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'''Philip Rahv '''(March 10, 1908 in [[Kupyn|Kupin]], [[Ukraine]] – December 22, 1973 in [[Cambridge, Massachusetts]]) was an American [[literary critic]] and [[essayist]]. In 1933 he and William Phillips co-founded ''[[Partisan Review]]'', one of the most influential literary periodicals in the first half of the twentieth century. Initially affiliated with the [[Communist Party USA|Communist Party]] and adhering to their agenda of [[proletarian literature]], Rahv went on to publish a broad spectrum of modern writers in the pages of his magazine. He was one of the first to introduce [[Franz Kafka|Kafka]] to American readers.
'''Philip Rahv '''(March 10, 1908 in [[Kupyn|Kupin]], Russian Empire – December 22, 1973 in [[Cambridge, Massachusetts]]) was an American [[literary critic]] and [[essayist]]. In 1933 he and [[William Phillips (editor)|William Phillips]] co-founded ''[[Partisan Review]]'', one of the most influential literary periodicals in the first half of the twentieth century. Initially affiliated with the [[Communist Party USA|Communist Party]] and adhering to their agenda of [[proletarian literature]], Rahv went on to publish a broad spectrum of modern writers in the pages of his magazine. He was one of the first to introduce [[Franz Kafka|Kafka]] to American readers.


==Life==
==Life==


He was born to a [[Jew]]ish family in Kupin, Ukraine, part of the Russian-occupied region of [[Galicia (Eastern Europe)|Galicia]]. The family escaped and spent two years in [[Vienna]], where Philip attended the gymnasium.<ref>Dvosin, Andrew J. Literature in a Political World: The Career and Writings of Philip Rahv. Ph.D. Dissertation, NYU, 1977. Dvosin drew his information by interviewing Rahv's first wife Nathalie Rahv on November 19, 1975 and his brother Selig Greenberg on November 20, 1975.</ref> He was born under the name '''Fevel Greenberg'''.<ref>List or Manifest of Alien Passengers for the United States, January 1922.</ref> He made his way to [[Providence, Rhode Island]], with his father and two brothers, Selig and David. He lived for a time in [[Palestine (region)|Palestine]] where his mother chose to live, and worked as a teacher of [[Hebrew language|Hebrew]], in [[Portland, Oregon|Portland]], Oregon from 1928 to 1931. He wrote at first under the name Philip Rann.<ref>Kadish, "A Young Communist in Love: Philip Rahv, Partisan Review, and My Mother." The Georgia Review 68, 4 (2014): 768–817. Kadish's information is based on letters Rahv sent to Ethel Richman from 1928 to 1931. They reside at the Harry Ransom Center, University of Texas, Austin.</ref> Then came the modification to "Rahv," which appeared in an essay he published in 1932.<ref>An Open Letter to Young Writers. Rebel Poet, 16, September 1932. He still used Greenberg, however, when he married his first wife Naomi Wainger in 1934: New York Marriage Certificate Index 1866-1937.</ref>
He was born to a [[Jew]]ish family in Kupin, Russian Empire. The family migrated and spent two years in [[Vienna]], where Philip attended the gymnasium.<ref>Dvosin, Andrew J. Literature in a Political World: The Career and Writings of Philip Rahv. Ph.D. Dissertation, NYU, 1977. Dvosin drew his information by interviewing Rahv's first wife Nathalie Rahv on November 19, 1975 and his brother Selig Greenberg on November 20, 1975.</ref> He was born under the name '''Fevel Greenberg'''.<ref>List or Manifest of Alien Passengers for the United States, January 1922.</ref> He made his way to [[Providence, Rhode Island]], with his father and two brothers, Selig and David. He lived for a time in [[Palestine (region)|Palestine]] where his mother chose to live, and worked as a teacher of [[Hebrew language|Hebrew]], in [[Portland, Oregon|Portland]], Oregon, from 1928 to 1931. He wrote at first under the name Philip Rann.<ref>Kadish, "A Young Communist in Love: Philip Rahv, Partisan Review, and My Mother." The Georgia Review 68, 4 (2014): 768–817. Kadish's information is based on letters Rahv sent to Ethel Richman from 1928 to 1931. They reside at the Harry Ransom Center, University of Texas, Austin.</ref> Then came the modification to "Rahv," which appeared in an essay he published in 1932.<ref>An Open Letter to Young Writers. Rebel Poet, 16, September 1932. He still used Greenberg, however, when he married his first wife Naomi Wainger in 1934: New York Marriage Certificate Index 1866-1937.</ref>


