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God is not either male or female concept in ancient Indian literature. Androgynous concepts of god are common place as well.<ref name=rmg/>
God is not either male or female concept in ancient Indian literature. Androgynous concepts of god are common place as well.<ref name=rmg/>

===Brahman===
Major [[Hindu philosophy|schools of Hindu philosophy]] focus their philosophical discourse on an [[Absolute (philosophy)|Universal Absolute]] called [[Brahman]], which is a grammatically genderless noun.<ref name=hrz>Heinrich Robert Zimmer (1972), Myths and Symbols in Indian Art and Civilization, Princeton University Press, ISBN 978-0691017785, pages 123-128</ref> This Universal Absolute, states Zimmer, is "beyond the differentiating qualifications of sex, beyond any and all limitations, individualizing characteristics whatsoever". The ''Brahman'' is the Great Cosmic Spirit, the Ultimate True Reality, a transcendental concept that includes all virtues, forms, genders, characteristics, capacities, knowledge and being-ness.<ref name=hrz/> The history of the genderless concept of Brahman can be traced back to Vedas, particularly the earliest Upanishads, such as hymns 1.4.10 and 4.4.5 of Brihadaranyaka Upanishad, and hymn 6.2.1 of Chandogya Upanishad 6.2.1.<ref>Original Sanskrit: सर्वं खल्विदं ब्रह्म तज्जलानिति शान्त उपासीत । अथ खलु क्रतुमयः पुरुषो यथाक्रतुरस्मिँल्लोके पुरुषो भवति तथेतः प्रेत्य भवति स क्रतुं कुर्वीत ॥ १ ॥ ([http://sa.wikisource.org/wiki/छान्दोग्योपनिषद्_२ छान्दोग्योपनिषद्] Wikisource;<br>English Translation 1: All this indeed is '''Brahman'''. From It the universe comes forth, in It the universe merges, and in It the universe breathes. Therefore a man should meditate on Brahman with a calm mind. Now, a man consists of free will. As he wills in this world, so does he become. Let him, with this knowledge in mind, form his free will. ([http://www.bharatadesam.com/spiritual/upanishads/chandogya_upanishad.php Chandogya Upanishad The Sandilya Doctrine - 3.14.1]);<br>English Translation 2: [https://archive.org/stream/Shankara.Bhashya-Chandogya.Upanishad-Ganganath.Jha.1942.English#page/n165/mode/2up Chandogya Upanishad III.xiv.1] GN Jha (Translator), page 151</ref>


==Mythology==
==Mythology==

Revision as of 01:05, 3 February 2015

The gender of God in Hinduism is sometimes visualized as a male god such as Krishna (left), or female goddess such as Lakshmi (middle), androgynous such as Ardhanarishvara (a composite of Shiva-male and Parvati-female), or as formless and genderless Brahman (Universal Absolute, Supreme Self as Oneness in everyone).

In Hinduism, there are diverse approaches to conceptualizing God and gender. Many Hindus focus upon impersonal Absolute (Brahman) which is genderless. Other Hindu traditions conceive God as androgynous (both female and male), alternatively as either male or female, while cherishing gender henotheism, that is without denying the existence of other Gods in either gender.[1][2]

The Shakti tradition conceives of God as a female. Other Bhakti traditions of Hinduism have both male and female gods. In ancient and medieval Indian mythology, each masculine deva of the Hindu pantheon is partnered with a feminine devi.[3]

History

Male and female deities are extensively mentioned in the Vedas. The earliest mandalas (books) of Rig veda, estimated to have been composed sometime in 2nd millennium BCE, mention both gods in both genders. Goddess of Dawns (Ushas) is praised in twenty Hymns of Chapters VI.64, VI.65, VII.78 and X.172, with Hymn VI.64.5 declaring goddess Ushas as the one who must be worshipped first.[4][5]

Hymn to Ushas (Abridged):
The shining tints of the Dawn have spread like the waves of the waters,
Beautifying the world, she renders all good roads easy to traverse,
She who is replete with delight, excellence and health,
Divine Ushas, though art seen auspicious, thou shinest afar,
thy bright rays spread over the sky, lovely and radiant with great splendour;
Do thou Ushas bring me opulence, daughter of heaven;
thou who art divine, who art lovely, who art to be worshipped at the first daily rite;
At thy dawning, divine Ushas, birds fly from their resting places, men arise to work;
Thou, divine Ushas, bring ample wealth to the mortal, the offerer of these prayers.

