|Birth name||Victoria Regina Spivey|
October 15, 1906|
Houston, Texas, United States
|Died||October 3, 1976
New York, United States
Victoria Spivey (October 15, 1906 – October 3, 1976) was an American blues singer and songwriter. During a recording career that spanned forty years, from 1926 to the mid-1960s, she worked with Louis Armstrong, King Oliver, Clarence Williams, Luis Russell, Lonnie Johnson, and Bob Dylan. She also performed in vaudeville and clubs, sometimes with her sister, Addie "Sweet Pease" Spivey. Among her compositions are "Black Snake Blues", "Dope Head Blues" and "Organ Grinder Blues". In 1962 she initiated her own recording label, Spivey Records.
Life and career 
She was born Victoria Regina Spivey in Houston, Texas, United States, the daughter of Grant and Addie (Smith) Spivey. Her father was a part-time musician and a flagman for the railroad; her mother was a nurse. Her sisters were Addie "Sweet Peas" Spivey (1910–1943), also a singer and musician, who recorded for several major record labels between 1929 and 1937; and Elton Island Spivey (1900–1971), who also followed a professional singing career.
Spivey's first professional experience was in a family string band led by her father in Houston. After Grant Spivey died, the seven-year-old Victoria played on her own at local parties and, in 1918, was hired to accompany films at the Lincoln Theater in Dallas. As a teenager, she worked in local bars, nightclubs, and buffet flats, mostly alone, but occasionally with singer-guitarists such as Blind Lemon Jefferson. In 1926, she moved to St. Louis, Missouri, where she was signed by Okeh Records. Her first recording, "Black Snake Blues", did well, and her association with the record label continued. She made numerous Okeh sides in New York until 1929, then switched to the RCA Victor label. Between 1931 and 1937, more recordings followed on the Vocalion and Decca labels, and, working out of New York, she maintained an active performance schedule. Spivey's recorded accompanists included King Oliver, Louis Armstrong, Lonnie Johnson, and Red Allen. She recorded many of her own songs, which dwelt on disease, crime and outré sexual images.
The Depression did not put an end to Spivey's musical career; she found a new outlet for her talent in the year of the crash, when film director King Vidor cast her to play "Missy Rose" in his first sound film, Hallelujah! (1929). Through the 1930s and 1940s, Spivey continued to work in musical films and stage shows, often with her husband, vaudeville dancer Billy Adams, including the Hellzapoppin' Revue.
In 1951, Spivey retired from show business to play the pipe organ and lead a church choir, but she returned to secular music in 1961, when she was reunited with an old singing partner, Lonnie Johnson, to appear on four tracks on his Prestige Bluesville album, Idle Hours. The folk music revival of the 1960s gave her further opportunities to make at least a semblance of a comeback. She recorded again for Prestige Bluesville, sharing an album Songs We Taught Your Mother with fellow veterans Alberta Hunter and Lucille Hegamin and began making personal appearances at festivals and clubs.
In 1962, Spivey and jazz historian Len Kunstadt launched Spivey Records, a low-budget label dedicated to blues and related music. They recorded prolifically such performers as Sippie Wallace, Lucille Hegamin, Otis Rush, Otis Spann, Willie Dixon, Roosevelt Sykes, Big Joe Turner, Buddy Tate and Hannah Sylvester, as well as newer artists including Luther Johnson, Brenda Bell, Washboard Doc, Bill Dicey, Robert Ross, Sugar Blue, Paul Oscher, Danny Russo and Larry Johnson.
In March 1962, Bob Dylan contributed harmonica and back-up vocals, accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records. The recordings were released on Three Kings And The Queen (Spivey LP 1004) and Kings And The Queen Volume Two (Spivey LP 1014). (Dylan was listed under his own name on the record covers.) In 1964 Spivey made her only recording with an all-white band: the Connecticut based Easy Riders Jazz Band, led by trombonist Big Bill Bissonnette. It was released first on an LP and later re-released on compact disc.
Spivey married four times; her husbands included Ruben Floyd and Billy Adams.
Selected discography 
|This section requires expansion. (May 2010)|
- Music Down Home: An Introduction to Negro Folk Music, U.S.A. (1965)
- The Blues is Life (1976)
- Classic Piano Blues from Smithsonian Folkways (2008)
See also 
- List of classic female blues singers
- List of country blues musicians
- List of vaudeville performers: L-Z
- Classic female blues
- List of blues musicians
- Spivey Records
- "Victoria Spivey Papers". Emory Libraries. Retrieved March 2, 2012.
- Skelly, Richard. "Victoria Spivey biography". allmusic.com. Retrieved March 2, 2012.
- "Victoria Spivey". Thebluestrail.com. Retrieved November 19, 2011.
- Russell, Tony (1997). The Blues - From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. pp. 168–69. ISBN 1-85868-255-X.
- Harrison, Daphne Duval (1990). Black Pearls: blues queens of the 1920s. New Brunswick and London: Rutgers. p. 149. ISBN 0-8135-1280-8
- "Hallelujah!". IMDB.com. Retrieved March 2, 2012.
- Gray, Michael. The Bob Dylan Encyclopedia (2006), 630-631
- Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 293. CN 5585.
- Lawrence Cohn (editor) (1993). Nothing But the Blues: The Music and the Musicians. New York: Abbeville Publishing Group. ISBN 1-55859-271-7.
- Victoria Spivey's record label
- Victoria Spivey papers, circa 1960–1976, Emory University Manuscript, Archives, and Rare Book Library
- Biography on Red Hot Jazz website
- Biography at Allmusic website
- Illustrated Spivey Records discography Stefan Wirz