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Mercado's film credits include two video productions in the ''Poetry Spots'' series directed by [[Bob Holman]] and the documentary film, ''Yari Yari Pamberi: Black Women Writers Dissecting Globalization'' directed by [[Jayne Cortez]].
Mercado's film credits include two video productions in the ''Poetry Spots'' series directed by [[Bob Holman]] and the documentary film, ''Yari Yari Pamberi: Black Women Writers Dissecting Globalization'' directed by [[Jayne Cortez]].


She has served as a panelist for the New York Foundation for the Arts (NYFA) and the New York State Council on the Arts (NYSCA).
She has served as a panelist for the [[New York Foundation for the Arts]] (NYFA) and the [[New York State Council on the Arts]] (NYSCA).


Nancy Mercado is the co-founder of ''El Instituto de Cultura [[Lola Rodríguez de Tió]]'' located in New Jersey.
Nancy Mercado is the co-founder of ''El Instituto de Cultura [[Lola Rodríguez de Tió]]'' located in New Jersey.

Revision as of 16:16, 8 December 2010

Poet on stage reading work
Nancy Mercado at the Nuyorican Poets Café, 2008
OccupationWriter, poet
NationalityPuerto Rican
Literary movementPost Beat, Nuyorican, Postmodernism

Life

Nancy Mercado (December, 1959) was born and raised in Atlantic City, New Jersey, where “jetties were the bridges {she} crossed,” (as she says in Identity Lessons), she moved to Manhattan after finishing her B.A. at Rutgers, the State University of New Jersey, with a double major in art/art history and Puerto Rican Studies, and her M.A. at New York University in Liberal Studies with a concentration in Script Writing and Cinema Studies. Her adult experiences and her aesthetic make her truly a Nuyorican, in spite of early geography. Her love for the City is the theme of her forthcoming book of poetry, Rooms for the Living: New York Poems, which was also her dissertation at SUNY Binghamton, where she received her Ph.D. in English literature with a concentration in creative writing. Her long association with both the Nuyorican Poets Café and many of the other poets who emerged from it is an essential part of her development as a writer. Of her first book of poetry, It Concerns the Madness, Miguel Algarín, founder of the Café, says: “the language is crisp, muscular and spiritually medicinal.” Another Nuyorican heavyweight, Pedro Pietri, said of her: “Nancy Mercado is a NuyoCosmoRican who refused to let poetry off the hook…”[1]

If the personal is political, then such verses as “He was forgotten/ before he could be remembered/ by the heads of state/ he provided sugar for” written about her grandfather, “Don Portolo…Director of the Sugar Cane Field Workers” and “Milla can speak of/ The turn of the century land reforms, / Of the blinded enthusiasm/ For a man called Marin…” about her grandmother, “Milla,” and “Juanita…Providing food from soil, / Creating homes from ashes, / Teaching tolerance by living” about her aunt in Puerto Rico, offer testimony to the power of this type of poetic vision. Other poems deal more blatantly with political themes and world events evolving in such places as Somalia, Kosovo and Iraq but it is in the politics of lived experience that Mercado truly shines.”[1]

Career

Mercado is the author of It Concerns the Madness (Long Shot Productions).[1] She served as the editor of, if the world were mine; a children’s anthology published by the New Jersey Performing Arts Center (NJPAC), was an editor of Long Shot (1993–2004)[2] and the publication’s editor-in-chief for one of those years. She also served as a contributing editor and writer for Letras Femeninas volume XXXI, No 1: The Journal of the Asociación de Literatura Femenina Hispánica of Arizona State University.

Featured in The Encyclopedia of Hispanic American Literature (Facts on File) and inducted into The Museum of American Poetics,[3] Mercado is also profiled in Latino Leaders Magazine, Volume 7 No 6 as "one of the most celebrated members of the Puerto Rican literary movement in the Big Apple".

Nancy Mercado began her literary career as a writer in 1979. As such, some consider her to be part of the second wave of writers, along with Martin Espada, that constitute the Nuyorican literary movement. She has toured throughout the US, Europe and in Canada as a featured poet and conference panelist; an abbreviated list includes: Club 350, Toronto Canada * Eastern New York Correctional Facility; a maximum security prison in New York * Espace Simone de Beauvoir, France * Festival of Arts and Ideas, New Haven, Connecticut * Geraldine R. Dodge Poetry Festival in New Jersey * Kutztown State University, Pennsylvania * La Raza Center, San Francisco, California * New York City Book Expo * New York City Town Hall * The Yari Yari Pamberi: Black Women Writers Dissecting Globalization Conference in New York University, New York * Pannonica Jazz Club, France * Rutgers University, New Jersey * The Schomburg Center for Research in Black Culture, New York * The Shakespeare Public Theater, New York * The State University of Illinois * The University of Nantes, France * throughout Wiesbaden, Germany with jazz artist Billy Bang & his Quintet.

Mercado's work has been extensively anthologized. A number of literary magazines have also published her work such as: Columbia University’s City Magazine; El Boletin del Centro from Hunter College-CUNY; GARE MARITIME published in France, New York University publications, Black Renaissance Noire edited by Quincy Troupe; Brownstone Magazine and Gallatin Review; and independent magazines such as, A Gathering of the Tribes; Drum Voices; The Paterson Literary Review; phati'tude Literary Magazine; and Rattapallax, among others.

For ten years she served as the Artistic Director of the Young Life Theatre Group; a young adult theatre group based in New Jersey and funded by the New Jersey State Council on the Arts. During this time, she authored and directed 7 theatre plays: Palm Trees in the Snow, Chillin, Forever Earth, It is I; Stay Alive!, Planet Earth, Alicia in Projectland coauthored with renown writer Pedro Pietri, and AWAY. Mercado's theatre work has been produced in such venues as the New Jersey Performing Arts Center (NJPAC). Her play AWAY was commissioned by the Centers for Disease Control and Prevention as part of an AIDS awareness and prevention campaign for young women of color making the work accessible to any theatre or community group wanting to stage the play. As such, it continues to be produced by various theatre and community groups, in English and Spanish, throughout the United States and Puerto Rico.

Mercado's film credits include two video productions in the Poetry Spots series directed by Bob Holman and the documentary film, Yari Yari Pamberi: Black Women Writers Dissecting Globalization directed by Jayne Cortez.

She has served as a panelist for the New York Foundation for the Arts (NYFA) and the New York State Council on the Arts (NYSCA).

Nancy Mercado is the co-founder of El Instituto de Cultura Lola Rodríguez de Tió located in New Jersey.

Bibliography

Books

Anthologies

One-act plays

  • Palm Trees in the Snow (1989)
  • Chillin (1990)
  • Forever Earth (1991)
  • It is I; Stay Alive! (1992)
  • Planet Earth (1993)
  • Alicia in Projectland coauthored with Pedro Pietri (1994)
  • AWAY 1996)

Essays

Other writings

See also

References

  1. ^ a b Kiss, Marilyn. Nancy Mercado biographical entry The Encyclopedia of Hispanic American Literature. Facts on File, 2009, p. X. Cite error: The named reference "Kiss" was defined multiple times with different content (see the help page).

Resources

Further reading

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