In 1933 Rahv joined the American Communist Party. ''Partisan Review'' broke with the [[Soviet Union|Soviet]] line in 1937 in the wake of the [[Moscow Trials]] and maintained an ongoing feud with [[Joseph Stalin|Stalinist]] [[Popular front#The Comintern's Popular Front policy 1934–1939|Popular Front]] advocates such as [[Granville Hicks]] of ''[[New Masses]].'' He was officially expelled as a [[Trotskyism|Trotzkyite]] by the American Communist Party on October 1, 1937.<ref>Klehr, H., Haynes, J. E., Anderson, K. (1998). "The Soviet World of American Communism".[ New Haven, Yale UP], 332–33</ref> Rahv taught at [[Brandeis University]] in his later years and died in [[Cambridge, Massachusetts]], in 1973.
In 1933 Rahv joined the American Communist Party. ''Partisan Review'' broke with the [[Soviet Union|Soviet]] line in 1937 in the wake of the [[Moscow Trials]] and maintained an ongoing feud with [[Joseph Stalin|Stalinist]] [[Popular front#The Comintern's Popular Front policy 1934–1939|Popular Front]] advocates such as [[Granville Hicks]] of ''[[New Masses]].'' He was officially expelled as a [[Trotskyism|Trotskyite]] by the American Communist Party on October 1, 1937.<ref>Klehr, H., Haynes, J. E., Anderson, K. (1998). "The Soviet World of American Communism".[ New Haven, Yale UP], 332–33</ref> Rahv taught at [[Brandeis University]] in his later years and died in [[Cambridge, Massachusetts]], in 1973.


