Robot couture
 Thierry Mugler retrospective at the Montreal Museum of Fine Arts, 2019 | |
| Designer | Thierry Mugler |
|---|---|
| Year | 1995 |
| Type | Metal catsuit |
| Material | Metal, perspex |
Robot couture by Thierry Mugler is a garment in the world of haute couture, crafted as a futuristic cyborg-inspired metal and perspex catsuit.[1] This garment was first unveiled by the fashion house of Mugler at its 20th anniversary haute couture fashion show in 1995.[1] The late creative director and adviser for Mugler, Thierry Mugler,[2] designed this “Silvery Cyborg Getup,” as described by Vogue Runway,[3] in collaboration with Mr. Pearl,[1] Jean-Jacques Urcun,[4] and Jean-Pierre Delcros.[5] Initially modeled by Nadja Auermann, this garment is inspired by Hajime Sorayama’s erotic robot art and the seminal film Metropolis.[1]
Design and symbolism[edit]
Although the suit remains unnamed, it was notably described by Vogue runway as “Silvery Cyborg Getup” [3]and has been deemed “Fembot Suit”[6] and “Robot Couture,”[7] along with a slew of other names by other sources. Designed by the late Thierry Mugler, the metal and perspex catsuit was unveiled at Mugler’s fall/winter 1995 collection show at the Cirque d’Hiver in France[1],. This intricate and unique garment was designed in collaboration with three renowned craftsmen: corsetiere Mr. Pearl,[1] artist Jean-Jacques Urcun,[4] and aircraft specialist Jean-Pierre Delcros.[5] On the runway, this design’s debut was marked as German supermodel Nadja Auermann performed a striptease where she shed a juxtaposing purple floor-length coat along with a sheer black cover-up, revealing the articulated metal jumpsuit.[3][5] Robot Couture was created with dual inspiration from Maria, also referred to as Maschinenmensch, from the novel turned film Metropolis and the sleek, erotic robots characteristic of Japanese illustrator Hajime Sorayama.[1] Overall, this garment stands as a feminist symbol of allure and strength. Featuring strategic and striking perspex cutouts highlighting commonly idealized parts of the female body such as the buttocks, boobs, and face, Mugler melds the ridgid robotic armor with the inherent fluidity of the female form to allude to ideas of the perfect plastic female form as a weapon.[8][1] This idea is in the same realm as the work of Hajime Sorayama, as the opaque and glistening metal acts as a barrier to desire while the perspex cutouts act to highlight the unattainable beauty standards women are subjected to in erotic media like porn.[9] This idea isn’t new to Mugler, as he often makes garments that reflect feminist ideals, such as women as warriors. The cutouts also stand to represent the intermixing of robotics and human forms,[10] as his reference to Metropolis and Hajime Sorayama would imply; however, Mugler twists this idea by visually creating a definition between the two forms. This definition, by way of differential material usage, metal and perspex, provides a commentary on the fragmentation of female forms and the commodification of both the female and robotic body. The design eye-catchingly explores the interaction between humans and technology and reflects narratives around the intermixing of both organic and synthetic realms.
Historical and cultural context[edit]
The debut of Robot Couture came during a time when society was deeply engaged in discussions about the integration of human life and technology, fueled by the many technological advances of the early 1990s such as the World Wide Web, smartphone,[11] and webcam.[12] The 1990s saw a boom in fascination with cyborgs and AI, echoing fears and fantasies around the blurring of the boundary between humans and machines. With ties to Donna Haraway’s “A Cyborg Manifesto,” which challenges distinctions between humans and technology,[13] Robot Couture taps into these themes and ideas. With this garment, the body acts as a vessel for socio-political commentary and artistic expression.
Reception and influence[edit]
The 1995 show, featuring Robot Couture, received critical acclaim as it was said to be one of the most unforgettable shows of the 1990s.[3] More specifically, it was celebrated for its contemporary approach and theatricality of presentation, both of the garments and show, with guest star James Brown and Mugler’s eccentric modeling style.[3][1][5] Robot Couture specifically received praise and has gone on to have a lasting impact on the fashion industry. A multitude of designers, namely Alexander McQueen and Dolce & Gabbana, have taken inspiration from this garment while exploring themes of technology and futurism in their work.[1][4]
Legacy[edit]
Robot Couture continues to be held in high regard today, as it is still seen as a pivotal work that encapsulates the futuristic aesthetics of the 90s while still resonating with present themes in contemporary fashion. This garment has remained archived for a majority of the time since its photoshoot with world-renowned photographer Helmut Newton shortly after its debut in 1995.[14] However, in 2010, this garment was spotted on the cover of the February edition of Vogue Germany[15]
Appearances[edit]
| Year | Event |
|---|---|
| 1995 | 95' Fall Winter Haute Couture show[3] |
| 1995 | photo shoot by Helmut Newton [14] |
| 2010 | Vogue Germany 2010 February Cover [15] |
References[edit]
- ^ a b c d e f g h i j Türkmen, Aslı Su. "Ceaseless allure of femmes-futures: fashion impact of the sci-fi film heroine." Master's thesis, İzmir Ekonomi Üniversitesi, 2019.
- ^ "Thierry Mugler", Wikipedia, 2024-04-12, retrieved 2024-04-22
- ^ a b c d e f Nast, Condé (1995-03-26). "Mugler Fall 1995 Couture Collection". Vogue. Retrieved 2024-04-22.
- ^ a b c "Thierry Mugler in 9 cult collections". Numéro Magazine. Retrieved 2024-04-22.
- ^ a b c d Dazed (2024-02-15). "Five reasons why Thierry Mugler's AW95 Couture show was so #iconic". Dazed. Retrieved 2024-04-22.
- ^ “77: Türkmen, Aslı Su. "Ceaseless allure of femmes-futures: fashion impact of the sci-fi film heroine." Master's thesis, İzmir Ekonomi Üniversitesi, 2019.
- ^ Baker, Brian (2000). "In the Post: or, the Work of Art in the Age of Digital Simulation". Postmodern Culture. 10 (3). doi:10.1353/pmc.2000.0017. ISSN 1053-1920.
- ^ Vinken, Barbara. Fashion zeitgeist: Trends and cycles in the fashion system. Oxford: Berg, 2005.
- ^ "7 Things You Need to Know About Hajime Sorayama". Highsnobiety. 2017-03-19. Retrieved 2024-04-22.
- ^ Baker, Brian (2000). "In the Post: or, the Work of Art in the Age of Digital Simulation". Postmodern Culture. 10 (3). doi:10.1353/pmc.2000.0017. ISSN 1053-1920.
- ^ "IBM created the world's first smartphone 25 years ago". Retrieved 2024-04-22.
- ^ "How the world's first webcam made a coffee pot famous". BBC News. 2012-11-21. Retrieved 2024-04-22.
- ^ Haraway, D. J. (2018a). Cyborg manifesto. Camas Books
- ^ a b "77: HELMUT NEWTON, Johanna, Robot Suit by Thierry Mugler, Monte Carlo 1995 | Lamodern.com". www.lamodern.com. Retrieved 2024-04-22.
- ^ a b "Robot Suit". The Genealogy of Style. 2014-12-05. Retrieved 2024-04-22.