— Rigveda, VI.64[6]

Goddesses, other than Ushas, mentioned in early Vedic literature include Prthivi (earth), Aditi (mother of gods, abundance), Sarasvati (river, nourishment), Vac (sound and speech), and Nirrti (death, destruction).[4] Similarly male gods feature prominently in the Vedas, with Indra (rain, lightning), Agni (fire), Varuna (rta, law), Dyaus (sky, virility), Savitr (sun), and Soma (drink) some of the most mentioned.

Gross states that ancient and medieval Hindu literature is richly endowed with gods, goddesses and androgynous representations of God.[7] This, states Gross, is in contrast with several monotheistic religions, where God is synonymous with "He" and theism is replete with male anthropomorphisms. In Hinduism, goddess-imagery does not mean loss of male-god, rather the ancient literature presents the two genders as balancing each other and complementary.[7] The Goddesses in Hinduism are strong, beautiful and confident, symbolizing their vitality in cycle of life. While masculine Gods are symbolically represented as those who act, the feminine Goddesses are symbolically portrayed as those who inspire action.[7] Goddesses in Hinduism are envisioned as the patrons of arts, culture, nurture, learning, arts, joys, sprituality and liberation.[4][7]

God is not either male or female concept in ancient Indian literature. Androgynous concepts of god are common place as well.[7]

Brahman

Major schools of Hindu philosophy focus their philosophical discourse on an Universal Absolute called Brahman, which is a grammatically genderless noun.[8] This Universal Absolute, states Zimmer, is "beyond the differentiating qualifications of sex, beyond any and all limitations, individualizing characteristics whatsoever". The Brahman is the Great Cosmic Spirit, the Ultimate True Reality, a transcendental concept that includes all virtues, forms, genders, characteristics, capacities, knowledge and being-ness.[8] The history of the genderless concept of Brahman can be traced back to Vedas, particularly the earliest Upanishads, such as hymns 1.4.10 and 4.4.5 of Brihadaranyaka Upanishad, and hymn 6.2.1 of Chandogya Upanishad 6.2.1.[9]

Mythology

Hindu mythology incorporates numerous devas (gods) and devis (goddesses). These are symbolic stories that synthesize God and gender, with ideas and values. The Vishnu Purana, for example, recites one such myth describes male gods and female goddesses with names that is loaded with symbolism. An excerpt of the story is as follows,[10]

The progeny of Dharma by the daughters of Daksha were as follows: by Sraddhá (devotion) he had Kama (desire); by Lakshmí (wealth, prosperity), was born Darpa (pride); by Dhriti (courage), the progeny was Niyama (precept); by Tusht́i (inner comfort), Santosha (contentment); by Pusht́i (opulence), the progeny was Lobha (cupidity, greed); by Medhá (wisdom, experience), Sruta (sacred tradition); by Kriyá (hard work, labour), the progeny were Dańd́a, Naya, and Vinaya (justice, politics, and education); by Buddhi (intellect), Bodha (understanding); by Lajjá (shame, humility), Vinaya (good behaviour); by Vapu (body, strength), Vyavasaya (perseverance). Shanti (peace) gave birth to Kshama (forgiveness); Siddhi (excellence) to Sukha (enjoyment); and Kírtti (glorious speech) gave birth to Yasha (reputation). These were the sons of Dharma; one of whom, Kama (love, emotional fulfillment) had baby Hersha (joy) by his wife Nandi (delight).

