.; Name Changes, Both Practical and Fanciful, Are on the Rise". New York Times. Retrieved October 2012.
- Conley, Dalton (1 March 2010). "Raising E and Yo...". Psychology Today magazine. Retrieved 26 October 2012.
- Natalie Jeremijenko's home page with info about projects
- xDesign Environmental Health Clinic
- 2012 outdoor work at Socrates Sculpture Park
- Info from Yale University
- Profile of artist with descriptions of her work
- video interview at Connected Environments exhibit at the Neuberger Museum of Art
- MoMA Talk To Me Exhibition Site