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[[File:Bartolomé_Esteban_Perez_Murillo_012.jpg|thumb|250px|''Boy with a Dog'' (1655-1660) by Bartolomé Esteban Murillo]]
[[File:Bartolomé_Esteban_Perez_Murillo_012.jpg|thumb|250px|''Boy with a Dog'' (1655-1660) by Bartolomé Esteban Murillo]]
'''''Boy with a Dog''''' is a 1655-1660 oil on canvas painting by [[Bartolomé Esteban Murillo]], now in the [[Hermitage Museum]], for which it was acquired from the [[Étienne François, duc de Choiseul|Comte de Choiseul]] collection in 1772.<ref>{{Cite web|url=https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.+paintings/32726|title=Catalogue entry}}</ref>
'''''Boy with a Dog''''' is a 1655-1660 oil on canvas painting by [[Bartolomé Esteban Murillo]], now in the [[Hermitage Museum]], for which it was acquired from the [[Étienne François, duc de Choiseul|Comte de Choiseul]] collection in 1772.<ref>{{Cite web|url=https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.+paintings/32726|title=Catalogue entry}}</ref>

The painting represents a ragged, mischievous and cheerful boy, playing with a dog, and which is the thematic model of many paintings by Murillo, children victims of the hardship that in the mid-seventeenth century affected a Seville drowned by the taxes and the competition of Cádiz, after the plague of 1649.<ref>{{Cite journal |last=Asís Roig |first=Rafael F. de |date=2020-12-18 |title=VI Congreso El tiempo de los derechos Sevilla, 4 y 5 de noviembre de 2019 |url=http://dx.doi.org/10.53054/afd.vi36.2399 |journal=Anuario de Filosofía del Derecho |issue=36 |pages=560–561 |doi=10.53054/afd.vi36.2399 |issn=2659-8973}}</ref>


==References==
==References==

Revision as of 19:50, 31 March 2022

Boy with a Dog (1655-1660) by Bartolomé Esteban Murillo

Boy with a Dog is a 1655-1660 oil on canvas painting by Bartolomé Esteban Murillo, now in the Hermitage Museum, for which it was acquired from the Comte de Choiseul collection in 1772.[1]

The painting represents a ragged, mischievous and cheerful boy, playing with a dog, and which is the thematic model of many paintings by Murillo, children victims of the hardship that in the mid-seventeenth century affected a Seville drowned by the taxes and the competition of Cádiz, after the plague of 1649.[2]

References

  1. ^ "Catalogue entry".
  2. ^ Asís Roig, Rafael F. de (2020-12-18). "VI Congreso El tiempo de los derechos Sevilla, 4 y 5 de noviembre de 2019". Anuario de Filosofía del Derecho (36): 560–561. doi:10.53054/afd.vi36.2399. ISSN 2659-8973.