The wife of Adharma (vice, wrong, evil) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya (fear) and Máyá (deceit) was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka (hell) and Vedaná (torture). The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

— Vishnu Purana, Chapter 7, Translated by Horace Hayman Wilson[10]

Examples

Smarta and Advaita

The Smarta tradition, which by and large, follows Advaita philosophy believes all forms, male and female, to be different forms of the impersonal Absolute, Brahman which is of neuter gender and can never be defined. Brahman is viewed as without personal attributes (Nirguna Brahman) or with attributes (Saguna Brahman, equated with Ishvara) as God. In Advaita Vedanta, Ishvara is Brahman. Thus according to Smarta views, the divine can be with attributes, Saguna Brahman, and also be viewed with whatever attributes, (e.g., a goddess) a devotee conceives.

Shiva and Vishnu

In Vaishnavism and Shaivism,[11][12] God, Vishnu or Shiva respectively, is personified as male. God, however, transcends gender in these sub-schools, and the male form is used as an icon to help focus the Puja (worship). The use of icons is not restricted to male forms. It takes various forms and shapes. The Shaivites and Vaishnavites worship God in non-anthropomorphic, symbolic male-female images as well, such as the linga-yoni and Saligram respectively. In their literature, the principle of God's true nature as sexless is emphasized as in the Vishnu sahasranama.[citation needed]

Thus, the first few names,[which?] of Vishnu sahasranama, in particular, do not describe features of Vishnu in detail and hence are not anthropomorphic.[citation needed]

Shakti

Shaktism, on the other hand, is a denomination of Hinduism that worships Shakti, or Devi Mata—the Hindu name for the Great Divine Mother—in all of her forms whilst not rejecting the importance of masculine and neuter divinity (which are however deemed to be inactive in the absence of the Shakti). In pure Shaktism, the Great Goddess, or Devi, is worshiped. N. N. Bhattacharyya[citation needed] explained that "[those] who worship the Supreme Deity exclusively as a Female Principle are called Shakta.[citation needed]

Alternative interpretations of Shaktism, however—primarily those of Shaivite scholars, such as Satguru Sivaya Subramuniyaswami—argue that the feminine manifest is ultimately only the vehicle through which the masculine Un-manifest Parasiva is ultimately reached.[citation needed]

Radha Krishna

The common separation of Sakti and Saktiman, i.e. Female and Male principle in god arrives at the conclusion Sakti and Saktiman are the same.[13] Each and every god has its partner, 'better-half' or Sakti and without this Sakti he is sometimes viewed being without essential power.[14] In some Bhakti schools, devotees of Hinduism worship both genders as a God-pair, rather than a specific gender.[15][16]

From the Vaishnava point of view the divine feminine energy (Shakti) implies a divine source of energy, i.e. God as shaktiman. "Sita relates to Rama; Lakshmi belongs to Narayana; Radha has Her Krishna." The female, in these pairs, is viewed as the source of energy and essence of the male.[17][18][19]

One of the prominent features of Vaishnavism in Manipur, for example, is the worship of the two genders together. Devotees do not worship Krishna alone, or Radha alone, but Radha-Krishna.[20] Rasa and other dances are a feature of the regional folk and religious tradition and often, for example, a female dancer will portray both 'male' Krishna and his consort, Radha, in the same piece.[21]

