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| Single 4 date = February 1968
| Single 4 date = February 1968
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'''''Parsley, Sage, Rosemary and Thyme''''' is the third [[studio album]] by American music duo [[Simon & Garfunkel]]. [[Record producer|Produced]] by [[Bob Johnston]], the album was released on October 10, 1966 in the United States by [[Columbia Records]].
'''''Parsley, Sage, Rosemary and Thyme''''' is the third [[studio album]] by American music duo [[Simon & Garfunkel]]. [[Record producer|Produced]] by [[Bob Johnston]], the album was released on October 10, 1966 in the United States by [[Columbia Records]]. Following the success of their debut single "[[The Sound of Silence]]", Simon & Garfunkel regrouped after a time apart while Columbia issued their second album, a rushed collection titled ''[[Sounds of Silence]]''. For their third album, the duo spent nine months in the studio, for the first time extending a perfectionist nature both in terms of instrumentation and production.


The album largely consists of [[acoustic]] pieces that were largely written during [[Paul Simon]]'s period in [[England]] the previous year, including some recycled numbers from his debut solo record, ''[[The Paul Simon Songbook]]''. The album includes the Garfunkel-led piece "[[For Emily, Wherever I May Find Her]]", as well as "[[7 O'Clock News/Silent Night]]", a combination of news reports of the day (the [[Vietnam War]], [[African-American Civil Rights Movement (1954–68)|the civil rights movement]]) and the [[Christmas carol]] "[[Silent Night]]".
⚫
Many critics have considered it a breakthrough in recording for the duo, and one of their best efforts. The album peaked at number four on the [[Billboard 200|''Billboard'' Pop Album Chart]], and was eventually certified [[RIAA certification|triple platinum]] by the [[Recording Industry Association of America]].

⚫
Many critics have considered it a breakthrough in recording for the duo, and one of their best efforts. "[[Homeward Bound (song)|Homeward Bound]]" became a top five hit in numerous countries, while "[[Scarborough Fair (ballad)#Simon & Garfunkel|Scarborough Fair/Canticle]]" performed similarly. The album peaked at number four on the [[Billboard 200|''Billboard'' Pop Album Chart]], and was eventually certified [[RIAA certification|triple platinum]] by the [[Recording Industry Association of America]].
==Recording and production==
==Recording and production==
The band’s previous album, ''[[Sounds of Silence]]'', was a "rush job" produced to capitalize on the success of their first hit single, "[[The Sound of Silence]]".<ref name="1001die"/> ''Parsley'' was the first time Simon insisted on total control in aspects of recording.<ref name="1001die"/>
The band’s previous album, ''[[Sounds of Silence]]'', was a "rush job" produced to capitalize on the success of their first hit single, "[[The Sound of Silence]]".<ref name="1001die"/> ''Parsley'' was the first time Simon insisted on total control in aspects of recording.<ref name="1001die"/>


Work began in 1966 and took nine months.{{sfn|Fornatale|2007|p=57}}
Work began in 1966 and took nine months.{{sfn|Fornatale|2007|p=57}} Garfunkel considered the recording of "Scarborough Fair" the moment they stepped into the role as producer, because they were constantly beside Halee mixing the track.{{sfn|Fornatale|2007|p=57}}
==Composition==
==Composition==
{{Listen
{{Listen
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|title="Scarborough Fair/Canticle"
|title="Scarborough Fair/Canticle"
|description=16 second sample from Simon and Garfunkel's "Parsley, Sage, Rosemary and Thyme".}}
|description=16 second sample from Simon and Garfunkel's "Parsley, Sage, Rosemary and Thyme".}}
Much of the album is composed of recycled songs written by Simon during his period in England in 1965.{{sfn|Eliot|2010|p=71}} Garfunkel considered the recording of "Scarborough Fair" the moment they stepped into the role as producer, because they were constantly beside Halee mixing the track.{{sfn|Fornatale|2007|p=57}} "Homeward Bound" carries a sense of melancholia, which biographer Marc Eliot attributed to an "echo of longing" that had resurfaced during the recording process over the failed relationship with Kathy Chitty.{{sfn|Eliot|2010|p=71}} Garfunkel disliked "The Dangling Conversation," feeling it pretentious.{{sfn|Eliot|2010|p=71}}
''Parsley, Sage, Rosemary and Thyme'' is largely characterized by sharp contrasts from song to song.{{sfn|Bennighof|2007|p=31}} Much of the album is composed of recycled songs written by Simon during his period in England in 1965.{{sfn|Eliot|2010|p=71}} Three songs on the album — "Patterns," "Flowers Never Bend with the Rainfall," and "A Simple Desultory Phillippic" — also appear on Simon's first solo effort, ''[[The Paul Simon Songbook]]'' ("Canticle," the second half of opening ballad "Scarborough Fair," is also culled from another song on the record, "The Side of Hill").{{sfn|Bennighof|2007|p=22}}{{sfn|Bennighof|2007|p=23}}