==Literary career==
==Literary career==
Philip Rahv's writing career began during the [[Great Depression|Depression]]. It reflected the prevailing literary currents of [[Marxism]] and the rise of [[proletarian literature]].<ref>"The Literary Class War," ''New Masses'' 8 (August 1932, 7–10. ''New Masses'' was the official cultural organ of the Communist Party.</ref> In search of a collective ideology, he and others of his generation rejected the formalism and social disengagement of the great writers of the twenties.<ref>Edmund Wilson, Axel's Castle, 1931.</ref> An exception was [[T. S. Eliot]], whose intellectual depth and historic sense Rahv continued to admire, Eliot's increasingly reactionary politics and traditional religiosity notwithstanding.<ref>“T.S. Eliot,” Fantasy, II, iii (Winter 1932), 17–20; “A Season in Heaven.” ''Partisan Review'', June 1936: 11–14; “Eliot’s Achievement.” New York Review of Books VI, iii (March 3, 1966), 7–9.</ref> Because Rahv believed the creative contradictions within a writer are the greatest measure of his achievement, he welcomed the opportunity to reconcile Eliot’s conservative views with revolutionary ones that his writing also contained.<ref>Mark Krupnick, ''Jewish Writing and the Deep Places of the Imagination'' (Madison: University of Wisconsin Press, 2005), 159–60.</ref>
Philip Rahv's writing career began during the [[Great Depression|Depression]]. It reflected the prevailing literary currents of [[Marxism]] and the rise of [[proletarian literature]].<ref>"The Literary Class War," ''New Masses'' 8 (August 1932), 7–10. ''New Masses'' was the official cultural organ of the Communist Party.</ref> In search of a collective ideology, he and others of his generation rejected the formalism and social disengagement of the great writers of the twenties.<ref>Edmund Wilson, Axel's Castle, 1931.</ref> An exception was [[T. S. Eliot]], whose intellectual depth and historic sense Rahv continued to admire, Eliot's increasingly reactionary politics and traditional religiosity notwithstanding.<ref>"T.S. Eliot," Fantasy, II, iii (Winter 1932), 17–20; "A Season in Heaven." ''Partisan Review'', June 1936: 11–14; "Eliot's Achievement." New York Review of Books VI, iii (March 3, 1966), 7–9.</ref> Because Rahv believed the creative contradictions within a writer are the greatest measure of his achievement, he welcomed the opportunity to reconcile Eliot's conservative views with revolutionary ones that his writing also contained.<ref>Mark Krupnick, ''Jewish Writing and the Deep Places of the Imagination'' (Madison: University of Wisconsin Press, 2005), 159–60.</ref>
Rahv’s literary influence arose from his role as editor, author, and reviewer for ''Partisan Review'' and other magazines including ''[[The New York Review of Books]]''. From the start of his writing career he articulated his key literary values: the need for a synthesis between European and American artistic traditions and between literary modernism and radicalism; the importance of the Marxist [[dialectic]] to effectuate such syntheses; the value of cosmopolitanism to promote a broad understanding of the world and the leading ideas of the writer’s times; the rejection of parochial ideas based on region, nation, or ethnicity.<ref>Terry A.Cooney. The Rise of the New York Intellectuals. Madison: University of Wisconsin Press, 1986, 53–58.</ref> In one of his most often quoted essays, “Paleface and Redskin,” he identified two opposing currents: upper-class palefaces such as [[Henry James]] and [[Nathaniel Hawthorne]] and uncultured redfaces such as [[Walt Whitman]] and [[Mark Twain]]. The result was a dichotomy between consciousness and experience and between symbolism and naturalism. Rahv deplored the dichotomy, looking to the future for the kind of synthesis achieved by such European writers as [[Marcel Proust]] and [[Thomas Mann]].<ref>Philip Rahv, Essays on Literature and Politics 1932–1972. Boston: Houghton Mifflin, 1978. Pp. 3–8.</ref>
Rahv's literary influence arose from his role as editor, author, and reviewer for ''Partisan Review'' and other magazines including ''[[The New York Review of Books]]''. From the start of his writing career he articulated his key literary values: the need for a synthesis between European and American artistic traditions and between literary modernism and radicalism; the importance of the Marxist [[dialectic]] to effectuate such syntheses; the value of cosmopolitanism to promote a broad understanding of the world and the leading ideas of the writer's times; the rejection of parochial ideas based on region, nation, or ethnicity.<ref>Terry A.Cooney. The Rise of the New York Intellectuals. Madison: University of Wisconsin Press, 1986, 53–58.</ref> In one of his most often quoted essays, "Paleface and Redskin," he identified two opposing currents: upper-class palefaces such as [[Henry James]] and [[Nathaniel Hawthorne]] and uncultured redfaces such as [[Walt Whitman]] and [[Mark Twain]]. The result was a dichotomy between consciousness and experience and between symbolism and naturalism. Rahv deplored the dichotomy, looking to the future for the kind of synthesis achieved by such European writers as [[Marcel Proust]] and [[Thomas Mann]].<ref>Philip Rahv, Essays on Literature and Politics 1932–1972. Boston: Houghton Mifflin, 1978. Pp. 3–8.</ref>


