Richard Cooper Jr.: Difference between revisions
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{{other people|Richard Cooper}} |
{{other people|Richard Cooper}} |
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[[File:RichardCooperTate.jpg|frame|right|Richard Cooper II Landscape Composition in the Blot Manner. Watercolour on paper. Tate Gallery]] |
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[[File:RichardCooperCourtauld.jpg|frame|right|Classical Landscape with Figures by Richard Cooper Jnr. Pen and brown ink on paper.]] |
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'''Richard Cooper''' (or Richard Cooper Jr. or Richard Cooper II) was born in Edinburgh, 6 February 1740 and died in London in 1814. He was the son of Richard Cooper senior (1701-1764) and his wife Anne Lind. |
'''Richard Cooper''' (or Richard Cooper Jr. or Richard Cooper II) was born in Edinburgh, 6 February 1740 and died in London in 1814. He was the son of [[Richard Cooper senior]] (1701-1764) and his wife Anne Lind.<ref>{{cite DNB|wstitle=Cooper, Richard (d.1764)|volume=12</ref> |
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He is considered one of Britain's Grand Masters in Watercolour and Drawing. Despite this, little is known about him. He was an exhibitor at the [[Royal Academy]]. |
He is considered one of Britain's Grand Masters in Watercolour and Drawing. Despite this, little is known about him. He was an exhibitor at the [[Royal Academy]]. |
Revision as of 08:30, 21 August 2013
This article needs additional citations for verification. (May 2013) |
Richard Cooper (or Richard Cooper Jr. or Richard Cooper II) was born in Edinburgh, 6 February 1740 and died in London in 1814. He was the son of Richard Cooper senior (1701-1764) and his wife Anne Lind.[1]
He is considered one of Britain's Grand Masters in Watercolour and Drawing. Despite this, little is known about him. He was an exhibitor at the Royal Academy.
Cooper succeeded Alexander Cuzens as Drawing Master at Eton College and taught members of the Royal Family. Queen Charlotte was England's enthusiastic Patron of the Arts and Queen to King George III. Queen Charlotte was interested in the arts and music. Cooper was her art teacher.
Cooper was taught by his father before moving to Paris to train under the engraver, J. P. Le Bas. Cooper went to Italy around 1770 but by 1778 he was back in Britain.
Original works are rare; The Tate has five original works and five prints; The Government Art Collection has five prints; the National Portrait Gallery, London has one original work and nine prints. The British Museum, however, has over ninety objects attributed to him including ten drawings and seventy four prints.[2]
Cooper's work is typically dark, as he specialised in charcoal, pencil, pen and ink. He drew with a reed pen, which he used with rapid and flowing movements to produce strongly contrasted areas of light and shade. The yellow-brown tone of his broad washes suggest the ink used was bistre. The washes were diluted and applied over the iron gall pen work, causing the ink lines underneath to "bleed". The sheet is left bare in places to suggest falling sunlight. He would often sketch a scene to complete it in his studio years later. His subjects include Edward Kynaston, Sir Robert Naunton, John Lilburne, Mary Frith and Daniel Dancer. His landscapes often included the Thames riverbank, and around Windsor Castle, where he used his connections to gain access.
References
- ^ {{cite DNB|wstitle=Cooper, Richard (d.1764)|volume=12
- ^ "Works by Richard Cooper II". British Museum. Retrieved 18 May 2013.
External links
- Works of Richard Cooper from the National Portrait Gallery collection
- Works of Richard Cooper from the Government Art Collection
- Works of Richard Cooper at The Tate
- Biography of Richard Cooper II at the British Museum