Star Maker

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"Starmaker" redirects here. For the home video distributor, see Starmaker (home video distributor).
For the American talent show, see P. Diddy's Starmaker. For the film by Giuseppe Tornatore, see The Star Maker (1995 film). For the Bing Crosby film, see The Star Maker (1939 film).
Star Maker
First Edition
First Edition
Author Olaf Stapledon
Cover artist Bip Pares
Country United Kingdom
Language English
Genre Science fiction, Novel
Published 1937 (Methuen)
Media type Print (hardback & paperback)
Pages 339
ISBN ISBN 1-85798-807-8

Star Maker is a science fiction novel by Olaf Stapledon, published in 1937. The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.

Plot[edit]

The book begins with a single human narrator from England who is, via unexplained means, transported out of his body and finds himself able to explore space and other planets. After exploring a civilization on another planet in our galaxy at a level of development similar to our own that existed millions of years ago thousands of light years from Earth (the "Other Earth") in some detail, his mind merges with that of one of its inhabitants, and as they travel together, they are joined by still more minds or group-minds. This snowballing process is paralleled by the expansion of the book's scale, describing more and more planets in less and less detail.

The disembodied travelers encounter many ideas that are interesting from both science-fictional and philosophical points of view. These include the first known instance of what is now called the Dyson sphere, reference to a scenario closely predicting the later zoo hypothesis or Star Trek's Prime Directive,[citation needed] many imaginative descriptions of species, civilizations and methods of warfare, and the idea that the stars and even the pre-galactic nebulae are intelligent beings, operating on vast time scales. A key idea is the formation of collective minds from many telepathically linked individuals, on the level of planets, galaxies, and eventually the cosmos itself.

A symbiotic species, each individual composed of 2 species, both non-humanoid, is discussed in detail, especially when, normally detached from the galaxy's turmoil, intervene a la deus ex machina to end the threat of a civilization dedicated to the idea of total insanity, and forcing one stellar civilization after another into insanity.

The climax of the book is the "supreme moment of the cosmos", when the cosmical mind (which includes the narrator) attains momentary contact with the "Star Maker" of the title. The Star Maker is the creator of the universe, but stands in the same relation to it as an artist to his work, and calmly assesses its quality without any feeling for the suffering of its inhabitants. This element makes the novel one of Stapledon's efforts to write "an essay in myth making".

After meeting the Star Maker, the traveler is given a "fantastic myth or dream," in which he observes the Star Maker at work. He discovers that his own cosmos is only one of a vast number, and by no means the most significant. He sees the Star Maker's early work, and learns that the Star Maker was surprised and intensely interested when some of his early "toy" universes -- for example a universe composed entirely of music with no spatial dimensions -- displayed "modes of behavior that were not in accord with the canon which he had ordained for them." He sees the Star Maker experimenting with more elaborate universes, which include among others the traveler's own universe, and a triune universe which closely resembles "Christian orthodoxy" (the three universes respectively being hell, heaven, and reality with presence of a savior). The Star Maker goes on to create "mature" universes of extraordinary complexity, culminating in an "ultimate cosmos," through which the Star Maker fulfills his own eternal destiny as "the ground and crown of all things." Finally, the traveler returns to Earth at the place and time he left, to resume his life there.

Contents[edit]

  1. The Earth
    1. The Starting Point
    2. Earth among the Stars
  2. Interstellar Travel
  3. The Other Earth
    1. On the Other Earth
    2. A Busy World
    3. Prospects of the Race
  4. I Travel Again
  5. Worlds Innumerable
    1. The Diversity of Worlds
    2. Strange Mankinds
    3. Nautiloids
  6. Intimations of the Star Maker
  7. More Worlds
    1. A Symbiotic Race
    2. Composite Beings
    3. Plant Men and Others
  8. Concerning the Explorers
  9. The Community of Worlds
    1. Busy Utopias
    2. Intermundane Strife
    3. A Crisis in Galactic History
    4. Triumph in a Sub-Galaxy
    5. The Tragedy of the Perverts
    6. A Galactic Utopia
  10. A Vision of the Galaxy
  11. Stars and Vermin
    1. The Many Galaxies
    2. Disaster in Our Galaxy
    3. Stars
    4. Galactic Symbiosis
  12. A Stunted Cosmical Spirit
  13. The Beginning and the End
    1. Back to the Nebulae
    2. The Supreme Moment Nears
    3. The Supreme Moment and After
  14. The Myth of Creation
  15. The Maker and his Works
    1. Immature Creating
    2. Mature Creating
    3. The Ultimate Cosmos and the Eternal Spirit
  16. Epilogue: Back to Earth
Appendix: A Note on Magnitude

Reception[edit]

The novel is one of the most highly acclaimed in science fiction. Its admirers at the time of first publication saw it as one of the most brilliant, inventive, and daring science fiction books. Among its more famous admirers were H. G. Wells, Virginia Woolf, Jorge Luis Borges, Brian Aldiss and Doris Lessing.[citation needed] Borges wrote a prologue for a 1965 edition and called it "a prodigious novel". Lessing wrote an afterword for a UK edition. Freeman Dyson was also a fan, admitting to basing his concept of Dyson spheres on a section of the book, even calling "Stapledon sphere" a better name for the idea.[1] Among SF writers, Arthur C. Clarke has been most strongly influenced by Stapledon.

Critics of the novel tend to see it as full of interesting ideas but its writing as dry, characterless, difficult, as well as scientifically implausible at points.[citation needed] Some of Stapledon's contemporaries were appalled at the book's philosophy: in a letter to Arthur C. Clarke in 1943, C. S. Lewis described the ending as “sheer devil worship.”[2] In July 2012, io9 included the book on its list of "10 Science Fiction Novels You Pretend to Have Read".[3]

Science[edit]

Some of the science described in Star Maker has since been shown to be inaccurate, but much of the book is still thought to be correct. Astronomical scales would have to be adjusted by a few orders of magnitude, but the overall scale of time and space is still valid. Stapledon is an author who takes interstellar and galactic distances seriously. Some editions contain a timeline (over billions of years) for the book. It may be instructive to compare these with modern conceptions of orders of magnitude (length) and orders of magnitude (time), in particular 1 E19 s and more as well as the modern view of the ultimate fate of the universe.

Stapledon imagines alien biologies, minds and civilisations radically different from human ones. But unlike in Stanisław Lem's Solaris, all these are supposed to be fundamentally similar in the long run, since all are governed by the same Darwinian and Marxist laws of development. Some of Stapledon's ideas for alien minds, such as collective intelligence, seem far ahead of their time, anticipating recent ideas about swarm intelligence and the general fascination with networks. He also mentions the idea of virtual reality in the first and most Earth-like alien world visited, in the form of an apparatus that directly affects sense centres in the brain. The idea of entire worlds as spacecraft is used several times.

Notes[edit]

Other appearances[edit]

  • Mentioned in 1978 American science fiction film Invasion of the Body Snatchers where Veronica Cartwright recommends Star Maker to a customer as "must reading".

References[edit]

External links[edit]