Rahv reached the height of his literary influence editing and writing for ''Partisan Review'' in the late 1930s. His influence continued through the 1940s with his writings on a wide range of European and American authors, most notably Henry James, whose reputation he contributed to reviving. With the rightward turn of politics in the 1950s, however, he retreated from his earlier literary and political prominence. He played little role in ''Partisan Review'' in this era, publishing essays in other publications, most notably ''The New York Review of Books''. In the 1960s his brief enthusiasm for the [[New Left]] was followed by disillusionment. He never finished his final project, a book on [[Fyodor Dostoyevsky|Dostoyevsky]].<ref>Irving Howe, Philip Rahv. A Memoir. American Scholar, 48 (1979): 487–98.</ref>
Rahv reached the height of his literary influence editing and writing for ''Partisan Review'' in the late 1930s. His influence continued through the 1940s with his writings on a wide range of European and American authors, most notably Henry James, whose reputation he contributed to reviving. With the rightward turn of politics in the 1950s, however, he retreated from his earlier literary and political prominence. He played little role in ''Partisan Review'' in this era, publishing essays in other publications, most notably ''The New York Review of Books''. In the 1960s his brief enthusiasm for the [[New Left]] was followed by disillusionment. He never finished his final project, a book on [[Fyodor Dostoyevsky|Dostoyevsky]].<ref>Irving Howe, Philip Rahv. A Memoir. American Scholar, 48 (1979): 487–98.</ref>
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* Cooney, Terry A. ''The Rise of the New York Intellectuals: Partisan Review and Its Circle.'' University of Wisconsin Press, 1986.
* Cooney, Terry A. ''The Rise of the New York Intellectuals: Partisan Review and Its Circle.'' University of Wisconsin Press, 1986.
* Dvosin, Andrew J. ''Literature in a Political World: The Career and Writings of Philip Rahv.'' Ph.D. Dissertation, NYU, 1977.
* Dvosin, Andrew J. ''Literature in a Political World: The Career and Writings of Philip Rahv.'' Ph.D. Dissertation, NYU, 1977.
* Hindus, Milton. “Philip Rahv, The Critic.” Images and Ideas in American Culture, The Function of Criticism. Essays in Honor of Philip Rahv. ed. Arthur Edelstein. University Press of New England, 1979. 171–203.
* Hindus, Milton. "Philip Rahv, The Critic." Images and Ideas in American Culture, The Function of Criticism. Essays in Honor of Philip Rahv. ed. Arthur Edelstein. University Press of New England, 1979. 171–203.
* Kadish, Doris. ''[https://www.jstor.org/stable/43491252 A Young Communist in Love: Philip Rahv, Partisan Review, and My Mother].'' The Georgia Review 68, 4 (2014): 768–817.
* Kadish, Doris. ''[https://www.jstor.org/stable/43491252 A Young Communist in Love: Philip Rahv, Partisan Review, and My Mother].'' The Georgia Review 68, 4 (2014): 768–817.
* Kadish, Doris. ''The Secular Rabbi: Philip Rahv and Partisan Review.'' Liverpool UP, 2021. philiprahv.com
* Klehr, H., Haynes, J. E., Anderson, K. The Soviet World of American Communism. Yale UP, 1998. {{ISBN|0300071507}}
* Klehr, H., Haynes, J. E., Anderson, K. The Soviet World of American Communism. Yale UP, 1998. {{ISBN|0300071507}}
* Laskin, David. ''Partisans.'' Simon & Schuster, 2000. {{ISBN|9780684815657}}
* Laskin, David. ''Partisans.'' Simon & Schuster, 2000. {{ISBN|9780684815657}}
* Lelchuk, Alan. “The Last Years.”Images and Ideas in American Culture, The Function of Criticism. Essays in Honor of Philip Rahv. ed. Arthur Edelstein. University Press of New England, 1979. 205-19.
* Lelchuk, Alan. "The Last Years."Images and Ideas in American Culture, The Function of Criticism. Essays in Honor of Philip Rahv. ed. Arthur Edelstein. University Press of New England, 1979. 205-19.
* McCarthy, Mary. ''Intellectual Memoirs, New York 1936–1938.'' Harcourt Brace, 1992. {{ISBN|0156447878}}
* McCarthy, Mary. ''Intellectual Memoirs, New York 1936–1938.'' Harcourt Brace, 1992. {{ISBN|0156447878}}
* McCarthy, Mary. ''Philip Rahv, 1908–1973.'' New York Times Book Review 17, (February 1974): 1–2.
* McCarthy, Mary. ''Philip Rahv, 1908–1973.'' New York Times Book Review 17, (February 1974): 1–2.
* Meyers, Jeffrey. ''The Transformations of Philip Rahv.'' Salmagundi (Spring-Summer 2019).

