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Synchronized swimming

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"Synchronized Swimming" redirects here. For the Bob's Burgers episode, see Synchronized Swimming (Bob's Burgers).
Synchronized swimming
Russian synchronized swimming team, May 2007
Highest governing bodyFédération Internationale de Natation (FINA)
Characteristics
TypeAquatics
Presence
OlympicPart of the Summer Olympic programme since 1984

Synchronized swimming (often abbreviated to Synchro) is a hybrid form of swimming, dance and gymnastics, consisting of swimmers (either solos, duets, trios, or teams) performing a synchronized routine of elaborate moves in the water, accompanied by music. Synchronized swimming demands advanced water skills, and requires great strength, endurance, flexibility, grace, artistry and precise timing, as well as exceptional breath control when upside down underwater.

Olympic and World Championship competition is not open to men, but other international and national competitions allow male competitors. Both USA Synchro and Synchro Canada allow men to compete with women. – Most European countries allow men to compete also, France even allows male only podiums, according to the number of participants. In the past decade more men are becoming involved in the sport and a global biannual competition called Men's Cup has been steadily growing.

Competitors show off their strength, flexibility, and aerobic endurance required to perform difficult routines. Swimmers perform two routines for the judges, one technical and one free, as well as age group routines and figures.

Synchronized swimming is governed internationally by FINA (Federation Internationale de Natation).

History

At the turn of the 20th century, synchronized swimming was known as water ballet. The first recorded competition was in 1891 in Berlin, Germany. Many swim clubs were formed around that time, and the sport simultaneously developed within several countries, including Australia, Canada, France, Germany, and the USA. As well as existing as a sport, it often constituted a popular addition to Music Hall evenings, in the larger variety theatres of London or Glasgow which were equipped with huge on-stage water tanks for the purpose.

While exclusively a sport performed by men in its first days, it quickly became a women's sport because the nature of the physical movements are more suitable to the female physique (i.e. center of gravity). In 1907, Australian Annette Kellerman popularized the sport when she performed in a glass tank as an underwater ballerina in the New York Hippodrome. After experimenting with various diving actions and stunts in the water, Katherine Curtis started one of the first water ballet clubs at the University of Chicago, where the team began executing strokes, "tricks," and floating formations. On May 27, 1939, the first U.S. synchronized swimming competition took place at Wright Junior College between Wright and the Chicago Teachers' College. Sara Quin, of Tegan and Sara also helped to popularize this sport when bantering about it at a show in London.

In 1924, the first competition in North America was in Montreal, with Peg Seller as the first champion.

Other important pioneers for the sport are Beulah Gundling, Käthe Jacobi, Marion Kane Elston, Dawn Bean, Billie MacKellar, [[Teresa Anderson],[Gail Johnson],(Gail Emery) and (Charlotte Davis). Charlotte Davis coached Tracie Ruiz and Candy Costie, the first athletes to compete in the synchonized swimming event during the 1984 Olympics held in Los Angeles.

Origins

In 1933–1934 Kathryn Curtis organized a show, "The Modern Mermaids," for the World Exhibition in Chicago, which the announcer introduced as "Synchronized Swimming." This was the first mentioning of the term synchronized swimming, although Curtis still used the term rhythmic swimming in her book, Rhythmic Swimming: A Source Book of Synchronized Swimming and Water Pageantry (Minneapolis: Burgess Publishing Co., 1936). See a photo of Motherwell's Rhythmic Swimming Display, 1946.

But it was National AAU champion swimmer, Esther Williams, who popularized synchronized swimming through (often elaborately staged) scenes in Hollywood films such as Bathing Beauty (1944), Million Dollar Mermaid (1952), and Jupiter's Darling (1955). In the 1970s and 80s, Ft. Lauderdale swimming champion Charkie Phillips revived water ballet on television with The Krofftettes in The Brady Bunch Hour (1976–77), NBC's The Big Show (1980), and then on screen with Miss Piggy in The Great Muppet Caper (1981).

Synchro as an Olympic sport

Main article: List of Olympic medalists in synchronized swimming

Although first demonstrated at the 1952 Olympic Games, synchronized swimming did not become an official Olympic sport until the 1984 Summer Olympic Games.[1] It was not until 1968 that synchronized swimming became officially recognized by FINA as the fourth water sport next to swimming, platform diving and water polo.

From 1984 through 1992, the Summer Olympic Games featured solo and duet competitions, but they both were dropped in 1996 in favor of team competition. At the 2000 Olympic Games, however, the duet competition was restored and is now featured alongside the team competition.