"Scarborough Fair", a traditional ballad, combines "fingerpicked guitar accompaniment, delicate chimes, harpsichord embellishments, and the vocal blend."{{sfn|Bennighof|2007|p=22}} String snaps are used prominently in "[[Patterns (song)|Patterns]]", as well as a "syncopated bass and frenetic bongo part." Much of the original guitar line remains the same from its earlier incarnation.{{sfn|Bennighof|2007|p=23}} "Cloudy" employs a "breezy, almost [[jazz]]y musical style."{{sfn|Bennighof|2007|p=24}} "[[Homeward Bound (song)|Homeward Bound]]" carries a sense of melancholia, which biographer Marc Eliot attributed to an "echo of longing" that had resurfaced during the recording process over the failed relationship with [[Kathy Chitty]].{{sfn|Eliot|2010|p=71}} "[[The Big Bright Green Pleasure Machine]]" is a "satirical appropriation of an electric, [[organ (music)|organ]]-heavy [[psychedelic rock]] style," in which the singer complains of various woes in his life, which can be "readily eased" by purchasing the titular device.{{sfn|Bennighof|2007|p=26}} "[[The 59th Street Bridge Song (Feelin' Groovy)]]" is a brief vignette "made up of variations on a two-bar [[ostinato]] figure," in which the protagonist goes about a carefree morning.{{sfn|Bennighof|2007|p=27}}

"[[The Dangling Conversation]]" concerns a dying relationship,{{sfn|Bennighof|2007|p=28}} but Garfunkel disliked the song, feeling it pretentious.{{sfn|Eliot|2010|p=71}} In contrast to its earlier appearance on ''The Paul Simon Songbook'', "Flowers Never Bend with the Rainfall" appears here as a "folk combo that produces a bright, almost [[bluegrass]] sound."{{sfn|Bennighof|2007|p=29}} "[[[[A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)|A Simple Desultory Philippic]]" is a "satirical rant about the singer's confrontations with a wide variety of pop-culture personalities and phenomena."{{sfn|Bennighof|2007|p=29}} In the song, Simon vocally imitates [[Bob Dylan]], as well as his [[harmonica]] interjections.{{sfn|Bennighof|2007|p=30}} "[[For Emily, Whenever I May Find Her]]" has sometimes been thought to be named after poet [[Emily Dickinson]].{{sfn|Bennighof|2007|p=30}} Simon later explained that "For Emily" is not about an imaginary girl Emily, but about a belief, while the song "[[Overs (song)|Overs]]" (from the album ''[[Bookends (album)|Bookends]]'') is about the loss of that belief.<ref name="kraft">{{Cite episode| title = Three for Tonight|url = http://www.imdb.com/title/tt2392259/| series = [[Kraft Music Hall (TV series)|Kraft Music Hall]]|network = [[NBC]]|airdate = January 3, 1968}}</ref> While other songs, such as "[[The Sound of Silence]]," had taken months for Simon to complete writing, others, such as "For Emily," were written in a single night.<ref name=lj>Jackson, Laura (2004). ''Paul Simon: The Definitive Biography''. New York: Citadel Press, p.99. First edition, 2004.</ref> "A Poem on the Underground Wall" largely revolves around a man creating graffiti on a sign in a subway station, with Simon also bringing into play "a variety of visceral and religious images."{{sfn|Bennighof|2007|p=32}}

"[[7 O'Clock News/Silent Night]]" is a [[sound collage]] and simply constructed: it consists of the duo singing "[[Silent Night]]" two-part [[harmony]] over an [[arpeggio|arpeggiated]] [[piano]] section.{{sfn|Bennighof|2007|p=32}} The voice of the newscaster is that of [[Charlie O'Donnell]], then a radio disc jockey. As the track progresses, the song becomes fainter and the news report louder. "The result rather bluntly makes an ironic commentary on various social ills by juxtaposing them with tenderly expressed Christmas sentiments."{{sfn|Bennighof|2007|p=32}}

