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== Life ==
== Life ==


He was the son of French physicist [[Paul Langevin]] (1872-1946) and [[Eliane Montel]] (1898-1992), teacher at the [[University of Paris|Sorbonne]] science departement.
He was the son of French physicist [[Paul Langevin]] (1872-1946)<ref>[https://books.google.fr/books?id=fhUzi81BbBEC&pg=PP4&lpg=PP4&dq=paul-gilbert+langevin&source=bl&ots=kN1-ntI-dH&sig=4VtW___iGuFdjY6CgUys9SN22uU&hl=fr&sa=X&ved=0CFsQ6AEwDWoVChMIpsm0zNDvxgIVwWkUCh26sQjf#v=onepage&q=paul-gilbert%20langevin&f=false Bruckner, Apogee de la Symphonie]</ref> and [[Eliane Montel]] (1898-1992)<ref>[http://www.ajpn.org/personne-Paul-Gilbert-8255.html AJPN]</ref>, teacher at the [[University of Paris|Sorbonne]] science departement.


Paul-Gilbert Langevin is first of all student at [[ESPCI]]<ref>[https://www.espci.fr/en/ ESPCI]</ref>, which director was his father from 1925 to 1946. Then he completes his scientific formation at the [[University of Paris|Sorbonne]] and [[Université Pierre-et-Marie-Curie]] with a degree in physical chemistry under the supervision of René Freymann, who became one of his close friends. He was also a friend of physicist Herbert Überall who mastered a thesis under the supervision of [[Hans Bethe]], and his wife.
Paul-Gilbert Langevin is first of all student at [[ESPCI]]<ref>[https://www.espci.fr/en/ ESPCI]</ref>, which director was his father from 1925 to 1946. Then he completes his scientific formation at the [[University of Paris|Sorbonne]] and [[Université Pierre-et-Marie-Curie]] with a degree in physical chemistry under the supervision of René Freymann, who became one of his close friends. He was also a friend of physicist Herbert Überall<ref>[https://books.google.fr/books?id=qwxXY0N00R8C&pg=PR7&lpg=PR7&dq=herbert+uberall&source=bl&ots=pKBEqSB1u7&sig=8FqFeeylwYSuBcGiCux5mIDB6cc&hl=fr&sa=X&ved=0CFIQ6AEwCGoVChMIj6iOu6CDxwIVjGkUCh2Dqgf_#v=onepage&q=herbert%20uberall&f=false Dedication about Herbert Überall]</ref> who mastered a thesis under the supervision of [[Hans Bethe]], and his wife.


But very soon, he became in love with classical music, listening to [[Anton Bruckner]]'s symphonies on radio recordings in his early years, and meeting young prodigy conductor Roberto Benzi<ref>[http://www.robertobenzi.com/ Conductor Roberto Benzi]</ref>. After his scientific degrees, he decides to write a thesis under the supervision of [[Daniel Charles]] at the ''Centre Universitaire de Vincennes'' about XIXth century Austrian music and especially about [[Anton Bruckner]] and the so-called "ethnoromantic" period.
But very soon, he became in love with classical music, listening to [[Anton Bruckner]]'s symphonies on radio recordings in his early years, and meeting young prodigy conductor Roberto Benzi<ref>[http://www.robertobenzi.com/ Conductor Roberto Benzi]</ref>. After his scientific degrees, he decides to write a thesis under the supervision of [[Daniel Charles]] at the ''Centre Universitaire de Vincennes'' about XIXth century Austrian music and especially about [[Anton Bruckner]] and the so-called "ethnoromantic" period.
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Then, he becomes a physics teacher at the [[University of Paris|Sorbonne]] science departement and at the [[Université Pierre-et-Marie-Curie]]<ref>[http://www.upmc.fr/en/index.html Pierre and Marie Curie University]</ref> which was created in the sixties, and writes books on classical music. He meets his musicologist colleagues: [[Harry Halbreich]], Gustave Kars, Jacques Feschotte, [[Pierre Vidal (composer)|Pierre Vidal]], [[Marc Vignal]], Jean-Luc Caron...
Then, he becomes a physics teacher at the [[University of Paris|Sorbonne]] science departement and at the [[Université Pierre-et-Marie-Curie]]<ref>[http://www.upmc.fr/en/index.html Pierre and Marie Curie University]</ref> which was created in the sixties, and writes books on classical music. He meets his musicologist colleagues: [[Harry Halbreich]], Gustave Kars, Jacques Feschotte, [[Pierre Vidal (composer)|Pierre Vidal]], [[Marc Vignal]], Jean-Luc Caron...