Event 1984 1988 1992 1996 2000 2004 2008 Years
Women's team       • • • • 4
Women's duet • • •   • • • 6
Women's solo • • •         3
Total Events 2 2 2 1 2 2 2

Basic skills

Sculls

Sculls (hand movements used to propel the body) are the most essential part to synchronized swimming. Commonly used sculls include support scull, standard scull, torpedo scull, split-arm scull, barrel scull, and paddle scull. The support scull is used most often to support the body while a swimmer is performing upside down. Support scull is performed by holding the upper arms against the sides of the body and the lower arms at 90-degree angles to the body. The lower arms are then moved back and forth while maintaining the right angle. The resulting pressure against the hands allows the swimmer to hold their legs above water while swimming.

Eggbeater

The "eggbeater kick" is another important skill of synchronized swimming. It is a form of treading water that allows for stability and height above the water while leaving the hands free to perform strokes. An average eggbeater height is usually around chest level. Using the eggbeater, swimmers can also perform "boosts", where they use their legs to momentarily propel themselves out of the water to their hips or higher. "Eggbeater" is also a common movement found in water polo as well as the "pop-up" movement. Eggbeating for a considerable period is also referred to as an "aquabob" and is used to build propulsion under water prior to a boost or pop-up.

Lifts

A lift is when swimmers use eggbeater or uses their feet and legs to propel their fellow teammates out of the water. They are quite common in routines of the older age groups.

Parts of a successful Lift

There are three separate parts to every lift in synchronized swimming: The top (or "flyer"), the base, and the pushers.

  • The Flyer The flyer is usually the smallest member of the team. Flyers must be agile and flexible, with a preferable gymnastics background if they are jumping off the lift.
  • The Base The base also tends to be relatively small. She should have good leg strength and a solid core. (when performing a platform lift, a strong core is essential)
  • The Pushers The pushers are usually the bigger, stronger members of the team and should be evenly spaced around the lift.

Types of Lifts

  • Platform Lift:

The platform lift is the oldest form of lift. In a platform, the base lays out in a back layout position underwater. The top sets in a squatting position on her torso, and stands once the lift reaches the surface. The remaining teammates use eggbeater to hold the lift out of the water.

  • Stack Lift:

A more modern version of the platform. The base sets up in a squatting position a few feet underwater, with the pushers holding her legs and feet. The top then climbs onto her shoulders. As the lift rises, both the base and top extend their legs to achieve maximum height.

  • Throw:

A throw lift is set up exactly like a stack lift. However, when the lift reaches its full height, the "flyer" on top of the lift will jump off of her teammate's shoulders, usually performing some sort of acrobatic movement or position. This is a very difficult lift, and should only be attempted by experienced swimmers.

Positions

There are hundreds of different regular positions that can be used to create seemingly infinite combinations. These are a few basic and commonly used ones:

  • Back Layout: The most basic position. The body floats, completely straight and rigid, face-up on the surface while sculling at the sides.
  • Front Layout: Much like a Back Layout, the only difference is that the swimmer is on his/her stomach.
  • Sailboat/Bent Knee: Similar to the back layout, but one knee is bent with the toe touching the inside of the other leg, which remains parallel to the surface.
  • Ballet Leg: Beginning in a back layout, one leg is extended and held perpendicular to the body, while the other is held parallel to the surface of the water.
  • Flamingo: Similar to ballet leg position where bottom leg is pulled into the chest so that the shin of the bottom leg is touching the knee of the vertical leg.
  • Vertical: Achieved by holding the body completely straight upside down and perpendicular to the surface usually with both legs entirely out of water.
  • Crane: While holding a vertical body position, one leg remains vertical while the other is dropped parallel to the surface, making a 90-degree angle or "L" shape.
  • Bent Knee: While holding a vertical body position, one leg remains vertical while the other leg bends so that its toe is touching the knee of the vertical leg.
  • Split position: With the body vertical, one leg is stretched forward along the surface and the other extended back along the surface.
  • Knight: The body is in a surface arch position, where the legs are flat on the surface, and the body is arched so that the head is vertically in line with the hips. One leg is lifted, creating a vertical line perpendicular to the surface.
  • Side Fishtail: Side fishtail is a position similar to a crane. One leg remains vertical, while the other is extended out to the side parallel to the water, creating a side "Y" position.

side "Y" – this is used in catilina (tier 6 and 7 figure) Further descriptions of technical positions can be found on the International Olympic Committee website.

Routine

File:Synchro vertical.jpg
Swimmers perform in a team routine

Routines are composed of "hybrids" (leg movements) and arm or stroke sections. They often incorporate lifts or throws, an impressive move in which a group of swimmers lift or throw another swimmer out of the water. Swimmers are synchronized both to each other and to the music. During a routine swimmers can never use the bottom of the pool for support, but rather depend on sculling motions with the arms, and eggbeater kick to keep afloat. After the performance, the swimmers are judged and scored on their performance based on technical merit and artistic impression. Technical skill, patterns, expression, and synchronization are all critical to achieving a high score.

