|Birth name||Raynoma Mayberry|
|Also known as||Miss Ray, Raynoma Liles, Raynoma Gordy, Raynoma Singleton|
March 8, 1937 |
Detroit, Michigan US
|Years active||1958 - present|
|Labels||Motown, Shrine, Scepter|
|Associated acts||Apollo, Rayber Voices, Rockwell, Sherrick|
Raynoma "Ray" Mayberry Liles Gordy Singleton (born March 8, 1937) is an American R&B producer, songwriter, and vocalist perhaps best known for her association with ex-husband, Berry Gordy, during the early days of Motown.
Life and career
Raynoma Mayberry was born on March 8, 1937, in Detroit, Michigan. She was her mother Lucille’s eighth child, but her first by her marriage to Ashby Mayberry. Although her father worked as a janitor for Cadillac, he did well enough to purchase a house on Detroit’s Blaine Street in a predominantly Jewish neighborhood.
In the mid 1950s, Raynoma met and married Charles Liles, an aspiring musician. They had one son, Cliff Liles, born in December 1955. Burdened by financial pressures, the marriage soon folded.
Early association with Berry Gordy
In 1958, Raynoma and her younger sister, Alice, auditioned as a duo for a young songwriter named Berry Gordy. Sensing that Gordy was not excited about their singing, Raynoma told him that she could also write and arrange music. Before long, she was doing just that, becoming a vital part of his budding operation.
Later, Gordy had her put together a backup vocal group, which was composed of singers who had been hanging around the studio. Gordy, who loved contractions, decided to call the group the Rayber Voices after their given names, Raynoma and Berry. In addition to Ray, the singers in the group were Brian Holland, Robert Bateman, Sonny Sanders and later, Gwendolyn Murray  and Louvain Demps. Together, Ray and Berry also formed a music producing and publishing firm, Rayber Music Writing Company.
Tired of the paltry royalty checks that he was receiving, Gordy was encouraged by Ray and Smokey Robinson to start his own record company. Ray located a two-story house at 2648 West Grand Boulevard as the headquarters for the new enterprise. Gordy placed her in charge of the company's publishing operations (now known as Jobete) with the assistance of her brother, Mike Ossman, and Janie Bradford, the company's first receptionist.
After the birth of their child, Kerry, and his divorce from his previous wife was final, Ray and Berry Gordy were married. Not long after the marriage, Gordy began having an affair with Margaret Norton, which he once described as "the most beautiful woman in Detroit." However, by the time he finally decided to end the affair, his marriage with Ray was over.
However, with the cost of living being much higher in New York than Detroit, Ray struggled to get proper funding to maintain her office. After repeated attempts to obtain additional funding had failed, Ray decided to take desperate measures. Against the advice of Eddie Singleton (her partner and future husband) she arranged to bootleg five thousand copies of the Motown single, "My Guy" by Mary Wells to keep the office open.
When Berry Gordy found out what happened, he was furious. He did not however, press charges. After their divorce was finalized, they remained on amicable terms. So much so that after Ray married Eddie Singleton, Gordy loaned the couple money so that they could start their own record label in the nation's capital, Washington, DC.
Raynoma formed a partnership with Motown under the Super Three banner. One of the most successful projects under that arrangement was Rockwell’s Top 10 album, Somebody’s Watching Me, in which she served as executive producer.
Ray Singleton has been married three times and has three sons and one daughter from her various marriages.
From 1960-1964, Singleton was married to her second husband, Berry Gordy, she has one son, musician and entertainment executive Kerry Gordy. Kerry was also a member of the group, Apollo, with his half-brother, Cliff Liles.
From 1966-1970, Singleton was married to her third husband, Eddie Singleton, she has one son, William Edward Singleton, Jr., and daughter, the recording artist Rya Singleton.
|Release Date||Album||Artist(s) or Group||Capacity(ies)|
|1984||Somebody's Watching Me||Rockwell||Executive Producer|
- Singleton, Raynoma (1990), Berry, Me and Motown : The Untold Story, Contemporary Books, ISBN 978-0809243402.
- Gordy Singleton, Raynoma (1990). "Detroit". Berry, Me and Motown (First ed.). Chicago: Contemporary Books. pp. 4–22. ISBN 0-8092-4340-7.
- Gordy, Berry (1994). "The Songwriting Years: 1957-1959". To Be Loved: The Music, The Magic, The Memories of Motown (First ed.). New York: Headline Book Publishing. pp. 84–108. ISBN 0-7472-1417-4.
Soon she was writing out little lead sheets, chord arrangements and helping with background singing. She made life easier for me. I liked it, and before long I was used to it.
- Gordy Singleton, Raynoma (1990). "Rayber:1958". Berry, Me and Motown (First ed.). Chicago: Contemporary Books. pp. 23–59. ISBN 0-8092-4340-7.
- Wright, Vickie (2007). Motown - From the Background. Bank House Books.
- Gordy Singleton, Raynoma (1990). "Tamla". Berry, Me and Motown (First ed.). Chicago: Contemporary Books. pp. 65–79. ISBN 0-8092-4340-7.
You know, we aren’t some mom-and-pop fly-by-night operation. What we have to do now is start our own label.
- Gordy, Berry (1994). "Motown: 1959-1960". To Be Loved: The Music, The Magic, The Memories of Motown (First ed.). New York: Headline Book Publishing. pp. 109–137. ISBN 0-7472-1417-4.
Because of her knowledge of music and lead sheets, I put her in charge of the publishing operation, where she got tremendous help from her mother, Mike Ossman, and Janie Bradford, our first receptionist.
- Gordy, Berry (1994). "Survival of the Fittest: 1960-1964". To Be Loved: The Music, The Magic, The Memories of Motown (First ed.). New York: Headline Book Publishing. pp. 138–195. ISBN 0-7472-1417-4.
Both wanting the breakup to be quick and painless, we got a Mexican divorce by mail. Ray wanted to continue working for the company. She wanted to take Kerry, our son, and move to New York and open a Jobete office there. I said okay.
- Gordy Singleton, Raynoma (1990). "Busted:1963-1967". Berry, Me and Motown (First ed.). Chicago: Contemporary Books. pp. 149–164. ISBN 0-8092-4340-7.
Bootlegging came with the territory in the music business. By-passing distributors and artists' and writers' royalties for direct payment to one individual was as routine as the sun coming up in the morning.
- Gordy Singleton, Raynoma (1990). "Super Three". Berry, Me and Motown (First ed.). Chicago: Contemporary Books. pp. 288–301. ISBN 0-8092-4340-7.
It wasn’t exactly a full partnership, since the money was Berry’s. We were still Motown, but we had an independent budget, which he controlled as chairman of the board, and with which we sought to produce artists who were the cream of the crop.
- Somebody's Watching Me (Media notes). Rockwell. Motown Records. 1984.
- Apollo (Media notes). Apollo. Gordy Records. 1979.
- Captured (Media notes). Rockwell. Motown Records. 1985.