Z (film)

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Z
CostaGavrasZ.jpg
Theatrical poster
Directed by Costa-Gavras
Produced by Jacques Perrin
Ahmed Rachedi
Screenplay by Jorge Semprún
Costa-Gavras
Story by Vassilis Vassilikos
Starring Jean-Louis Trintignant
Yves Montand
Irene Papas
Jacques Perrin
Music by Mikis Theodorakis
Cinematography Raoul Coutard
Editing by Françoise Bonnot
Distributed by Cinema V (US)
Release dates
  • February 26, 1969 (1969-02-26) (France)
Running time 127 minutes
Country France
Algeria
Language French
Box office $14,283,305[1]

Z is a 1969 French language political thriller directed by Costa-Gavras, with a screenplay by Gavras and Jorge Semprún, based on the 1966 novel of the same name by Vassilis Vassilikos. The film presents a thinly fictionalized account of the events surrounding the assassination of democratic Greek politician Grigoris Lambrakis in 1963. With its satirical view of Greek politics, its dark sense of humor, and its downbeat ending, the film captures the outrage about the military dictatorship that ruled Greece at the time of its making.

Z stars Jean-Louis Trintignant as the investigating magistrate (an analogue of Christos Sartzetakis, who 22 years later was appointed President of Greece by democratically elected parliamentarians). International stars Yves Montand and Irene Papas also appear, but despite their star billing have very little screen time compared to the other principals. Jacques Perrin, who co-produced, plays a key role. The film's title refers to a popular Greek protest slogan (Greek: Ζει, IPA: [ˈzi]) meaning "he (Lambrakis) lives".

The film had a total of 3,952,913 admissions in France and was the 4th highest grossing film of the year.[2] It was also the 12th highest grossing film of 1969 in the U.S. Z is also one of the few films to be nominated for both the Academy Award for Best Foreign Language Film and Best Picture.

Plot[edit]

The story begins with the closing moments of a rather dull government lecture and slide show on agricultural policy, after which the leader of the security police of a right-wing military-dominated government (Dux) takes over the podium for an impassioned speech describing the government's program to combat leftism, using the metaphors of "a mildew of the mind", an infiltration of "isms", or "sunspots".

The scene shifts to preparations for a rally of the opposition faction where the Deputy (Montand) is to give a speech advocating nuclear disarmament. It is obvious that there have been attempts to prevent the speech’s delivery. The venue has been changed to a much smaller hall and logistical problems have appeared out of nowhere. As the Deputy crosses the street from the hall after giving his speech, a delivery truck speeds past him and a man on the open truck bed strikes him down with a club. The injury eventually proves fatal, and by that time it is already clear to the viewer that the police have manipulated witnesses to force the conclusion that the victim was simply run over by a drunk driver.

However, they do not control the hospital, where the autopsy disproves their interpretation. The examining magistrate (Trintignant), with the assistance of a photojournalist (Perrin), now uncovers sufficient evidence to indict not only the two right-wing militants who committed the murder, but also four high-ranking military police officers. The action of the film concludes with one of the Deputy's associates rushing to see the Deputy's widow (Papas) to give her the surprising news of the officers' indictments.

An epilogue provides a synopsis of the subsequent turns of events. Instead of the expected positive outcome, the prosecutor is mysteriously removed from the case, key witnesses die under suspicious circumstances, the assassins receive (relatively) short sentences, the officers receive only administrative reprimands, the Deputy's close associates die or are deported, and the photojournalist is sent to prison for disclosing official documents.

Cast[edit]

and two uncredited cameos by the film's director of photography, Raoul Coutard, and the film's editor, Françoise Bonnot, as the English Surgeon (Dodd) and the final voiceover, respectively.

Soundtrack[edit]

The soundtrack, by Mikis Theodorakis, was also a record hit. The Greek junta had placed the composer under house arrest but he was able to give his approval to Costa-Gavras for the use of existing musical pieces.