Technical vs. free routines

Depending on the competition level, swimmers will perform a "technical" routine with predetermined elements that must be performed in a specific order. The technical routine acts as a replacement for the figure event, and is usually used only in senior and collegiate level meets. In addition to the technical routine, the swimmers will perform a longer "free" routine, which has no requirements and is a chance for the swimmers to get creative and innovative with their choreography.

Length of routines

The type of routine and competition level determines the length of routines. Routines typically last two and a half to five minutes long, the shortest being solos, with length added as the number of swimmers are increased (duets, trios, teams, and combos). Age and skill level are other important factors in determining the required routine length.

Scoring

Routines are scored on a scale of 100, with points for both artistic impression and technical merit. The artistic mark is worth 50% of the total and the technical mark is worth 50%.

Preparation

When performing routines in competition and practice, competitors will typically wear a rubber noseclip to keep water from entering their nose when submerged. Some swimmers wear ear-plugs to keep the water out of their ears. Hair is worn in a bun and flavorless gelatin, Knox, is used to keep hair in place. Competitors also wear custom swimsuits and headpieces, usually elaborately decorated, to reflect the type of music to which they are swimming. The costume and music are not judged (but marks will be taken if the headpiece falls off any swimmer while he/she is swimming the routine), but factor into the overall performance and "artistic impression". Heavy eye make-up is often worn to help portray the emotions involved with the routine; it is very necessary to accentuate the eyes of each individual swimmer. Lipstick is often used, and many teams see fit to smear some on their cheeks for a very vibrant and water-resistant blush. Underwater speakers ensure that swimmers can hear the music at all times and also aid their ability to synchronize with each other. Coaches also use these speakers to communicate with the swimmers during practice. Goggles, though worn during practice, are not permitted during routine competition, though exceptions can be made if a swimmer has a chlorine allergy.

Competitions

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Figures

A standard meet begins with the swimmers doing "figures", which are positions performed individually without music. All swimmers must compete wearing the standard black swimsuit and white swimcap, as well as goggles and a noseclip. Figures are performed in front of a panel of 5 judges who score individual swimmers from 1 to 10 (10 being the best). After the figure competition, the routines begin.

In the United States

In the United States, competitors are divided into groups by age. The seven age groups are: 10 and Under, 11–12, 13–15, 16–17, 18–19, Junior (elite 15–18), Senior (elite 18+), Collegiate, and Master. In addition to these groups, younger swimmers may be divided by ability into 3 levels: Novice, Intermediate, and Age Group. Swimmers compete year-round at competitions called "meets". Each swimmer may compete in up to three of the following routine events: solo, duet, trio, combo (consisting of eight to ten swimmers, and team (consisting of four to eight swimmers). Figure scores are combined with routines to determine the final rankings. USA Synchro's annual intercollegiate championships have been dominated by The Ohio State University, Stanford University, and The University of the Incarnate Word.

In Canada

In Canada, synchronized swimming has an age-based Structure system as of 2010 with age groups 8 & under to 16 & over for the provincial levels. There is also a skill level which is 13-15 and juniors (16-18) known as national stream, as well as competition at the Masters and University levels. 13-15 age group and 16-18 age group are national stream athletes that fall in line with international age groups – 15 and Under and Junior (16–18) and Senior (18+) level athletes. There are also the Wildrose age group . This is for competitors before they reach 13-15 national stream. Wildrose ranges from Tier 8 and under to 16 and over provincial/wildrose. These are also competitive levels. There are also the recreational levels which are called "stars". Synchro Canada requires that a competitor must pass Star 3 before entering Tier 1. To get into a Tier a swimmer must take a test for that Tier. In these tests, the swimmer must be able to perform the required movements for the level.

In the United Kingdom

In the UK, competitions include county level, regional level through to the national age group competition usually held towards the end of the year. Competitors are split by age group, 12 and under/ 13-14/15,16,17/18+ /and 19 and under. To compete in the competitive strand of competitions swimmers must hold the required skill level for their age group. Recreational strands of competitions are also present to allow those competitors who have not achieved the desired level. Swimmers compete through figures, duets, teams and combination routines.

References

  1. ^ Becky Maltby (October/November 2007). "Into the Blue". Hana Hou! Vol. 10 No. 5. {{cite web}}: Check date values in: |date= (help)

External links

Wikimedia Commons has media related to Synchronized swimming.
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