Teatro La Fenice (pronounced [la feˈnitʃe], "The Phoenix") is an opera house in Venice, Italy. It is one of the most famous theatres in Europe, the site of many famous operatic premieres. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of two theatres (to fire and legal problems respectively). Since opening and being named La Fenice, it has burned and been rebuilt twice more.
In 1774, the San Benedetto Theatre, which had been Venice's leading opera house for more than forty years, burned to the ground. No sooner had it been rebuilt than a legal dispute broke out between the company managing it and the owners, the Venier family. The issue was decided in favor of the Veniers.
The construction in neoclassical style began in June 1790, and by May 1792 the theatre was completed. It was named "La Fenice", in reference to the company's survival, first of the fire, then of the loss of its former quarters. La Fenice was inaugurated on 16 May 1792, with an opera by Giovanni Paisiello entitled I giuochi d'Agrigento (libretto by Alessandro Pepoli).
From the beginning of the 19th century, La Fenice acquired a European reputation. Rossini mounted two major productions in the theatre and Bellini had two operas premiered there. Donizetti, fresh from his triumphs at La Scala in Milan and at the Teatro di San Carlo in Naples, returned to Venice in 1836, after an absence of seventeen years.
In December 1836, disaster struck again when the theatre was destroyed by fire. However, it was quickly rebuilt with a design provided by the architect-engineer team of the brothers, Tommaso and Giovanni Battista Meduna (it). The interior displays a late-Empire luxury of gilt decorations, plushy extravagance and stucco. La Fenice once again rose from its ashes to open its doors on the evening of 26 December 1837.
Giuseppe Verdi's association with La Fenice began in 1844, with a performance of Ernani during the carnival season. Over the next thirteen years, the premieres of Attila, Rigoletto, La traviata and Simon Boccanegra took place there.
During the First World War, La Fenice was closed, but reopened to become the scene of much activity, attracting many of the world's greatest singers and conductors. In 1930, the Venice Biennale initiated the First International Festival of Contemporary Music, which brought such composers as Stravinsky and Britten, and more recently Berio, Nono and Bussotti, to write for La Fenice.
On 29 January 1996, it was completely destroyed by fire. Arson was immediately suspected. In March 2001, a court in Venice found two electricians guilty of setting the fire. Enrico Carella and his cousin, Massimiliano Marchetti, appeared to have set the building ablaze because their company was facing heavy fines over delays in repair work. Carella, the company's owner, disappeared after a final appeal was turned down. He had been sentenced to seven years in prison. Marchetti surrendered to serve a six-year sentence. Carella was ultimately arrested in February 2007 at the Mexico-Belize border, was extradited to Italy, and released on day parole after serving 16 months.
After various delays, reconstruction began in earnest in 2001. In 650 days, a team of two hundred plasterers, artists, woodworkers, and other craftsman succeeded in recreating the ambience of the old theatre at a cost of some €90 million. The seating capacity was increased from 840 to 1000.
La Fenice was rebuilt in 19th-century style on the basis of a design by architect Aldo Rossi and using still photographs from the opening scenes of Luchino Visconti's 1954 film Senso, which was filmed in the house, in order to obtain details of its design. It reopened on 14 December 2003 with an inaugural concert of Beethoven, Wagner, and Stravinsky. The first opera production was La traviata in November 2004.
Critical response to the rebuilt La Fenice was mixed. The music critic of the paper Il Tempo, Enrico Cavalotti, was satisfied. He found the colours a bit bright but the sound good and compact. However, for his colleague Dino Villatico of the La Repubblica, the acoustics of the new hall lacked resonance and the colours were painfully bright. He found it "kitsch, a fake imitation of the past". He said that "the city should have had the nerve to build a completely new theater; Venice betrayed its innovative past by ignoring it".
- Berendt, John, The City of Falling Angels, New York: The Penguin Press, 2005 ISBN 1-59420-058-0. The book centres on the fire that destroyed La Fenice for the second time and its aftermath. Penguin Reading Guides
- Opera houses and theatres of Venice
- Category:La Fenice world premieres
- La Fenice's website account of the Meduna brothers' design, teatrolafenice.it
- "La Fenice Reopens on 12 November" by Gillian Price, Opera Today (12 November 2004)
- Beauvert, Thierry. Opera Houses of the World, The Vendome Press, New York, 1995. ISBN 0-86565-978-8
|Wikimedia Commons has media related to Teatro La Fenice.|
- La Fenice website, teatrolafenice.it
- La Fenice Reconstruction website, ricostruzionefenice.it
- "Two jailed for La Fenice arson" (BBC News)
- "Arsonist of La Fenice released after 16 months", Corriere della Sera
- "Teatro la Fenice di Venezia: the long (and shamy) story of a reconstruction", veniceword.com