==External links==
==External links==
*Webpage for The Secular Rabbi: philiprahv.com
*[http://www.brandeis.edu/publications/review/50threview/klingen.pdf Article on Rahv and Irving Howe]
*[http://www.brandeis.edu/publications/review/50threview/klingen.pdf Article on Rahv and Irving Howe]
*[http://cafeirreal.alicewhittenburg.com/review2a.htm American irrealism and the cult of experience (uses Rahv's essay "The Cult of Experience in American Writing")]
*[http://cafeirreal.alicewhittenburg.com/review2a.htm American irrealism and the cult of experience (uses Rahv's essay "The Cult of Experience in American Writing")]
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[[Category:1973 deaths]]
[[Category:1973 deaths]]
[[Category:American literary critics]]
[[Category:American literary critics]]
[[Category:Guggenheim Fellows]]
[[Category:American people of Ukrainian-Jewish descent]]
[[Category:American people of Ukrainian-Jewish descent]]
[[Category:Ukrainian Jews]]
[[Category:Ukrainian Jews]]
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[[Category:Brandeis University faculty]]
[[Category:Brandeis University faculty]]
[[Category:20th-century American writers]]
[[Category:20th-century American writers]]
[[Category:Soviet emigrants to the United States]]

Revision as of 21:18, 9 September 2023

Philip Rahv (March 10, 1908 in Kupin, Russian Empire – December 22, 1973 in Cambridge, Massachusetts) was an American literary critic and essayist. In 1933 he and William Phillips co-founded Partisan Review, one of the most influential literary periodicals in the first half of the twentieth century. Initially affiliated with the Communist Party and adhering to their agenda of proletarian literature, Rahv went on to publish a broad spectrum of modern writers in the pages of his magazine. He was one of the first to introduce Kafka to American readers.

Life

He was born to a Jewish family in Kupin, Russian Empire. The family migrated and spent two years in Vienna, where Philip attended the gymnasium.[1] He was born under the name Fevel Greenberg.[2] He made his way to Providence, Rhode Island, with his father and two brothers, Selig and David. He lived for a time in Palestine where his mother chose to live, and worked as a teacher of Hebrew, in Portland, Oregon, from 1928 to 1931. He wrote at first under the name Philip Rann.[3] Then came the modification to "Rahv," which appeared in an essay he published in 1932.[4]

In 1933 Rahv joined the American Communist Party. Partisan Review broke with the Soviet line in 1937 in the wake of the Moscow Trials and maintained an ongoing feud with Stalinist Popular Front advocates such as Granville Hicks of New Masses. He was officially expelled as a Trotskyite by the American Communist Party on October 1, 1937.[5] Rahv taught at Brandeis University in his later years and died in Cambridge, Massachusetts, in 1973.

Literary career

Philip Rahv's writing career began during the Depression. It reflected the prevailing literary currents of Marxism and the rise of proletarian literature.[6] In search of a collective ideology, he and others of his generation rejected the formalism and social disengagement of the great writers of the twenties.[7] An exception was T. S. Eliot, whose intellectual depth and historic sense Rahv continued to admire, Eliot's increasingly reactionary politics and traditional religiosity notwithstanding.[8] Because Rahv believed the creative contradictions within a writer are the greatest measure of his achievement, he welcomed the opportunity to reconcile Eliot's conservative views with revolutionary ones that his writing also contained.[9]

Rahv's literary influence arose from his role as editor, author, and reviewer for Partisan Review and other magazines including The New York Review of Books. From the start of his writing career he articulated his key literary values: the need for a synthesis between European and American artistic traditions and between literary modernism and radicalism; the importance of the Marxist dialectic to effectuate such syntheses; the value of cosmopolitanism to promote a broad understanding of the world and the leading ideas of the writer's times; the rejection of parochial ideas based on region, nation, or ethnicity.[10] In one of his most often quoted essays, "Paleface and Redskin," he identified two opposing currents: upper-class palefaces such as Henry James and Nathaniel Hawthorne and uncultured redfaces such as Walt Whitman and Mark Twain. The result was a dichotomy between consciousness and experience and between symbolism and naturalism. Rahv deplored the dichotomy, looking to the future for the kind of synthesis achieved by such European writers as Marcel Proust and Thomas Mann.[11]

Rahv reached the height of his literary influence editing and writing for Partisan Review in the late 1930s. His influence continued through the 1940s with his writings on a wide range of European and American authors, most notably Henry James, whose reputation he contributed to reviving. With the rightward turn of politics in the 1950s, however, he retreated from his earlier literary and political prominence. He played little role in Partisan Review in this era, publishing essays in other publications, most notably The New York Review of Books. In the 1960s his brief enthusiasm for the New Left was followed by disillusionment. He never finished his final project, a book on Dostoyevsky.[12]

