Paul Sandby RA (1731 – 9 November 1809) was an English map-maker turned landscape painter in watercolours, who, along with his older brother Thomas, became one of the founding members of the Royal Academy in 1768.
Life and work
Born in Nottingham, Sandby joined the topographical drawing room of the Board of Ordnance at the Tower of London in the early 1740s and in 1747 was tasked as chief draughtsman with mapping the remote Scottish Highlands - a "compleat and accurate survey of Scotland". While undertaking this commission, which included preparing designs for new bridges and fortifications, he began producing watercolour landscapes documenting the changes in Scotland after the 1745 rebellion, and sketches of Scottish events such as the hanging in Edinburgh of soldier-turned-forger John Young in 1751. News of his talent soon spread.
In 1752, he took up a post with his brother producing landscapes of the royal estates at Windsor (the royal collection includes over 500 images by the Sandby brothers). His skills were applauded by fellow artists such as Thomas Gainsborough: if one wanted "real Views from Nature in this Country", declared Gainsborough in 1764, there was no better artist than Sandby, who frequently "employ'd his pencil that way." He also drew some caricatures ridiculing William Hogarth.
Sandby made his first recorded visit to Wales in 1770, later (1773) touring south Wales with Sir Joseph Banks, resulting in the 1775 publication of XII Views in South Wales and a further 12 views the following year, part of a 48-plate series of aquatint engravings depicting Welsh scenery commissioned by Banks.
He died in London in 1809 and was described in his obituaries as "the father of modern landscape painting in watercolors".
A bandit with a halberd
- Windsor Castle: View of the Round and Devils Towers from the Black Rock
Watercolour of Woolton Hall, Liverpool, c. 1781
Watercolor of the 1783 Great Meteor, 1783
Harlech Castle by Paul Sandby 1776
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- Oxford Dictionary of Biography
- Lambirth, Andrew (24 April 2010). "Arboreal glory". The Spectator 312 (9478): 41.
- Colley, Linda. Paul Sandby: Picturing Britain (The Guardian, 7 November 2009).
- "British Museum collection: Royal Military Academy and Prince Rupert's Tower, Woolwich Academy - curator's note". Britishmuseum.org. Retrieved 2013-06-13.
- Monkhouse, William Cosmo (1897). "Sandby, Paul". In Lee, Sidney. Dictionary of National Biography 50. London: Smith, Elder & Co. pp. 251–254.
- Julian Faigan, Paul Sandby RA. The Collection in the City of Hamilton Art Gallery (University of Melbourne MA Thesis, 1984).
- L. Herrmann. Paul and Thomas Sandby (Batsford, 1986).
- Andrew Wilton & Anne Lyles. The Great Age of British Watercolours (1750–1880) (Prestel, 1993). ISBN 3-7913-1254-5
- Anne Lyles & Robin Hamlyn. British watercolours from the Oppé Collection (Tate Gallery Publishing, 1997). ISBN 1-85437-240-8
- Michael Charlesworth, Landscape and Vision (Ashgate, 2008), Chapter One.
- Michael Charlesworth, "Thomas Sandby climbs the Hoober Stand", Art History, 19, 2, (1996)
- Paul Sandby online (artcyclopedia.com).
- Picturing Britain: Paul Sandby (1731-1809) (Daily Telegraph - 27 July 2009).
- Paul Sandby, Unlikely Founder of Dazzling School of European Art, Souren Melikian, New York Times, 16 April 2010
- A detailed Paul Sandby biography Edited by Charles Holme. Text by Alexander J Finberg & E A Taylor. The Development of British Landscape Painting in Water-colours.
- Connected Histories: British History Sources, 1500-1900 This JISC-funded web service provides federated searching of online historical resources for research. The web link provides access to primary sources which refer to Paul Sandby.