==Release==
==Release==
After issuing several singles and receiving sold-out college campus shows, the duo released ''Parsley, Sage, Rosemary and Thyme''.{{sfn|Eliot|2010|p=73}}
After issuing several singles and receiving sold-out college campus shows, the duo released ''Parsley, Sage, Rosemary and Thyme''.{{sfn|Eliot|2010|p=73}}
Line 50: Line 59:
In 2003, ''[[Rolling Stone]]'' listed the album at number 202 on their list of [[Rolling Stone's 500 Greatest Albums of All Time|The 500 Greatest Albums of All Time]].<ref name=RollingStone500>{{cite journal| date =May 31, 2012| title =500 Greatest Albums of All Time| journal =[[Rolling Stone (magazine)|Rolling Stone]] | publisher =[[Jann Wenner|Wenner Media]] [[Limited liability company|LLC]]| url = http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/simon-and-garfunkel-parsley-sage-rosemary-and-thyme-20120524| accessdate =January 14, 2014}}</ref>
In 2003, ''[[Rolling Stone]]'' listed the album at number 202 on their list of [[Rolling Stone's 500 Greatest Albums of All Time|The 500 Greatest Albums of All Time]].<ref name=RollingStone500>{{cite journal| date =May 31, 2012| title =500 Greatest Albums of All Time| journal =[[Rolling Stone (magazine)|Rolling Stone]] | publisher =[[Jann Wenner|Wenner Media]] [[Limited liability company|LLC]]| url = http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/simon-and-garfunkel-parsley-sage-rosemary-and-thyme-20120524| accessdate =January 14, 2014}}</ref>
[[Disc jockey]] and author [[Pete Fornatale]] wrote that, "Few others have come close to the intelligence, beauty, variety, creativity, and craftsmanship that ''Parsley, Sage, Rosemary and Thyme'' captured."{{sfn|Fornatale|2007|p=58}} Andrew Gilbert, in ''[[1001 Albums You Must Hear Before You Die]]'', called it "their first great album," producing "a sense of impending doom and Simon's insistence on emotional connection that makes the album such an enduring work."<ref name=1001die>Dimery, Robert (ed.) (2005). ''[[1001 Albums You Must Hear Before You Die]]''. [[Milan]]: [[Universe Publishing]], p. 94. First edition, 2005.</ref>
[[Disc jockey]] and author [[Pete Fornatale]] wrote that, "Few others have come close to the intelligence, beauty, variety, creativity, and craftsmanship that ''Parsley, Sage, Rosemary and Thyme'' captured."{{sfn|Fornatale|2007|p=58}} Andrew Gilbert, in ''[[1001 Albums You Must Hear Before You Die]]'', called it "their first great album," producing "a sense of impending doom and Simon's insistence on emotional connection that makes the album such an enduring work."<ref name=1001die>Dimery, Robert (ed.) (2005). ''[[1001 Albums You Must Hear Before You Die]]''. [[Milan]]: [[Universe Publishing]], p. 94. First edition, 2005.</ref>
==Accolades==
===Accolades===
{|class="wikitable"
{|class="wikitable"
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Revision as of 02:21, 11 May 2014

Untitled

Parsley, Sage, Rosemary and Thyme is the third studio album by American music duo Simon & Garfunkel. Produced by Bob Johnston, the album was released on October 10, 1966 in the United States by Columbia Records. Following the success of their debut single "The Sound of Silence", Simon & Garfunkel regrouped after a time apart while Columbia issued their second album, a rushed collection titled Sounds of Silence. For their third album, the duo spent nine months in the studio, for the first time extending a perfectionist nature both in terms of instrumentation and production.

The album largely consists of acoustic pieces that were largely written during Paul Simon's period in England the previous year, including some recycled numbers from his debut solo record, The Paul Simon Songbook. The album includes the Garfunkel-led piece "For Emily, Wherever I May Find Her", as well as "7 O'Clock News/Silent Night", a combination of news reports of the day (the Vietnam War, the civil rights movement) and the Christmas carol "Silent Night".