The film features, but does not credit, Pierre Henry's contemporary hit song, "Psyché Rock". The soundtrack as released on LP and CD replaces Henry's song with a similar track written by Theodorakis named "Café Rock."

  1. Main Title (Andonis)
  2. The Happy Youth
  3. The Chase-The Happy Youth
  4. Murmur of the Heart
  5. Cafe Rock
  6. Arrival of Helen-The Happy Youth
  7. Batacuda
  8. The Happy Youth (Bouzouki Version)
  9. The Happy Youth
  10. Who’s Not Talking About Lambri
  11. Finale-The Happy Youth
  12. Murmur of the Heart
  13. In This Town

Reception[edit]

The film earned North American rentals of $6,750,000 in 1970.[3]

Critical response[edit]

At the time of its release, film critic Roger Ebert, who named Z the best film of 1969, liked the screenplay and its message, and wrote, "[Z] is a film of our time. It is about how even moral victories are corrupted. It will make you weep and will make you angry. It will tear your guts out...When the Army junta staged its coup in 1967, the right-wing generals and the police chief were cleared of all charges and 'rehabilitated.' Those responsible for unmasking the assassination now became political criminals. These would seem to be completely political events, but the young director Costa-Gavras has told them in a style that is almost unbearably exciting. Z is at the same time a political cry of rage and a brilliant suspense thriller. It even ends in a chase: Not through the streets but through a maze of facts, alibis and official corruption."[4]

In 2006, James Berardinelli wrote, "Z was the third feature film from Greek-born Costa-Gavras, but it is the movie that captured him to the world's attention, winning a Best Foreign Language Film Oscar. It introduced the director's signature approach of combining overt political messages with edge-of-the-seat tension."[5] Jonathan Richards wrote in 2009, "It's hard to overstate the impact that this Oscar-winning procedural thriller had in 1969, on a world roiling in political activism, repression, and discord. In the U.S., the Vietnam War was on the front burner, the populace was passionately engaged, and the police riots outside the '68 Chicago Democratic Convention and the murder of Black Panther Fred Hampton were raw wounds. With this stylish, intense indictment of the assassination of a leftist political leader by a right wing government cabal in his native Greece, director Costa-Gavras struck a nerve that resonated here and around the globe."[6]

Awards[edit]

Wins[edit]

Nominations[edit]

  • Cannes Film Festival: Golden Palm, Costa-Gavras, 1969.
  • Academy Awards: Oscar, Best Director, Costa-Gavras; Best Picture, Jacques Perrin and Ahmed Rachedi; Best Writing, Screenplay Based on Material from Another Medium, Jorge Semprún and Costa-Gavras; 1970.
  • British Academy of Film and Television Arts: BAFTA Film Award, Best Film; Best Film Editing, Françoise Bonnot; Best Screenplay, Costa-Gavras and Jorge Semprún; UN Award; 1970.
  • Directors Guild of America, USA: DGA Award, Outstanding Directorial Achievement in Motion Pictures, Costa-Gavras; 1970.

See also[edit]

References[edit]

  1. ^ "Box Office Information for Z". The Numbers. Retrieved February 26, 2012. 
  2. ^ http://www.jpbox-office.com/fichfilm.php?id=9023&affich=france
  3. ^ "Big Rental Films of 1970", Variety, 6 January 1971 p 11
  4. ^ Ebert, Roger (December 30, 1969). "Z". The Chicago Sun-Times. Retrieved 2011-02-02. 
  5. ^ Berardinelli, James (2006). "Z". reelviews.com. 
  6. ^ Richards, Jonathan (2009). "In the Dark". 
  7. ^ "Festival de Cannes: Z". festival-cannes.com. Retrieved 2009-04-09. 
  8. ^ "The 42nd Academy Awards (1970) Nominees and Winners". oscars.org. Retrieved 2011-11-16. 

External links[edit]

Awards and achievements
Preceded by
No award 1967-8
Alfie (1966)
Jury Prize, Cannes
1969
Succeeded by
Magasiskola tied with
The Strawberry Statement