Angklung

Angklung with eight pitches

The Angklung is a musical instrument made of two bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are tuned to octaves. The base of the frame is held in one hand, whilst the other hand shakes the instrument rapidly. This causes a repeating note to sound. Each of three or more performers in an angkalung ensemble play just one note, but altogether complete melodies are produced. The Angklung is popular throughout Southeast Asia, but it originated in today's Indonesia and has been played by the Sundanese for many centuries.

Etymology

The word Angklung is foremd from two words - angka and lung. Angka means "tone", and lung means "broken" or "lost". Angklung thus means an "incomplete tone".

History

In the Hindu period and the time of the Kingdom of Sunda, the angkalung played an important role in ceremonies. The angklung was played to honor Dewi Sri, the goddess of fertility, so she would bless their land and lives. The angklung also signaled the time for prayers. In the Kingdom of Sunda, it provided martial music during the Bubat War (Perang Bubat), as told in the Kidung Sunda.

The oldest surviving angklung is called the Angklung Gubrag. It was made in the 17th century in Jasinga, Bogor. Other antique angklung are in the Sri Bduga Museum, Bandung.

Indonesian boys playing the Angklung in 1918.

The angklung was used to build community spirit, which caused it to be banned during the Dutch occupation of today's Indonesia, and it was played only by children.

In 1938, Daeng Soetigna, from Bandung, created an angklung that is based on the diatonic scale instead of the traditional pélog or sléndro scales. Since then, the angklung has returned to popularity and is used for education and entertainment, and may even accompany western instruments in an orchestra. One of the first performances of angklung in an orchestra was in 1955 during the Bandung Conference. In 1966 Udjo Ngalagena, a student of Daeng Soetigna, opened his "Saung Angklung" (House of Angklung) as a centre for its preservation and development.

UNESCO designated the angklung a Masterpiece of Oral and Intangible Heritage of Humanity on November 18, 2010.

Balinese Gamelan Angklung

In Bali, an ensemble of angklung is called gamelan angklung (anklung). While the ensemble gets its name from the bamboo shakers, these days most compositions for Gamelan Angklung do not use them. An ensemble of mostly bronze metallophones is used instead, generally with about 20 musicians.

While the instrumentation of gamelan angklung is similar to gamelan gong kebyar, it has several critical differences. First, the instruments are tuned to a 5-tone slendro scale, though actually most ensembles use a four-tone mode of the five-tone scale played on instruments with four keys. An exception is the five-tone angklung from the north of Bali. But even in four-tone angklung groups, the flute players will occasionally touch on the fifth implied tone. Secondly, whereas many of the instruments in gong kebyar span multiple octaves of its pentatonic scale, mosts gamelan angklung instruments only contain one octave, although some five-tone ensembles have roughly an octave and a half. The instruments are considerably smaller than those of the gong kebyar.

Gamelan angklung is often heard in Balinese temples, where it supplies musical accompaniment to temple anniversaries (odalan). It is also characteristic of rituals related to death, and therefore connected in Balinese culture to the invisible spiritual realm and transitions from life to death and beyond. Because of its portability, gamelan angklung may be carried in processions while a funeral bier is carried from temporary burial in a cemetery to the cremation site. The musicians also often play music to accompany the cremation ceremony. Thus many Balinese listeners associate angklung music with strong emotions evoking a combination of sacred sweetness and sadness.

The structure of the music is similar to gong kebyar, although employing a four tone scale. Jublag and jegog carry the basic melody, which is elaborated by gangsa, reyong, ceng-ceng, drum, and flute. A medium sized gong, called kempur, is generally used to punctuate a piece's major sections.

Most older compositions do not employ gong kebyar's more ostentatious virtuosity and showmanship. Recently many Balinese composers have created kebyar-style works for gamelan angklung or have rearranged kebyar melodies to fit the angklung's more restricted four tone scale. These new pieces often feature dance, so the gamelan angklung is augmented with more gongs and heavier gongs. Additionally, some modern composers have created experimental instrumental pieces for the gamelan angklung.

Outside Indonesia

In the early 20th century, the angklung was adopted in Thailand, where it is called angkalung (อังกะลุง). The Thai angklung are typically tuned in the Thai tuning system of seven equidistant steps per octave, and each angklung has three bamboo tubes tuned in three separate octaves rather than two, as is typical in Indonesia.

Angklung has also been adopted by its Austronesian-speaking neighbors, in particular by Malaysia and the Philippines, where they are played as part of bamboo xylophone orchestras. Formally introduced into Malaysia sometime after the end of the Confrontation, angklung found immediate popularity. They are generally played using a pentatonic scale similar to the Indonesian slendro, although in the Philippines, sets also come in the diatonic and minor scales used to perform various Spanish-influenced folk music in addition to native songs in pentatonic.

At least one Sundanese angklung buncis ensemble exists in the United States. Angklung Buncis Sukahejo is an ensemble at The Evergreen State College, and includes eighteen double rattles (nine tuned pairs) and four dog-dog drums.

World record

In July 9, 2011 a 5,182 people from many nations played angklung together in Washington DC and listed in Guinnes Book of Records as the largest angklung ensemble.

See also

• Calung

Further reading

• Tenzer, Michael (1998). Balinese Music. Hong Kong: Periplus Eds.

External links

• Keluarga Paduan Angklung Institut Teknologi Bandung
• Gamelan Sekar Jaya (excerpt about angklung) from Michael Tenzer's book Balinese Music
• Musical sample composed by I Nyoman Windha
• Saung Angklung Udjo
• Angklung Orchester Hamburg, Germany (2003/2004)
• KPA (Keluarga Paduan Angklung) SMA Negeri 3 Bandung
• AWI (Angklung Web Institute) in Bandung
• Lancaster Angklung Orchestra, Lancaster, UK
• Angklung Hamburg
• Bandung Community