Many critics have considered it a breakthrough in recording for the duo, and one of their best efforts. "Homeward Bound" became a top five hit in numerous countries, while "Scarborough Fair/Canticle" performed similarly. The album peaked at number four on the Billboard Pop Album Chart, and was eventually certified triple platinum by the Recording Industry Association of America.

Recording and production

The band’s previous album, Sounds of Silence, was a "rush job" produced to capitalize on the success of their first hit single, "The Sound of Silence".[1] Parsley was the first time Simon insisted on total control in aspects of recording.[1]

Work began in 1966 and took nine months.[2] Garfunkel considered the recording of "Scarborough Fair" the moment they stepped into the role as producer, because they were constantly beside Halee mixing the track.[2]

Composition

"Scarborough Fair/Canticle"
16 second sample from Simon and Garfunkel's "Parsley, Sage, Rosemary and Thyme".
Problems playing this file? See media help.

Parsley, Sage, Rosemary and Thyme is largely characterized by sharp contrasts from song to song.[3] Much of the album is composed of recycled songs written by Simon during his period in England in 1965.[4] Three songs on the album — "Patterns," "Flowers Never Bend with the Rainfall," and "A Simple Desultory Phillippic" — also appear on Simon's first solo effort, The Paul Simon Songbook ("Canticle," the second half of opening ballad "Scarborough Fair," is also culled from another song on the record, "The Side of Hill").[5][6]

"Scarborough Fair", a traditional ballad, combines "fingerpicked guitar accompaniment, delicate chimes, harpsichord embellishments, and the vocal blend."[5] String snaps are used prominently in "Patterns", as well as a "syncopated bass and frenetic bongo part." Much of the original guitar line remains the same from its earlier incarnation.[6] "Cloudy" employs a "breezy, almost jazzy musical style."[7] "Homeward Bound" carries a sense of melancholia, which biographer Marc Eliot attributed to an "echo of longing" that had resurfaced during the recording process over the failed relationship with Kathy Chitty.[4] "The Big Bright Green Pleasure Machine" is a "satirical appropriation of an electric, organ-heavy psychedelic rock style," in which the singer complains of various woes in his life, which can be "readily eased" by purchasing the titular device.[8] "The 59th Street Bridge Song (Feelin' Groovy)" is a brief vignette "made up of variations on a two-bar ostinato figure," in which the protagonist goes about a carefree morning.[9]

"The Dangling Conversation" concerns a dying relationship,[10] but Garfunkel disliked the song, feeling it pretentious.[4] In contrast to its earlier appearance on The Paul Simon Songbook, "Flowers Never Bend with the Rainfall" appears here as a "folk combo that produces a bright, almost bluegrass sound."[11] "[[A Simple Desultory Philippic" is a "satirical rant about the singer's confrontations with a wide variety of pop-culture personalities and phenomena."[11] In the song, Simon vocally imitates Bob Dylan, as well as his harmonica interjections.[12] "For Emily, Whenever I May Find Her" has sometimes been thought to be named after poet Emily Dickinson.[12] Simon later explained that "For Emily" is not about an imaginary girl Emily, but about a belief, while the song "Overs" (from the album Bookends) is about the loss of that belief.[13] While other songs, such as "The Sound of Silence," had taken months for Simon to complete writing, others, such as "For Emily," were written in a single night.[14] "A Poem on the Underground Wall" largely revolves around a man creating graffiti on a sign in a subway station, with Simon also bringing into play "a variety of visceral and religious images."[15]

"7 O'Clock News/Silent Night" is a sound collage and simply constructed: it consists of the duo singing "Silent Night" two-part harmony over an arpeggiated piano section.[15] The voice of the newscaster is that of Charlie O'Donnell, then a radio disc jockey. As the track progresses, the song becomes fainter and the news report louder. "The result rather bluntly makes an ironic commentary on various social ills by juxtaposing them with tenderly expressed Christmas sentiments."[15]

Release

After issuing several singles and receiving sold-out college campus shows, the duo released Parsley, Sage, Rosemary and Thyme.[16]

The duo resumed their trek on the college circuit eleven days following the release, crafting an image that was described as "alienated," "weird," and "poetic."[17] Mort Lewis also was responsible for this public perception, as he withheld them from television appearances (unless they were allowed to play an uninterrupted set or choose the setlist).[17]

