Michèle Van de Roer

Michele Van de Roer (born September 12, 1956 in Delft, Holland) is a French painter, photographer, and engraver. She currently works at the Pratt Institute of Design in Brooklyn, New York and Ecole National Supérieure du Paysage in Versailles, France.

Early Biography

The daughter of an architect in Delft, Michele Van de Roer demonstrated an early fascination with perspective as she sat at draftsman’s tables in her father’s studio. Starting at age five she began to draw freehand landscapes of the surrounding countryside, manifesting a remarkable ability to portray depth and to capture shadow and light with a sophistication that both surprised and impressed her father. The same Dutch scenery with its neat, tree lined geometric shapes that had inspired 17th masters such as Vermeer and then modern artists such as Piet Mondrian, was endlessly fascinating to her. Encouraged by her father, she studied and practiced drafting throughout her childhood.

Training

As she matured Van de Roer studied the techniques of old masters and then began to experiment with other media and various techniques. She began to study photography and etching. She moved permanently to France in 1976 and studied etching at Lacouriére Frelaut under the tutelage of Jacques Frelaut, the master printer of Picasso, Chagall and Leger.

From 1977 through 1980 she attended the Ecole d’Arts de Valence and was a student of artist Pierre Buraglio and Jacques Clerc, her instructor for advanced etching techniques. Jacques Clerc, an artist, sculptor and publisher, subsequently asked her to create etchings for the limited edition L’Automne Écorché Vif for his publishing imprint, Editions La Sétèrée. Additionally, at Ecole ‘d’Arts de Valence she was also a student of noted contemporary artist Pierre Soulages. During 1980 – 81 she completed her undergraduate studies in art history at the University of Grenoble.

In 1982 Van de Roer received a Fulbright Scholarship and used the financial support to pursue, and to complete in 1983, a fine arts masters program at the Pratt Institute of Design in Brooklyn, NY. During this post graduate education at Pratt in 1982-3, she was selected by a jury to show in the “Architecture in Contemporary Prints” show at Pratt Manhattan Gallery in New York along with Robert Rauschenberg and Christo. In 2003—06 she attended a post graduate program and graduated from the Ecole National Supérieure du Paysage in Versailles, seeing landscape design as another form of artistic expression. She followed this post graduate program with an internship at the international landscape design firm of Gustafson-Porter in London in 2006.

La Ruche

In 2008 Van de Roer was awarded a position as an artist-in-residence at La Ruche in Paris, the de facto or artistic home in Montparnasse of legendary artists such as Marc Chagall, Fernand Leger, Chaim Soutine, Amedeo Modigliani, Constantin Brancusi, and Diego Rivera among others. In 2009 she was one of the featured La Ruche ‘artists of today’ in an exhibition at the Palais Lumière in Evian entitled, “La Cité des Artistes, 1902 - 2009”. A video describing La Ruche and its ethos produced by Nelly Maurel includes the thoughts of many of the current artists of La Ruche as well as Van de Roer’s remarks on art and the creative process.

Shows

The first significant show of Van de Roer’s work was in 1983 in New York entitled “Architecture in the Contemporary Print” at Pratt Manhattan Gallery, along with Robert Rauschenberg and Christo. The show featured one of her large engravings, Eva’s Magic World. Subsequently her work has been displayed at group and solo shows in numerous venues: Galerie Brun Léglise, Paris; Gallery Kunstplus, Rotterdam; John Szoke Gallery, New York; Bibliothèque Nationale de Paris, Exposition de Gravures; Galerie Global Art Source, Zurich; City of Evian; and Centre Culturel de Corbevoie.

Artistic Vision

Van de Roer’s philosophy on art is perhaps best represented in her etching series entitled De La Journée à la Nuit: Du Blanc au Noir-de-Noir au Blanc which was purchased by the Musee Rodin in Paris. The subject of the piece is Rodin’s Thinker. The first of the twelve pieces is opaque, followed by an image with the barest of light revealing the knee and part of the leg of the recumbent Thinker. Each of her succeeding images adds step-by-step gradations of light to reveal more and more of the anatomy, until at last the entire figure is evident. In essence, the figure to her is merely a concept or a complete abstraction without light and/or the absence of light, as suggested by Kazimir Malevich in his famous 1915 canvas Black Square.

Some of her best received oils produced to date demonstrating the same vision are her semi abstract landscapes, notably as in her TGV pieces (see above), that convey rapid motion through the countryside. Van de Roer argues that as 16th and 17th century Dutch artists were inspired by the local development of optics that produced new insight into very small or very distant objects, she is inspired by the perspective of light in motion. She admits to a fascination with Jan Micker’s 16th century Bird’s Eye View of Amsterdam showing the shadow of dispersed clouds as they drift over the city. Her TGV pieces best convey the perspective of motion past a landscape, a blurring of ‘reality’.

Essentially, she is captivated by light, the absence of light, and the bending of light and imagery through motion – as in her photo etching (see above) entitled Hopetown. To create Hopetown, Van de Roer used a full moon as a photographic ‘brush’ and the night sky as her ‘canvas’ to produce a haunting abstraction. While much of her work is less abstract, the theme of light and motion are constant in all of her creations.

Publications

Le Jardin de Rodin – Editions Fischbacher, Paris, 1995 L’Automne Écorché Vif – Editions La Sétèrée Crest, 1998

External Links

Pierre Buraglio: [1] Pierre Soulages: [2] Fulbright Scholar Program: [htpp://www.cies.org/about_fulb.htm] Pratt Institute of Design: [3] Ecole National du Paysage: [4] Gustafson-Porter: [5] La Ruche: [6] Nelly’s Maurel’s La Ruche: Galerie Brun Léglise: [7] Musee Rodin: [8] Kazimir Malevich: [9]