Stuck in the Middle with You
|"Stuck in the Middle with You"|
|Single by Stealers Wheel|
|from the album Stealers Wheel|
|Recorded||Apple Studio, London|
|Genre||Folk rock, country rock, soft rock|
|Writer(s)||Gerry Rafferty, Joe Egan|
|Producer(s)||Jerry Leiber and Mike Stoller|
"Stuck in the Middle with You" (sometimes known as "Stuck in the Middle") is a song written by Gerry Rafferty and Joe Egan and originally performed by their band Stealers Wheel. The song was inspired by a real occasion when the record company and producers were conducting business across Rafferty and Egan at a restaurant table.
"Stuck in the Middle" was released on Stealers Wheel's 1972 self-titled debut album. Gerry Rafferty provided the lead vocals, with Joe Egan singing harmony. The song was conceived initially by the band members as a parody of Bob Dylan's distinctive lyrical style and paranoia. The band was surprised by the single's chart success. The single sold over one million copies, eventually peaking in 1973 at #6 in the U.S. Billboard Hot 100 chart and #8 in the UK Singles Chart. It was produced by Jerry Leiber and Mike Stoller.
In popular culture
The song is used in Quentin Tarantino's 1992 debut film Reservoir Dogs, during the scene in which the character Mr. Blonde (played by Michael Madsen) taunts and tortures bound policeman Marvin Nash (Kirk Baltz) while singing and dancing to the song. In an interview with Rolling Stone, Tarantino recalled
"That was one of those things where I thought [the song] would work really well, and [during] auditions, I told the actors that I wanted them to do the torture scene, and I'm gonna use 'Stuck in the Middle With You,' but they could pick anything they wanted, they didn't have to use that song. And a couple people picked another one, but almost everyone came in with 'Stuck in the Middle With You,' and they were saying that they tried to come up with something else, but that's the one. The first time somebody actually did the torture scene to that song, the guy didn't even have a great audition, but it was like watching the movie. I was thinking, 'Oh my God, this is gonna be awesome!' "
This scene is parodied in the Simpson's episode "Simpsoncalifragilisticexpiala-D'oh!-cious", where Itchy and Scratchy (replacing Mr. Blonde and Marvin Nash, respectively) re-enact this scene, even with the same song.
- "Explore: Soft Rock | Top Songs | AllMusic". Web.archive.org. 2011-11-12. Retrieved 2014-06-29.
- Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 675. ISBN 0-89820-155-1.
- Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 527. ISBN 1-904994-10-5.
- Stealers Wheel sleeve image
- Amazon.com: Stealers Wheel: Music
- Gracenote: Album > Stealers Wheel - Stealers Wheel :
- Chilton, Martin, "Gerry Rafferty and his songs of alienation", Daily Telegraph, 5 January 2011
- Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era (ISBN 9780670034567): Ken Emerson
- Reynolds, Simon (7 January 2013). "Quentin Tarantino's music moments: 'Stuck in the Middle', David Bowie". Digital Spy. National Magazine Company Ltd. Retrieved 7 April 2014.
Alongside the bloody violence and salty dialog, Quentin Tarantino movies are often marked by ingenious juxtaposition of image and sound. Ever since Michael Madsen's razor-wielding Mr Blonde danced to 'Stuck in the Middle With You' in Reservoir Dogs, the filmmaker has become synonymous with memorable musical montages.
- Halperin, Shirley (21 August 2009). "Quentin Tarantino on Five Key Soundtrack Picks, From "Reservoir Dogs" to "Inglourious Basterds"". Rolling Stone. Retrieved 7 April 2014.
From Pulp Fiction to Kill Bill to his latest, Inglourious Basterds (opening this weekend), Quentin Tarantino matches scene with song like a sommelier pairs just the right bottle of wine with a nice steak: perfectly. ~. So how does a cut make it from his turntable to the big screen? The revered director filled us in on his method through five key movie music cues.