See also

Notes

  1. ^ John Renard (1999), Responses to 101 Questions on Hinduism, Paulist, ISBn 978-0809138456, pages 74-76
  2. ^ What is Hinduism?, p. PR17, at Google Books, Hinduism Today, Hawaii
  3. ^ The Concept of Shakti: Hinduism as a Liberating Force for Women
  4. ^ a b c David R. Kinsley (1986), Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition, University of California Press, ISBN 978-0520053939
  5. ^ Rigveda Hymn VI.64.5, HH Wilson (Translator), Trubner & Co London, page 7
  6. ^
    • Original Sanskrit: एषा स्या नो दुहिता दिवोजाः क्षितीरुच्छन्ती मानुषीरजीगः । या भानुना रुशता राम्यास्वज्ञायि तिरस्तमसश्चिदक्तून् ॥१॥ वि तद्ययुररुणयुग्भिरश्वैश्चित्रं भान्त्युषसश्चन्द्ररथाः । अग्रं यज्ञस्य बृहतो नयन्तीर्वि ता बाधन्ते तम ऊर्म्यायाः ॥२॥ (...) इदा हि त उषो अद्रिसानो गोत्रा गवामङ्गिरसो गृणन्ति । व्यर्केण बिभिदुर्ब्रह्मणा च सत्या नृणामभवद्देवहूतिः ॥५॥ उच्छा दिवो दुहितः प्रत्नवन्नो भरद्वाजवद्विधते मघोनि । सुवीरं रयिं गृणते रिरीह्युरुगायमधि धेहि श्रवो नः ॥६॥ (Source: ऋग्वेद: सूक्तं ६.६५ Wikisource)
    • English Translation: Rigveda Hymn VI.64.5, HH Wilson (Translator), Trubner & Co London, page 7
  7. ^ a b c d e RM Gross (1978), Hindu Female Deities as a Resource for the Contemporary Rediscovery of the Goddess, Journal of the American Academy of Religion, Vol. 46, No. 3 (Sep., 1978), pages 269-291
  8. ^ a b Heinrich Robert Zimmer (1972), Myths and Symbols in Indian Art and Civilization, Princeton University Press, ISBN 978-0691017785, pages 123-128
  9. ^ Original Sanskrit: सर्वं खल्विदं ब्रह्म तज्जलानिति शान्त उपासीत । अथ खलु क्रतुमयः पुरुषो यथाक्रतुरस्मिँल्लोके पुरुषो भवति तथेतः प्रेत्य भवति स क्रतुं कुर्वीत ॥ १ ॥ (छान्दोग्योपनिषद् Wikisource;
    English Translation 1: All this indeed is Brahman. From It the universe comes forth, in It the universe merges, and in It the universe breathes. Therefore a man should meditate on Brahman with a calm mind. Now, a man consists of free will. As he wills in this world, so does he become. Let him, with this knowledge in mind, form his free will. (Chandogya Upanishad The Sandilya Doctrine - 3.14.1);
    English Translation 2: Chandogya Upanishad III.xiv.1 GN Jha (Translator), page 151
  10. ^ a b Vishnu Purana Chapter 7
  11. ^ Dvaita Documentation: Vaishnava FAQ
  12. ^ Shaivam - An Introduction
  13. ^ Surendranath Dasgupta,A History of Indian Philosophy (1991) p. 31
  14. ^ Santilata Dei, Del Santilata, Vaisnavism in Orissa (1988) p. 167
  15. ^ Beck, Guy L. (2005). Alternative Krishnas: regional and vernacular variations on a Hindu deity. Albany, N.Y: State University of New York Press. pp. p. 68. ISBN 0-7914-6415-6.
  16. ^ Kakoli Basak, (1991) Rabindranath Tagore, a Humanist - p. 11
  17. ^ Rosen 2002, p. 54
  18. ^ Dave Symmons (1998), This is Hinduism, Nelson Thornes, ISBN 978-0748730933, page 20
  19. ^ Stella Kramrisch (1975), The Indian Great Goddess, History of Religions, Vol. 14, No. 4, pages 260-263
  20. ^ Encyclopaedia of Indian Literature - p. 4290, Amaresh Datta, Mohan Lal,1994
  21. ^ Schwartz 2004, p. 35

References

  • Schwartz, Susan (2004). Rasa: performing the divine in India. New York: Columbia University Press. ISBN 0-231-13145-3.
  • Rosen, Steven (2002). The hidden glory of India. Los Angeles: Bhaktivedanta Book Trust. ISBN 0-89213-351-1.
  • Valpey, Kenneth Russell (2006). Attending Kṛṣṇa's image: Caitanya Vaiṣṇava mūrti-sevā as devotional truth. New York: Routledge. ISBN 0-415-38394-3.
  • Schweig, G.M. (2005). Dance of divine love: The Rasa Lila of Krishna from the Bhagavata Purana, India's classic sacred love story. Princeton University Press, Princeton, NJ; Oxford. ISBN 0-691-11446-3.