Trouble in Paradise (1932 film)

Trouble in Paradise
File:Troubleinparadise1932.JPG
Directed by	Ernst Lubitsch
Written by	Play: Aladar Laszlo Screenplay: Samson Raphaelson Grover Jones (contractual) Ernst Lubitsch (uncredited)
Produced by	Ernst Lubitsch
Starring	Miriam Hopkins Kay Francis Herbert Marshall
Cinematography	Victor Milner
Music by	W. Franke Harling Leo Robin
Distributed by	Paramount Pictures
Release date	October 21, 1932 (US)
Running time	83 minutes
Country	Template:Film US
Language	English

Trouble in Paradise is a 1932 pre-Code romantic comedy film directed by Ernst Lubitsch from a screenplay written by Samson Raphaelson, based very loosely on the 1931 play The Honest Finder (A Becsületes Megtaláló) by Hungarian playwright Aladár László. The film stars Miriam Hopkins, Kay Francis and Herbert Marshall, and features Charles Ruggles, Edward Everett Horton and C. Aubrey Smith.

In 1991, Trouble in Paradise was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Plot

In Venice, Gaston Monescu (Herbert Marshall), a master thief masquerading as a baron, meets Lily (Miriam Hopkins), a beautiful thief and pickpocket also pretending to be of the nobility, and the two fall in love and decide to team up. They leave Venice for Paris, and go to work for the famous perfume manufacturer Madame Mariette Colet (Kay Francis), with the intention of stealing a great sum of money from her safe, which Monescu, as her secretary, arranges to be diverted there. In the course of things, Colet begins to flirt with Monescu, and he begins to have feelings for her.

Unfortunately, the plan develops a hitch when François Filiba (Edward Everett Horton), one of Colet's suitors, sees Monescu at a garden party. He is unable to remember where he knows him from, but when another of Colet's suitors, The Major (Charles Ruggles), tells Filiba that he once mistook Monescu for a doctor, Filiba suddenly remembers that he knows Monescu from Venice, where the thief robbed him, pretending to be a doctor. Monescu and Lily plan an immediate getaway that night, after they take all the money in the safe.

Colet prepares to leave for a dinner party given by the Major, but cannot decide whether to go or to stay and have sex with Monescu. Eventually she goes, but not before Lily catches on that Monescu has fallen for her rival, and wants to back out of the plan – so she robs the safe herself after confronting her partner. At the Major's, Filiba tells Colet about Monescu, but she refuses to believe it's true. She returns home and suggestively probes Monescu, who admits that the safe has been cleaned out, but claims that he himself took the cash. He also tells her that the manager of her business, Adolph J. Giron (C. Aubrey Smith), who has been suspicious of Monescu all along, has stolen millions of dollars from the firm over the years.

Lily then confronts Colet and Monescu, reporting that it was she who stole the money from the safe. An argument ensues, in which, eventually, Colet allows the two thieves to leave together. As a parting shot, Monescu steals a necklace from Colet that Lily had her eye on, and, in turn, Lily steals it from him, displaying it to him as the taxi takes them away, hugging each other.

Cast

• Miriam Hopkins as Lily
• Kay Francis as Madame Mariette Colet
• Herbert Marshall as Gaston Monescu / Gaston Lavalle
• Charles Ruggles as The Major
• Edward Everett Horton as François Filiba
• C. Aubrey Smith as Adolph J. Giron
• Robert Greig as Jacques, Mariette's Butler
• Leonid Kinskey as The Communist

Production

Working titles for Trouble in Paradise included "The Honest Finder," "Thieves and Lovers," and "The Golden Widow;" the latter was publicly announced to be the intended release title.

As with all the Lubitsch-Raphaelson collaborations, Lubitsch contributed to the writing and Raphaelson contributed ideas to the directing. Lubitsch did not receive screen credit for his writing, and one of the writers credited, Grover Jones did not contribute significantly: although he was in the room, his credit was based on a contractual obligation, and he did little more than tell stories. Further, although supposedly based on Aladár László's 1931 play The Honest Finder, Lubitsch suggested that Raphaelson not read the play, and instead the main character, Herbert Marshall's master thief, was based on the exploits of a real person, Georges Manolescu, an Hungarian con-man whose memoir was published in 1907, and became the basis for two silent films.

Made before effective enforcement of the Production Code, the film is an example of pre-code cinema containing adult themes and sexual innuendo that was not permitted under the Code. In 1935, when the Production Code was being enforced, the film was not approved for reissue and was not seen again until 1968. Paramount was again rejected in 1943, when they intended to make a musical version of the film.

The Art Deco sets for Trouble in Paradise were designed by the head of Paramount's art department, Hans Dreier, and the gowns were designed by Travis Banton.

Response

Trouble in Paradise was the film which first had people talking about "the Lubitsch Touch," and it was, in fact, one of the director's favorites. Critic Dwight McDonald said of the film that it was "as close to perfection as anything I have ever seen in the movies." The New York Times named the film as one of the ten best films of 1932, and it was a nominee for the National Board of Review's best picture of the year.

References

Notes

External links

• Trouble in Paradise at IMDb
• Trouble in Paradise at the TCM Movie Database
• Trouble in Paradise at AllMovie
• Criterion Collection essay by Armond White