Reception

Bruce Eder of Allmusic called it the duo's "first masterpiece," one that regarded "youthful exuberance and alienation, [proving] perennially popular among older, more thoughtful high-school students and legions of college audiences across generations."[18] Andy Fyfe of BBC Music felt the record carried a sense of timelessness, calling its "boldest themes [...] still worryingly pertinent today," while remarking that the record as a whole "reflected the social upheaval of the mid-60s while playing as substantial a part in folk rock's evolution."[19]

In 2003, Rolling Stone listed the album at number 202 on their list of The 500 Greatest Albums of All Time.[20] Disc jockey and author Pete Fornatale wrote that, "Few others have come close to the intelligence, beauty, variety, creativity, and craftsmanship that Parsley, Sage, Rosemary and Thyme captured."[21] Andrew Gilbert, in 1001 Albums You Must Hear Before You Die, called it "their first great album," producing "a sense of impending doom and Simon's insistence on emotional connection that makes the album such an enduring work."[1]

Accolades

Publication Country Accolade Year Rank
Robert Dimery US 1001 Albums You Must Hear Before You Die[1] 2005 *
Rolling Stone The 500 Greatest Albums of All Time[20] 2012 202

(*) designates unordered lists.

Track listing

All songs by Paul Simon except where noted.

Side one
  1. "Scarborough Fair/Canticle" (Traditional, arranged by Paul Simon, Art Garfunkel) – 3:10
  2. "Patterns" – 2:42
  3. "Cloudy" (Paul Simon, Bruce Woodley) – 2:10
  4. "Homeward Bound" – 2:30
  5. "The Big Bright Green Pleasure Machine" – 2:44
  6. "The 59th Street Bridge Song (Feelin' Groovy)" – 1:43
Side two
  1. "The Dangling Conversation" – 2:37
  2. "Flowers Never Bend with the Rainfall" – 2:10
  3. "A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)" – 2:12
  4. "For Emily, Whenever I May Find Her" – 2:04
  5. "A Poem on the Underground Wall" – 1:52
  6. "7 O'Clock News/Silent Night" (Josef Mohr, Franz Gruber) – 2:01

Chart positions

Personnel

Notes

References

  1. ^ a b c d Dimery, Robert (ed.) (2005). 1001 Albums You Must Hear Before You Die. Milan: Universe Publishing, p. 94. First edition, 2005.
  2. ^ a b Fornatale 2007, p. 57.
  3. ^ Bennighof 2007, p. 31.
  4. ^ a b c Eliot 2010, p. 71.
  5. ^ a b Bennighof 2007, p. 22.
  6. ^ a b Bennighof 2007, p. 23.
  7. ^ Bennighof 2007, p. 24.
  8. ^ Bennighof 2007, p. 26.
  9. ^ Bennighof 2007, p. 27.
  10. ^ Bennighof 2007, p. 28.
  11. ^ a b Bennighof 2007, p. 29.
  12. ^ a b Bennighof 2007, p. 30.
  13. ^ "Three for Tonight". Kraft Music Hall. January 3, 1968. NBC.
  14. ^ Jackson, Laura (2004). Paul Simon: The Definitive Biography. New York: Citadel Press, p.99. First edition, 2004.
  15. ^ a b c Bennighof 2007, p. 32.
  16. ^ Eliot 2010, p. 73.
  17. ^ a b Eliot 2010, p. 72.
  18. ^ Bruce Eder. "Parsley, Sage, Rosemary and Thyme - Simon & Garfunkel". Allmusic. Retrieved May 7, 2014.
  19. ^ Andy Fyfe (2009). "BBC - Music - Review of Simon & Garfunkel's Parsley, Sage, Rosemary and Thyme". BBC Music. Retrieved May 7, 2014.
  20. ^ a b "500 Greatest Albums of All Time". Rolling Stone. Wenner Media LLC. May 31, 2012. Retrieved January 14, 2014. Cite error: The named reference "RollingStone500" was defined multiple times with different content (see the help page).
  21. ^ Fornatale 2007, p. 58.
  22. ^ "Australiancharts.com – Simon & Garfunkel – Parsley, Sage, Rosemary and Thyme". Hung Medien. Retrieved May 7, 2014.
  23. ^ "Simon & Garfunkel Chart History (Billboard 200)". Billboard. Retrieved May 7, 2014.
  24. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved May 7, 2014.
  25. ^ "American album certifications – Simon & Garfunkel – Parsley, Sage, Rosemary and Thyme". Recording Industry Association of America.

Sources

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