Works

See also

References

  1. ^ Dvosin, Andrew J. Literature in a Political World: The Career and Writings of Philip Rahv. Ph.D. Dissertation, NYU, 1977. Dvosin drew his information by interviewing Rahv's first wife Nathalie Rahv on November 19, 1975 and his brother Selig Greenberg on November 20, 1975.
  2. ^ List or Manifest of Alien Passengers for the United States, January 1922.
  3. ^ Kadish, "A Young Communist in Love: Philip Rahv, Partisan Review, and My Mother." The Georgia Review 68, 4 (2014): 768–817. Kadish's information is based on letters Rahv sent to Ethel Richman from 1928 to 1931. They reside at the Harry Ransom Center, University of Texas, Austin.
  4. ^ An Open Letter to Young Writers. Rebel Poet, 16, September 1932. He still used Greenberg, however, when he married his first wife Naomi Wainger in 1934: New York Marriage Certificate Index 1866-1937.
  5. ^ Klehr, H., Haynes, J. E., Anderson, K. (1998). "The Soviet World of American Communism".[ New Haven, Yale UP], 332–33
  6. ^ "The Literary Class War," New Masses 8 (August 1932), 7–10. New Masses was the official cultural organ of the Communist Party.
  7. ^ Edmund Wilson, Axel's Castle, 1931.
  8. ^ "T.S. Eliot," Fantasy, II, iii (Winter 1932), 17–20; "A Season in Heaven." Partisan Review, June 1936: 11–14; "Eliot's Achievement." New York Review of Books VI, iii (March 3, 1966), 7–9.
  9. ^ Mark Krupnick, Jewish Writing and the Deep Places of the Imagination (Madison: University of Wisconsin Press, 2005), 159–60.
  10. ^ Terry A.Cooney. The Rise of the New York Intellectuals. Madison: University of Wisconsin Press, 1986, 53–58.
  11. ^ Philip Rahv, Essays on Literature and Politics 1932–1972. Boston: Houghton Mifflin, 1978. Pp. 3–8.
  12. ^ Irving Howe, Philip Rahv. A Memoir. American Scholar, 48 (1979): 487–98.

Bibliography

  • Bloom, Alexander. Prodigal Sons: the New York Intellectuals & their World. Oxford University Press, 1986. ISBN 978-0-19-505177-3
  • Barrett, William. The Truants: Adventures Among the Intellectuals. Anchor Press/Doubleday, 1982. ISBN 0-385-15966-8
  • Cooney, Terry A. The Rise of the New York Intellectuals: Partisan Review and Its Circle. University of Wisconsin Press, 1986.
  • Dvosin, Andrew J. Literature in a Political World: The Career and Writings of Philip Rahv. Ph.D. Dissertation, NYU, 1977.
  • Hindus, Milton. "Philip Rahv, The Critic." Images and Ideas in American Culture, The Function of Criticism. Essays in Honor of Philip Rahv. ed. Arthur Edelstein. University Press of New England, 1979. 171–203.
  • Kadish, Doris. A Young Communist in Love: Philip Rahv, Partisan Review, and My Mother. The Georgia Review 68, 4 (2014): 768–817.
  • Kadish, Doris. The Secular Rabbi: Philip Rahv and Partisan Review. Liverpool UP, 2021. philiprahv.com
  • Klehr, H., Haynes, J. E., Anderson, K. The Soviet World of American Communism. Yale UP, 1998. ISBN 0300071507
  • Laskin, David. Partisans. Simon & Schuster, 2000. ISBN 9780684815657
  • Lelchuk, Alan. "The Last Years."Images and Ideas in American Culture, The Function of Criticism. Essays in Honor of Philip Rahv. ed. Arthur Edelstein. University Press of New England, 1979. 205-19.
  • McCarthy, Mary. Intellectual Memoirs, New York 1936–1938. Harcourt Brace, 1992. ISBN 0156447878
  • McCarthy, Mary. Philip Rahv, 1908–1973. New York Times Book Review 17, (February 1974): 1–2.
  • Meyers, Jeffrey. The Transformations of Philip Rahv. Salmagundi (Spring-Summer 2019).
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