He becomes a close friend of director Eric-Paul Stekel, son of psychoanalyst [[Wilhelm Stekel]], and a close friend of director Florian Hollard, son of French resistant [[Michel Hollard]], the so-called "man who save London"<ref>[http://www.michel-hollard.com/ Michel Hollard, the man who saved London]</ref>. He is a friend from childhood with painter and engraver [[Nicolas Eekman]]'s daughter, Luce Eekman<ref>[http://www.nicolaseekman.com/en/ Nicolas Eekman, figurative artist of international renown]</ref>. He is very close too with socialist [[Louis Mermaz]], one of his high school friends<ref>[https://books.google.fr/books?id=NRfrAAAAQBAJ&pg=PT64&lpg=PT64&dq=il+faut+que+je+vous+dise+louis+mermaz+paul-gilbert+langevin&source=bl&ots=nteG0MQWR5&sig=aCfBBM_aS-d-EsdDrF7eWUILcA4&hl=fr&sa=X&ved=0CCMQ6AEwAGoVChMIwq_WmLDxxgIVwT4UCh1IyQMC#v=onepage&q=paul-gilbert%20langevin&f=false Louis Mermaz Memoirs]</ref>, and meets radical socialist [[Pierre Mendès-France]].
He becomes a close friend of director Eric-Paul Stekel, son of psychoanalyst [[Wilhelm Stekel]]<ref>[http://agora.qc.ca/thematiques/mort/dossiers/stekel_wilhelm Stekel Wilhelm]</ref>, and a close friend of director Florian Hollard<ref>[https://www.whoswho.fr/bio/florian-hollard_6941 Florian Hollard on Who's Who]</ref>, son of French resistant [[Michel Hollard]], the so-called "man who save London"<ref>[http://www.michel-hollard.com/ Michel Hollard, the man who saved London]</ref>. He is a friend from childhood with painter and engraver [[Nicolas Eekman]]'s daughter, Luce Eekman<ref>[http://www.nicolaseekman.com/en/ Nicolas Eekman, figurative artist of international renown]</ref>. He is very close too with socialist [[Louis Mermaz]], one of his high school friends<ref>[https://books.google.fr/books?id=NRfrAAAAQBAJ&pg=PT64&lpg=PT64&dq=il+faut+que+je+vous+dise+louis+mermaz+paul-gilbert+langevin&source=bl&ots=nteG0MQWR5&sig=aCfBBM_aS-d-EsdDrF7eWUILcA4&hl=fr&sa=X&ved=0CCMQ6AEwAGoVChMIwq_WmLDxxgIVwT4UCh1IyQMC#v=onepage&q=paul-gilbert%20langevin&f=false Louis Mermaz Memoirs]</ref>, and meets radical socialist [[Pierre Mendès-France]].


He creates the Anton Bruckner French society<ref>[https://www.cairn.info/revue-reliance-2007-2-page-140.htm Anton Bruckner, article by Alfred and Françoise Brauner]</ref>, writes a lot of books on XIXth century symphonic music, edited in ''Musical Review'' and by ''l'Age d'Homme''<ref>[https://books.google.fr/books?id=fhUzi81BbBEC&pg=PA3&lpg=PA3&dq=anton+bruckner+apog%C3%A9e+de+la+symphonie+l'age+d'homme&source=bl&ots=kN6XlsDXez&sig=jWv8AHIN2iKj_Eq9AqKL7vBnueM&hl=fr&sa=X&ved=0ahUKEwibmYzEkaTRAhXL5xoKHQXlCLIQ6AEIODAG#v=onepage&q=anton%20bruckner%20apog%C3%A9e%20de%20la%20symphonie%20l'age%20d'homme&f=false Anton Bruckner, the Symphonic Heights, by l'Age d'Homme]</ref> editions. He is a musical critique in ''The World of Music'', edited by his friend Anne Rey.
He creates the Anton Bruckner French society<ref>[https://www.cairn.info/revue-reliance-2007-2-page-140.htm Anton Bruckner, article by Alfred and Françoise Brauner]</ref>, writes a lot of books on XIXth century symphonic music, edited in ''Musical Review'' and by ''l'Age d'Homme''<ref>[https://books.google.fr/books?id=fhUzi81BbBEC&pg=PA3&lpg=PA3&dq=anton+bruckner+apog%C3%A9e+de+la+symphonie+l'age+d'homme&source=bl&ots=kN6XlsDXez&sig=jWv8AHIN2iKj_Eq9AqKL7vBnueM&hl=fr&sa=X&ved=0ahUKEwibmYzEkaTRAhXL5xoKHQXlCLIQ6AEIODAG#v=onepage&q=anton%20bruckner%20apog%C3%A9e%20de%20la%20symphonie%20l'age%20d'homme&f=false Anton Bruckner, the Symphonic Heights, by l'Age d'Homme]</ref> editions. He is a musical critique in ''The World of Music'', edited by his friend Anne Rey.


