The Bet (short story)
"The Bet" | |
---|---|
Short story by Anton Chekhov | |
Original title | Пари |
Country | Russian Empire |
Language | Russian |
Publication | |
Published in | Novoye Vremya |
Publisher | Adolf Marks (1901) |
Publication date | 14 January 1889 |
"The Bet" (Russian: "Пари", romanized: Pari) is an 1889 short story by Anton Chekhov about a banker and a young lawyer who make a bet with each other following a conversation about whether the death penalty is better or worse than life in prison. The banker wagers that the lawyer cannot remain in solitary confinement voluntarily for a period of fifteen years.
Publication
[edit]On 17 December 1888 Nikolai Khudekov, editor of the Peterburgskaya Gazeta, asked Chekhov to write a story for the newspaper. Learning that Chekhov's "The Cobbler and the Devil" was to be published on 25 December, Alexey Suvorin, the Novoye Vremya's editor, took offense. Promising to produce a similar kind of fable for Suvorin before New Year's Eve, Chekhov began writing 22 December and on the 30th sent the story by post.[1]
Divided into three parts, it appeared in the 1 January 1889, No. 4613 issue of Novoye Vremya, titled "Fairytale" (Сказка). With a new title, "The Bet", revised and cut with part 3 of the original text now gone, it was included in Volume 4 of Chekhov's Collected Works, published in 1899–1901 by Adolf Marks.[2] Chekhov explained the reason for the omission in 1903: "As I was reading the proofs, I came to dislike the end, it occurred to me that it was too cold and cruel."[3]
Plot
[edit]As the story opens, a banker recalls the occasion of a bet he had made fifteen years before. Guests at a party that he was hosting that day fell into a discussion of capital punishment; the banker viewed it as more humane than life imprisonment, while a young lawyer disagreed, insisting that he would choose life in prison rather than death. They agreed to a bet: if the lawyer could spend fifteen years in total isolation, the banker would pay him two million rubles. The lawyer would have no direct contact with any other person, but could write notes to communicate with the outside world and receive whatever comforts he desired.
Confined to a lodge on the banker's property, the lawyer suffers from loneliness and depression at first but eventually begins to read and study in a wide range of subjects. The lawyer takes advantage of the solitude to educate and amuse himself in various ways. Over the years, the banker's fortunes begin to decline. The banker realizes that if he loses, paying off the bet will lead to bankruptcy.
In the early hours of the day when the fifteen-year period is to expire, the banker resolves to kill the lawyer, but finds him greatly emaciated and sleeping at a table. A note written by the lawyer reveals that he has chosen to abandon the bet, having learned that material goods are fleeting and that divine salvation is worth more than money. Shocked and moved after reading the note, the banker kisses the lawyer on the head and returns to bed. When the banker wakes up later that morning, a watchman reports that the lawyer has climbed out the window and fled the property, forfeiting the bet. To prevent the spread of rumors, the banker locks the note in his safe.
References
[edit]- ^ Sokolova M.A. Commetaries to Сапожник и нечистая сила. // Чехов А. П. Полное собрание сочинений и писем в тридцати томах. Сочинения. Т. 7. — М.: Наука, 1977. С. 665.
- ^ Muratova, K. D. Commentaries to Пари. The Works by A.P. Chekhov in 12 volumes. Khudozhestvennaya Literatura. Moscow, 1960. Vol. 6, pp. 512
- ^ "The History of One Story". A.P. Chekhov's Unpublished Letter // Прохоров Г. История одного рассказа. Неопубликованное письмо А. П. Чехова. — «Литературная газета», № 88 от 14 июля 1934. - Когда я читал корректуру, мне этот конец очень не понравился […], показался не в меру холодным и суровым.
External links
[edit]- Пари, the Russian text
- The Bet, 1915 and 1918 English translations
- The Project Gutenberg EBook of Best Russian Short Stories, including "The Bet"
- "The Bet" - Chamber opera in 14 scenes by Lior Navok