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Life and work
Kirkpatrick was born in Leominster, Massachusetts. He studied Art History at Harvard University and went on to further studies with Nadia Boulanger and harpsichord revival pioneer Wanda Landowska in Paris, as well as Arnold Dolmetsch in Haslemere, Heinz Tiessen in Berlin and Günther Ramin in Leipzig. From 1933 to 1934, he taught at the Mozarteum in Salzburg, Austria. A Guggenheim Scholarship later enabled him to study manuscripts and sources in Europe.
From 1940 he was a professor at Yale University, where he published his biography of Domenico Scarlatti and a critical edition of Scarlatti's complete works (1953). These are now conventionally designated by their Kirkpatrick numbers (shown as Kk. --, and more recently with a single K.), which is now considered the standard, authoritative numbering system for Scarlatti's keyboard sonatas (despite at least two rival systems) (see opus number).
During the 1960s Kirkpatrick made recordings of the complete harpsichord works of Johann Sebastian Bach (Archiv). The instrument he used in these recordings was always one or other of the contemporary harpsichords being made at the time by the firm of JC Neupert of Bamberg. These days such instruments are called "revival" style instruments, their features including inauthentic metal frames and robust, heavy construction. These recordings show Kirkpatrick's formidable keyboard technique to full advantage, and, unusually for recordings of the time, he observes almost all of the repeats. His performances of The Well-Tempered Clavier were recorded on both the harpsichord and the clavichord. His later Bach recordings used a reproduction French harpsichord by Hubbard & Dowd.
He produced an edition of Bach's Goldberg Variations (1938, G. Schirmer, Inc. New York - 37149) which includes extensive discussion of ornamentation, fingering, phrasing, tempo, dynamics, and general interpretation. He also authored the posthumously published Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse.
Kirkpatrick also played modern music, including Quincy Porter's Concerto for Harpsichord and Orchestra, Darius Milhaud's Sonata for Violin and Harpsichord, and the Double Concerto for Harpsichord, Piano and Chamber Orchestra by Elliott Carter, which was dedicated to him.
As a performer and recording artist, he became best known for his harpsichord performances of the keyboard music of Bach and Scarlatti. He also recorded on the clavichord (e.g. Bach's two- and three-part inventions, as well as both volumes of The Well-Tempered Clavier) and on the fortepiano (especially works by Mozart). He recalled playing a clavichord at a house concert in Hamburg, Germany.
Kirkpatrick died in Guilford, Connecticut at the age of 72.
On April 2, 1999, the asteroid 9902 Kirkpatrick was named in his honor.
- Halford, Margery (1974). Scarlatti -- An Introduction to His Keyboard Works. Van Nuys, CA: Alfred Music Publishing. p. 5. ISBN 978-0739022153.
- Ralph Kirkpatrick, "On Playing the Clavichord," Early Music, Vol. 9, No. 3, Wind Issue (Jul., 1981), pp. 293-305 (Oxford University Press). Abstracts found at JSTOR and Oxford Journals websites. All accessed July 20, 2010.
- Kirkpatrick, Ralph (1953). Domenico Scarlatti. Princeton University Press. ISBN 0-691-02708-0.
- Domenico Scarlatti. Sixty Sonatas in Two volumes, edited in chronological order from the manuscripts and earliest printed sources with a preface by Ralph Kirkpatrick, New York, G. Schirmer, 1953.