From the fifties, his passion is classical music and symphonic music and he writes articles, monographs and books about [[Anton Bruckner]], [[Franz Schubert]], [[Guillaume Lekeu]], [[Albéric Magnard]], [[Joseph-Guy Ropartz]] and [[Charles Koechlin]] and is interested also by works by [[Hugo Wolf]], [[Gustav Mahler]], [[Arnold Schoenberg]], [[Franz Schmidt]], [[Ferruccio Busoni]], [[Leoš Janáček]] or [[Carl Nielsen]].
From the fifties, his passion is classical music and symphonic music and he writes articles, monographs and books about [[Anton Bruckner]], [[Franz Schubert]], [[Guillaume Lekeu]], [[Albéric Magnard]], [[Joseph-Guy Ropartz]] and [[Charles Koechlin]] and is interested also by works by [[Hugo Wolf]], [[Gustav Mahler]], [[Arnold Schoenberg]], [[Franz Schmidt]], [[Ferruccio Busoni]]<ref>[http://www.rodoni.ch/busoni/opere/LANGEVIN.html Ferruccio Busoni by Paul-Gilbert Langevin]</ref>, [[Leoš Janáček]] or [[Carl Nielsen]].


His niece Noémie Langevin married Yves Koechlin, the son of French composer [[Charles Koechlin]], so he often visited them to write on the famous composer's works, writing studies and catalogs.
His niece Noémie Langevin married Yves Koechlin<ref>[http://gumsparis.asso.fr/index.php/revue-le-crampon/n-343-octobre-2008/134-historique-1948-1955-1/file GUMS Association by Michel Pinault]</ref>, the son of French composer [[Charles Koechlin]]<ref>[http://www.koechlin.net/index.php/fr/ Koechlin Family]</ref>, so he often visited them to write on the famous composer's works, writing studies and catalogs<ref>[http://www.musiquecontemporaine.fr/record/oai:ircam.fr:catalogue:3909 Musique Contemporaine]</ref>.


In the seventies, he married Anne-Marie Desbat. He became the father of two children, Paul-Eric Langevin, born in 1979, who graduated in [[mathematics]] and [[linguistics]]<ref>[http://interdisciplinarite.blogspot.fr/ Interdisciplinarité]</ref>, and Isabelle Langevin, born in 1983, who is a [[kinesitherapy]] specialist.
In the seventies, he married Anne-Marie Desbat. He became the father of two children, Paul-Eric Langevin, born in 1979, who graduated in [[mathematics]] and [[linguistics]]<ref>[http://interdisciplinarite.blogspot.fr/ Interdisciplinarité]</ref>, and Isabelle Langevin, born in 1983, who is a [[kinesitherapy]] specialist.
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* ''Encyclopedy of sacred music'', directed by Jacques Porte, contribution (1971)
* ''Encyclopedy of sacred music'', directed by Jacques Porte, contribution (1971)
* ''Larousse of music'', directed by [[Marc Vignal]], contribution (1982)
* ''Larousse of music'', directed by [[Marc Vignal]], contribution (1982)
* ''Poems from childhood and youth'' (1946-1966)
* ''Poems from childhood and youth'' (1946-1966)<ref>[http://interdisciplinarite.blogspot.fr/2015/07/poemes-denfance-et-de-jeunesse-par-paul.html Poems from childhood and youth, on Interdisciplinarité]</ref>
* ''A transfigurated symphony, a dramatical story in four movements and two times'' (1966-1968)
* ''A transfigurated symphony, a dramatical story in four movements and two times'' (1966-1968)


Revision as of 20:11, 2 January 2017

Paul-Gilbert Langevin
Born(1933-07-05)5 July 1933
Boulogne-Billancourt, France
Died4 July 1986(1986-07-04) (aged 52)
Paris, France
NationalityFrench
Alma materESPCI, Sorbonne, Centre Universitaire de Vincennes
Scientific career
FieldsMusicology, Ethnomusicology, Classical music, Symphonic music, Physical Chemistry
InstitutionsSorbonne, Université Pierre-et-Marie-Curie, Société française Anton Bruckner

Paul-Gilbert Langevin (5 July 1933, Boulogne-Billancourt – 4 July 1986, Paris) was a French musicologist, critique musical and physicist who wrote several books on 19th century classical music[1].

Life

He was the son of French physicist Paul Langevin (1872-1946)[2] and Eliane Montel (1898-1992)[3], teacher at the Sorbonne science departement.

Paul-Gilbert Langevin is first of all student at ESPCI[4], which director was his father from 1925 to 1946. Then he completes his scientific formation at the Sorbonne and Université Pierre-et-Marie-Curie with a degree in physical chemistry under the supervision of René Freymann, who became one of his close friends. He was also a friend of physicist Herbert Überall[5] who mastered a thesis under the supervision of Hans Bethe, and his wife.

