His early life was spent growing up just off the notorious Shankill Road where his mother tried to keep him inside and away from the “Troubles” outside their front door. Bradley found a form of escapism reading Hergé’s Adventures of Tin Tin and his work is still influenced by the black lines of the vivid drawings that illustrated the collection of books that he gradually acquired. He also spent hours in the attic room of his house listening to the then new pirate radio station Radio Luxembourg and imagined his travels and the exotic world beyond the realities of Belfast in the 1970s. From an early age Bradley discovered that drawing calmed his nerves and that he could lose himself in the complexities of observing people and then recreating them on paper. After he moved out of Belfast in the late 70’s, Bradley entered a large comprehensive secondary school and was instantly an outsider. Art and English were his best subjects and the rest of his time was spent staying out of trouble. Art was never mentioned to him as a possible career, and his next move was to one of the large factories on Belfast’s outskirts. Bradley knew that this was not for him, and with absolutely no experience or history between them, Terry and his two brothers set up and ran a factory of their own. They manufactured and exported full lead mouth blown crystal and set out to compete with the leading crystal manufacturers of the day. With orders coming thick and fast the young Bradleys were doing extremely well until a combination of cash flow, high rent and wages meant the company had to close its doors after four years. Terry then turned to his interest in art and fashion. Always having an eye for the aesthetic, Terry opened his own clothes shop in the trendy university area of the city. Called “Retro” the shop was soon a leader in fashion for the clothes conscious of Belfast. Terry’s was the first shop to stock Red or Dead shoes and he had a regular Saturday DJ playing in the tiny outlet. He sold hand painted jeans and one-off shirts and jackets that he imported from all over the world. A few years later and Terry needed a new direction, the shop was not fulfilling the creative side of him and he moved to Dublin in 1989. Bradley initially started modelling clothes for friends to make ends meet. During this time however, he was busy painting and drawing in his spare time. He found it was how he relaxed, and how he escaped from the pressures of his everyday life. A chance conversation with John Reynolds, the owner of the famous POD club in Dublin, lead to Bradley’s first solo art exhibition. The night was a huge success and Terry started to make some money from the one thing that had stayed with him all his life. During the following years he has gradually become more comfortable with the title of “artist” and his work has gone from strength to strength. He now exhibits in Dublin, Belfast, London and Spain and is planning his first solo exhibition for the USA later this year. His natural aversion to the establishment has made it difficult for him to fit into a typical art gallery mould, and he still likes to exhibit in the bars and clubs that he feels most at home in. He sells his work all around the world and his art has been used by Nokia for the cover of a limited edition mobile phone. Bradley has now reached a place in his life that he is comfortable with. He is able to paint full-time and explore the voyeuristic side of his nature that he first discovered as a child observing the dangerous world around him. His work mostly centres on strong women and ex-models from Dublin, and more recently Paris. His latest work is inspired by the era of the Belle Époque in France and the contrasts and similarities with the Burlesque dancers of New York. He has also recently started exploring the colourful characters from the Belfast dockland area known as Sailortown. At its heyday 100 years ago, the dock workers were famous around the world for their hard drinking and hard working attitude. Bradley finds that these paintings now balance the world of burlesque women that he paints.
Bradley is married with three children and lives and works in Northern Ireland.