The Arrangement (1969 film)
|Directed by||Elia Kazan|
|Produced by||Elia Kazan|
|Music by||David Amram|
|Edited by||Stefan Arnsten|
|Distributed by||Warner Bros.|
|Running time||125 minutes|
|Box office||$4 million (US/ Canada rentals)|
It tells the story of a successful Los Angeles-area advertising executive of Greek-American extraction, Evangelos Arness, who goes by the professional name "Eddie Anderson." He is portrayed by Kirk Douglas.
Eddie is suicidal and slowly having a psychotic breakdown. He is miserable at home in his marriage to his WASPy wife, Florence, played by Deborah Kerr, and with his career. He is engaged in a torrid affair with his misress and co-worker Gwen (Faye Dunaway), and is forced to re-evaluate his life and its priorities while dealing with his willful and aging father (Richard Boone).
According to the Internet Movie Database (IMDb), Kazan really wanted Eddie to be portrayed by Marlon Brando, who Kazan felt could bring a greater depth to the role and bring it close to the character portrayed in the novel and who had experienced great success with Kazan previously in the film On the Waterfront. However, Brando refused to take the role, stating that he had no interest in making a film so soon after the assassination of Martin Luther King. Kazan felt this to be a dodge on Brando's part and wondered if the real reasons had more to do with Brando's increasing weight or receding hairline. The critics were overwhelmingly negative when the film came out, and it was the consensus that Elia Kazan should never have filmed his own best-selling novel, which was panned by most literary critics as trash when it was published in 1967. The failure of "The Arrangement" was the end of Kazan's own career as an A-list director.
Wealthy ad man Eddie Anderson makes a failed suicide attempt in his car. He is contemptuous of life and its "arrangements." His long marriage to Florence is now devoid of passion, and he has become the lover of Gwen, a research assistant at his Los Angeles advertising agency.
A psychiatrist, Dr. Leibman, listens to stories of Eddie's nightmares and general discontent with life. Eddie returns to work, where he insults a valued client. He pilots a small plane about L.A. and buzzes its skyscrapers recklessly, causing the police to be called.
Arthur, his lawyer, gives wife Florence power of attorney as Eddie travels to New York to visit Sam Arness, his ill father. The father is so sick that Eddie's brother and sister-in-law want him placed in an institution. Gwen is also in New York now, living with a man named Charles and telling Eddie of many other affairs that she has had. She has a baby that she claims is not Eddie's (but it's strongly implied she's lying).
A delusional Eddie begins to have conversations with his alter ego. Arthur brings papers for him to sign, turning over all of his community property to Florence, but she tells him not to sign them, and it turns out he signed someone else's name. Florence and Eddie have a long intense conversation, in which Eddie says he just wants to do nothing for a while—Florence simply can't understand this, and says he's insane. He sets fire to his father's house and comes to Gwen's apartment, where Charles shoots him—after this, Eddie is committed to a psychiatric hospital, but can release himself at any time, simply by proving he's got a job and a home to go to.
Eddie seems to feel contentment in his solitude at the asylum, but Gwen brings the baby to see him, and manages to lure him outside to try again, saying she's got a job for him. At his father's funeral, Florence and Gwen are both there and see each other for the first time, and Florence seems to grudgingly accept the relationship between Eddie and Gwen as the only way Eddie can be saved from himself.
- Kirk Douglas as Eddie Anderson
- Faye Dunaway as Gwen
- Deborah Kerr as Florence
- Richard Boone as Sam
- Hume Cronyn as Arthur
- Harold Gould as Dr. Leibman
- Carol Rossen as Gloria
- John Randolph Jones as Charles
- "Big Rental Films of 1969", Variety, 7 January 1970 p 15