But very soon, he became in love with classical music, listening to Anton Bruckner's symphonies on radio recordings in his early years, and meeting young prodigy conductor Roberto Benzi[6]. After his scientific degrees, he decides to write a thesis under the supervision of Daniel Charles at the Centre Universitaire de Vincennes about XIXth century Austrian music and especially about Anton Bruckner and the so-called "ethnoromantic" period.

Then, he becomes a physics teacher at the Sorbonne science departement and at the Université Pierre-et-Marie-Curie[7] which was created in the sixties, and writes books on classical music. He meets his musicologist colleagues: Harry Halbreich, Gustave Kars, Jacques Feschotte, Pierre Vidal, Marc Vignal, Jean-Luc Caron...

He becomes a close friend of director Eric-Paul Stekel, son of psychoanalyst Wilhelm Stekel[8], and a close friend of director Florian Hollard[9], son of French resistant Michel Hollard, the so-called "man who save London"[10]. He is a friend from childhood with painter and engraver Nicolas Eekman's daughter, Luce Eekman[11]. He is very close too with socialist Louis Mermaz, one of his high school friends[12], and meets radical socialist Pierre Mendès-France.

He creates the Anton Bruckner French society[13], writes a lot of books on XIXth century symphonic music, edited in Musical Review and by l'Age d'Homme[14] editions. He is a musical critique in The World of Music, edited by his friend Anne Rey.

From the fifties, his passion is classical music and symphonic music and he writes articles, monographs and books about Anton Bruckner, Franz Schubert, Guillaume Lekeu, Albéric Magnard, Joseph-Guy Ropartz and Charles Koechlin and is interested also by works by Hugo Wolf, Gustav Mahler, Arnold Schoenberg, Franz Schmidt, Ferruccio Busoni[15], Leoš Janáček or Carl Nielsen.

His niece Noémie Langevin married Yves Koechlin[16], the son of French composer Charles Koechlin[17], so he often visited them to write on the famous composer's works, writing studies and catalogs[18].

In the seventies, he married Anne-Marie Desbat. He became the father of two children, Paul-Eric Langevin, born in 1979, who graduated in mathematics and linguistics[19], and Isabelle Langevin, born in 1983, who is a kinesitherapy specialist.

In 1986, he died from kidney cancer.

See also

Works

  • Research on intermolecular actions by nuclear magnetic resonance, Université Pierre-et-Marie-Curie, 1972
  • Bruckner's Century, Musical Review, 1975
  • Anton Bruckner, the Symphonic Heights, L'Âge d'Homme, 1977.
  • Musicians from France, the great symphonists generation, Musical Review, 1979.
  • Anton Bruckner and austrian ethnoromantism, PhD thesis, 1980.
  • Franz Schubert and Symphony, elements of a new perspective, Musical Review, 1982.
  • Musicians from Europe, ethnoromantic renewal figures, Musical Review, 1986.
  • Franz Schubert, symphonist found (unfinished)
  • Anton Bruckner, an esthetic perspective and an analytic study linked with critical editions
  • Bruckner's Century, an essay for a new perspective on second golden age Viennese masters
  • Treaty of musicology, directed by Jacques Chailley, PUF, contribution (1958)
  • Encyclopedy of sacred music, directed by Jacques Porte, contribution (1971)
  • Larousse of music, directed by Marc Vignal, contribution (1982)
  • Poems from childhood and youth (1946-1966)[20]
  • A transfigurated symphony, a dramatical story in four movements and two times (1966-1968)

References

  1. ^ Works of Paul-Gilbert Langevin on Amazon
  2. ^ Bruckner, Apogee de la Symphonie
  3. ^ AJPN
  4. ^ ESPCI
  5. ^ Dedication about Herbert Überall
  6. ^ Conductor Roberto Benzi
  7. ^ Pierre and Marie Curie University
  8. ^ Stekel Wilhelm
  9. ^ Florian Hollard on Who's Who
  10. ^ Michel Hollard, the man who saved London
  11. ^ Nicolas Eekman, figurative artist of international renown
  12. ^ Louis Mermaz Memoirs
  13. ^ Anton Bruckner, article by Alfred and Françoise Brauner
  14. ^ Anton Bruckner, the Symphonic Heights, by l'Age d'Homme
  15. ^ Ferruccio Busoni by Paul-Gilbert Langevin
  16. ^ GUMS Association by Michel Pinault
  17. ^ Koechlin Family
  18. ^ Musique Contemporaine
  19. ^ Interdisciplinarité
  20. ^ Poems from childhood and youth, on Interdisciplinarité
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